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Psychological effects of art
Psychological effects of art
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This pieces of artwork are captivating, still puzzling, and somewhat inscrutable. It is really amazing to behold the work of a woman who unveiled a great artistic strategy and prowess in creating this enigmatic piece of artwork. What a sweet way to tell a disheartening story, creating admiration in something that could rather tear one apart. You made a great choice and I really appreciate your great articulation in a piece of work such as this. It took me down to the lane of history. What really made you consider Kara Walker as a contemporary artist? According to Fienberg, 2009; “The implicit underlying subject matter of art is always the artist’s encounter with reality --the underlying, painful, and exhilarating intersection of psychological
Background Known today as Madam CJ Walker that was not the name she was given on December 23, 1867. Sarah was orphaned at the young age of seven and was able to survive by working in the cotton fields of Delta and Mississippi. In an attempt to escape abuse from her sisters, (Louvenia sisters name) husband she married at the age of 14 (married Moses McWilliams). She has one daughter names Lelia, currently known as A'Lelia Walker.
Kara Walker, was born on November 26, 1969 at Stockton, California, U.S. She is American installation artist who used intricate cut-paper silhouettes, together with collage, drawing, painting, light projection, and animation in here work to comment on power, race and gender relations.
"The still must tease with the promise of a story the viewer of it itches to be told."
Marina Abramovic was born in Yugoslavia in 1946. In the early 1970’s she pursued Fine Art in Belgrade where she established the importance and use of performance as a visual art. Marina considered body as being her medium and subject. Having found the mental limits of her existence, she bore severe pain and danger in the search for emotional transformation.
...tion between art and reality is developed simultaneously by dialogue and a series of non-verbal techniques.
During the 1980’s Graphic Designer, Paula Scher helped design and define the decade of color, music, and fun. Scher began her graphic design work by creating designs for the inside of children’s books. Later on, the artist received a larger gig working for record labels such as CBS and Atlantic Records. After she began her work as an album cover artist, Scher’s artwork became known for its exaggerated use of typography and its unique style. Early in her work, Paula built her credibility with her design of the Boston album artwork from 1976. From there Scher continued to shape the decades of the late seventy’s and the early eighty’s by designing albums for Cheap Trick, The Blue Oyster Cult, The Rolling Stones and more. After some time, Paula resigned form the record industry and began her own design company with her friend Terry Koppel. The two designers called the company Koppel & Scher and ran the business for seven years until the recession, which eventually caused them to go their separate ways. By 1991 Paula received an irresistible job offer to work for Pentagram as a graphic de...
Alice Walker is an American author, novelist, short story writer, poet and political activist. She was born in Eatonton, Georgia on February 9, 1944, the youngest child of eight. Her parents, a sharecropper and a maid, had little money. At the age of eight, her right eye was scarred and caused her partial blindness because her parents were unable to take her to the doctor for a week. The blindness left her to become teased and bullied by classmates; she became withdrawn and began writing to escape daily ridicule. At age fourteen, the scar tissue was removed, but she continued to feel like an outcast regardless of her accomplishments. She became valedictorian of her high school and went on to attend Spelman College on a full scholarship. She later transferred to Sarah Lawrence College, graduating in 1965. While at Spelman, she became involved in the civil rights movement. Walker continued with the movement, registering black voters in rural Georgia and Mississippi. After graduating from Sarah Lawrence, she married Melvyn Leventhal in 1967, a white Jewish civil rights attorney. The couple’s daughter was born in 1969. They moved to Jackson, Mississippi, becoming the first legally married inter-racial couple in the state. Together they faced racism and many threats from the Ku Klux Klan and other whites. She finished her first novel, The Third Life of Grange Copeland, in 1969 and it was published in 1970. When her marriage ended in 1977, Alice and her daughter moved to northern California. She still resides in northern California and continues to write today.
Kruger’s exploration of the role of women in society, and gender as a social construct with her aggressive and provocative images, places her in an important role in recent social and feminist movements. This, combined with her unique artistic techniques, has made her a very influential artist of postmodern times.
