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Recommended: Feminist art 20th century
The Problem of Feminism in Female Art
A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.
The question “Why have there been no great women artists?” has been debated since the 1970’s, when historian Linda Nochlin released her book of a similar name. In the decades that have followed, the number of women pursuing education and careers in the arts has risen drastically; more women than ever are attempting to make a living as artists. Yet feminists are not satisfied: despite the growing numbers of women in the art world, female artists’ attempts at recognition have been dramatically less successful than those of their male counterparts.
Feminist artists have been working since the women’s movement to create some kind of forum for women’s art in a history dominated by “good ol’ boys.” Yet the political stereotypes which surround feminism have caused some female artists to disassociate themselves with the concept. More and more women are choosing to delve into a profession where their work will very much remain subdued, and where their individual contributions will likely remain unheralded. This increase, certainly, is a hard-fought victory for women; the increase indicates increased awareness and opportunity for women artists. However, some contemporary female artists argue that feminism’s effort to reach the propr...
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...onal interview. 22 Mar. 1998.
Chadwick, Whitney. Women, Art and Society. New York: Thames and Hudson Inc, 1990.
Crowell, Susan Elizabeth. “Reflections on a Feminist Aesthetic.” Studio Potter 20 (1991): 89-98.
Dworkin, Andrea. “Feminism, Art, and My Mother Sylvia.” Social Policy, May/June 1975.
“Guerrilla Girls.” [Online] Available. http://www.guerrillagirls.com, (assessed March 22, 1999).
Mayer, Monica. “On Life and Art as a Feminist.” [Online] Avaliable http://web.ukonline.co.uk/n.paradoxa/mayer2.htm, N. Paradoxa 1.9, 22 Mar. 1999.
Morse, Marcia. “Feminist Aesthetics and the Spectrum of Gender.” Philosophy East and West 42 (1992): 287-296.
Strawter, Lisa Marie. Statistic compilation. [Online] Available. http://libweb.sonoma.edu/special/waa http://libweb.sonoma.edu/special/waa, (assessed March 22, 1999).
When people in todays society code-switch, we enhance our character and overall roundness to ourselves. There are instances where people code-switch to communicate with others in a different language, or we change our tone with certain groups of people. Speaking multiple languages in a household, can lead to a lot of code-switching because you can have that one relative who can’t speak english, so you become a “translator” to help them with daily tasks. Even though code-switching can happen with different languages, the most common code-switching is used when speaking to different groups of people. Talking to an adult would have a different type of tone, rather than speaking to one of your friends. Code-switching is used to help strengthen
Women have spent a large amount of time throughout the 20th century fighting for liberation from a patriarchal form that told them that they must be quiet and loyal to their husbands and fathers. For the duration of this essay, I will be discussing how the “Modern Woman” image that appeared through the Art Deco style — that emulated ideas such as the femme fatale and masqueraded woman, and presented new styles to enhance women’s comfortability and freedom — is still prevalent and has grown in contemporary art and design since. Overall I will describing to you how fashion, sexuality, and the newly emerged ‘female gaze’, and how these tie in together — in both periods of time — to produce what can be described as powerful femininity.
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
Whitney Chadwick, Women, Art, and Society 3rd ed. (NY: Thames & Hudson world of art, 2002), 153-160.
During the Art Deco era the calla lily became one of the most popular flowers around. Whether in florist shops or on artist canvases the calla lily became a recurring theme. Like many flowers before it the calla lily came to be more than a flower on its own but it represented the idea of femininity. The calla lily was used by artists such as Tamara de Lempicka, Diego Rivera and Georgia O’Keeffe as a symbol of femininity and feminism. Through examining their works, in relation to their own lives and the events of the day, I will explore how the calla lily came to represent a new type on femininity and feminism.