“My five year old can do that!” Is a statement made by many when viewing abstract art. For those who do not value abstract art much, it might seem like a simple art with randomly thrown together shapes and colors; however, those who are familiar with it understands it’s complexity and significance. Each line, shape, color, structure and pattern helps to contribute to the attitude and meaning of these types of artwork. Abstract art holds many psychological aspects to it. Abstract art can erupt different feelings in its viewers. Paintings of abstraction have such a significant effect on our minds, especially the portion of our minds that control emotions (Gridley, 2013). This can be exemplified through the abstract artworks like, "Chicken Women"
Is artistic expression intertwined with the inner workings of the brain more than we would ever have imagined? Author and cognitive neuroscientist Semir Zeki certainly thinks so. Zeki is a leading authority on the research surrounding the "visual brain". In his book Inner Vision, he ventures to explain to the reader how our brain actually perceives different works of art, and seeks to provide a biological basis for the theory of aesthetics. With careful attention to details and organization, he manages to explain the brain anatomy and physiology involved when viewing different works of art without sounding impossibly complicated – a definite plus for scientists and non-scientists alike who are interested in the topic of art and the brain. Throughout the book, Zeki supports his arguments by presenting various research experiments, brain image scans, and plenty of relevant artwork to clarify everything described in the text. By mostly focusing on modern masterpieces (which include Vermeer, Michelangelo, Mondrian, kinetic, abstract, and representational art), he convincingly explains how the color, motion, boundaries, and shapes of these unique works of art are each received by specific pathways and systems in the brain that are specially designed to interpret each of these particular aspects of the art, as opposed to a single pathway interpreting all of the visual input.
Conceptual art is a movement that prizes the ideas over the formal or visual components of art works(LeWitt).The idea is what fuels the art, without it, I couldn't be art( LeWitt). The art form is detached from the ability of the artist as a craftsman( LeWitt). It is the objective of the artist to make the art mentally interesting to the viewer, to make his point across and to evoke emotion , be it positive or negative. In fact most of the conceptual art actively sets out to be controversial. It seeks to challenge and probe viewers about what they tend to think as art(Schellekens). From that point it is considered a very controversial art form. There are people that find it refreshing and meaningful, while others believe that it is shocking, distasteful and lacking any form of
Women in Art Throughout history many artistic works have been deemed "great" and many individuals have been labeled "masters" of the discipline. The question of who creates art and how is it to be classified as great or greater than another has commonly been addressed by scholars and historians. The last quarter of the 20th century has reexamined these questions based on the assertions that no women artists have ever created or been appreciated to the level of "greatness" that perpetually befalls their male counterparts. The position that society has institutionalized on women as unable to be anything but subordinate and unexpressive is a major contributor to this claim.
A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.
The urge to create art is universal. Artists are creative individuals who use imagination and skill to communicate in visual form. They are driven by their sense of wonder and curiosity. However, the impulses that drive artists to create vary. Different artists can represent the same event or idea in very different ways. Artists get their ideas from many different sources. (1) Some artists, like the landscape painters of the Hudson River School, get ideas from nature. (2) Other artists get ideas from people and real-world events. (3) Many artists interpret myths and legends in their work. (4) In every culture, art is used to express spiritual and religious beliefs. (5) Many artists develop creative techniques to create their art. For example, Jackson Pollock expressed his personal feelings by creating a new technique?dripping paint onto canvas (Figure 1.13, page 14)....
Through the invocation of uncertainty, art renders the spaces that separate our individual realities visible. Uncertainty is the mental state that gives rise to internal questions aimed at our own lives and motives, and in turn requires us to either reaffirm or to shift our beliefs. To discuss our uncertainties are to breathe them into reality because our thoughts dwell inside our bodies until they are spoken, and that eviction is irrevocable. Art that rips thoughts from their comfortable hiding place within my subconscious, and either renders me speechless, or removes a cork from a suppressed river of emotion within my psyche is the kind I appreciate the most. Whether the art evokes positive emotion when i first begin to understand it, or if it only creates pleasure in my mind after a period of shrill curses and