America is home for thousands of cultures and languages. Most people can speak at least two different languages either because of the environment and family or simply by taking another world language class in school. One of the advantages with knowing more than one language is that code-switching becomes a part of you and it happens naturally. In “‘ I Don’t ‘Code-Switch’ to Hide my Identity. I ‘Code-Switch’ to celebrate It,”’ Vaidehi Mujumdar states that code-switching is enriching and exciting based on her personal experience. In “learning How to Code-Switching: Humbling, But Necessary,” Eric Deggans claims that code-switching is valuable and necessary in everyday lifestyle and it is lot more than just being about cultural differences. If one were to put Deggans and
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
...witty comical banter helps spread the understanding of the underlying themes behind the humor. It makes it easier for the artists to connect with the audience about feminism without an aggressive and hostile approach to the work. I believe viewers are more likely to communicate upon the works of the Guerrilla Girls with one another in society when they take on a more comedic approach. This investigation has examined the Guerrilla Girls through direct connection to the inequalities of compliance of power over women in the art world. Several themes were highlighted within society that reinstated these cultural norms of gender and sex within the institutions of art. With a variety of forms used by the Guerrilla Girls to redefine women's identity in history they were able to break down such barriers that stood in the way which denied the prosperity of female artists.
Breaking Down the Barriers to Feminist Art Work "Every time a girl reads a womanless history she learns she is worth less." While studying art history in Pre-Industrial Visual Cultures this semester, one theme has become painfully obvious. There are few, if any, women artists included in the study of art history. If you dig deep into the books you can find mention of many unknown, unrecognized and often times very talented women artists from the past. Women in history are simply not recognized, and this is due to a large extent to their exclusion from the art world.
I recently went to the DeYoung Museum for the Impressionist exhibit. The paintings were exquisite, as expected, but what was shocking was only one female artist out of all the others shown, were by male artists. It parallels with what I have been learning in class, that women artist were completely underrepresented and suppressed because of their gender. I will be describing a brief synopsis about Mary Cassatt’s life. Then I will be talking about the subject of the woman, her mother, in the painting. And finally, what caught my attention to Mary Cassatt’s, Mrs. Robert S. Cassatt, the Artist’s Mother painting, done in 1889, and my art analysis of her piece.
There is a long history of gender roles in society. The expectations of gender roles continually shift; however, there is not a time when women and men share the same equalities simultaneously. The idea of how men and women should act is instilled in us at a young age. I think it starts really young with girls and boys being told what they can be and when they see what they are expected to be, they abandon parts of them which society deems as undesirable. We don’t acknowledge how much pressure we put on men and women to conform to the ideas of gender roles but it is apparent in our media and in the history of our art. One of the most influential things about figurative art is that it has the ability to capture society’s concepts of how men and women are expected to be during that time period. One thing for certain about gender equality is that it has historically and predominantly been a women’s movement. This sculpture, entitled Portrait Bust of a Woman with a Scroll, stood out to me in particular. It is is made of pentelic marble and dates back to the early 5th century. The sculpture shows a woman with a restless face, clothed in a mantle and head piece while holding a scroll. This sculpture reflects the women’s intelligence and capabilities being overshadowed by her gender and
The healthcare community defines obesity as being 20 percent or more over a person?s ideal body weight, which is based on their height (?U.S. Health Professionals?? np). Usually this is 100 pounds or more over their ideal body weight. Researchers found that the two main causes of obesity are the overabundance of food and people?s sedentary lifestyles (?U.S. Health Professionals?? np). Other causes include genetics, lifestyle choices and environmental factors. These alarming statistics have prompted many to seek a solution for a problem that is clearly not going to go away by itself.
In the course of human events, women have been subjected to being seen as far less superior than men. Women through most of history have never been seen as equals to men and seen as pitiful and slave like, but women have tried to change the views of society and become equal. Feminist art was a major contributor in helping women fight these societal views during the feminist movement. Many talented women artist banded together during the 1960-1970s to be able fight the societal view as a woman. Their art was sometimes not accepted by society for exploring subjects that were not accepted for that time. They fought to make their topics they talked about socially accepted. Artists such as Judy Chicago, Barbara Kruger, and guerilla girls helped spark and shaped the feminist art movement by
Peterson, Linda H. "What Is Feminist Criticism?" Wuthering Heights. Ed. Linda H. Peterson. Boston: Bedford Books, 1992. 330-337.
According to the National Institute of Mental Health, scientific evidence has shown that almost all people who take their own lives have a diagnosable mental or substance abuse disorder, and the majority have more than one disorder. In other words, the feelings that often lead to suicide are highly treatable. That’s why it is imperative that we better understand the symptoms of the disorders and the behaviors that often accompany thoughts of suicide. With more knowledge, we can often prevent the devastation of losing a loved one.