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Essay on conceptual art
Essay on conceptual art
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Conceptual art is a movement that prizes the ideas over the formal or visual components of art works(LeWitt).The idea is what fuels the art, without it, I couldn't be art( LeWitt). The art form is detached from the ability of the artist as a craftsman( LeWitt). It is the objective of the artist to make the art mentally interesting to the viewer, to make his point across and to evoke emotion , be it positive or negative. In fact most of the conceptual art actively sets out to be controversial. It seeks to challenge and probe viewers about what they tend to think as art(Schellekens). From that point it is considered a very controversial art form. There are people that find it refreshing and meaningful, while others believe that it is shocking, distasteful and lacking any form of …show more content…
She talked about one of her instillation exhibits, Thin Air. The multi media exhibit was inspired by the life of two Jewish women, more specifically the work they did during World War 2. The two women were both in the British intelligence sector, one was a spy while the other a intelligence officer. This work is conceptual art. Levitt has done extensive research on the topic of women in WW2. She had visited the places they might have worked, and went to the British archives to get their official documents as well as any other thing she could find. Levitt then had created the exhibition just to tell the story of the women. The exhibit was not about how the parachute looked when inflated, or the craftsmanship in creating the suitcases that play sound recording when interacted. They were all very nice in themselves but they served the purpose of taking the viewer through the lives of the women. They in themselves became props to the presentation of the stories. They were there to enhance elements, to evoke emotion from the audience. Nina Levitt has demonstrated exactly what is concept art is and what it can do to display a
“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.” (Sol LeWitt - Artform, 1967)
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
Visceral. Raw. Controversial. Powerful. The works which Kara Walker creates have elicited strong and diametric responses from members of the art community. She manipulates the style of antebellum era silhouettes, intended to create simple, idealistic images, and instead creates commentaries on race, gender, and power within the specific history of the United States. She has also been accused of reconfirming the negative stereotypes of black people, especially black women, that the viewer and that the white, male dominated art world may hold. This perspective implies that both her subjects and her artworks are passive when confronted with their viewers. Personally, I believe that more than anything, Walker’s work deals in power -- specifically, the slim examples of power black individuals have over their
People can have many different opinions depending on a topic, but what is truly difficult is getting a complete level of understanding from every opinion, or understanding the point of view of each opinion. Even accepting the points of view can be difficult for some people, who believe that their opinions are right. Luckily, people can learn about the other person’s frame of reference, and at the very least understand the topic or the person a little better. This particular topic is art, which is known for its multiple possible perceptions or its many different messages that it can send a person or group of people. In this way, people can learn more about the thought processes and feelings of others. Unfortunately, with differing opinions,
The artwork I chose for the art criticism project was ‘The Survivors’ by Kathe Kollwitz. The piece was created in 1923 in Berlin, Germany, where she resided with her husband. She and her husband resided in a poorer area, and it is believed to have contributed too much of her artwork style. ‘The Survivors’ is currently displayed in two museums, the MoMA and the Kathe Kollwitz Museum. In the piece there is a woman directly in the middle, with sunken in cheek bones is draped in a black cloak. Her arms are around three small children, who look very frightened. On each side of her body there are an additional four small children who convey sadness upon their innocent faces. Also, they are outstretching their arms as if they are begging for her to give them something. In the background, on the top left side, there are two elderly men with their heads down, looking as if they are very sad and
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Making art is one of the ways in which she copes with her mental illness, translating her visions and emotions into something that is tangible. Her monochrome paintings of polka dots, composing what she calls Infinity Nets, explore the concept of infinity. These Infinity Nets earned Kusama critical and commercial respect, so, possessing business acumen, she continued to expand her polka dot painting, both on canvas and beyond, “[metamorphosing] into an environmental sculptor.” Her experimentation led her to work with continuously larger spaces, and her art became even more distinctive. Her installations, generally filled with soft sculptures, furniture, and polka dots, that came to be known as Accumulations. She would often pose for photographs with these installations, implanting herself in the art. Those who went to see these Accumulations would interact with it just as she did. Unsurprisingly, these installations remained alongside her Infinity Nets as some of her most popular works of art. Their success of encouraged her to continue to use various media in her works of
Art has a unique property. If you gave a hundred different people the same work of art and asked them all to interpret it, you would likely get a hundred different responses. All of which would likely be different from what the artist intended. But none of which would be any righter or truer than any other. Because of this, any particular piece of artwork is solely defined by what others think of it.
Clive Bell theorizes art in terms of a theory known as Formalism. Formalism is based upon a relatively simple line of logic. All art produces in the viewer an emotion. This emotion is not different but the same for all people in that it is known as the Aesthetic Emotion. There must be a factor common to all works of art that produces in the viewer a state of Aesthetic Emotion thus defining the works as art. This common factor is form. Formalism defines artworks as that which has significant form. Significant form is a term used by Bell to describe forms that are arranged by some unknown and mysterious laws. Thus, all art must contain not merely form, but significant form. Under Formalism, art is appreciated not for its expression but instead for the forms of its components. Examples of these forms include lines, curves, shapes, and colors. Abstract art, twentieth century, or modern art such as color field painting or the works of Mondrian, are examples of art that are not representative and thus are most lik...
AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).
This piece shows how the disaster of a tornado is harmful to the town and also the artist used toy solder it also indicates how war affects the community and the young children. This shows how the artiest combined symbols to show her different views to towards the subject matter. The second piece done what I liked at was done by Laurn Scanlon, 2011, Gates of Steel (Helen) Is related to “1.Content that arises from the aspect of the artwork that is understood as representational.” Mcevilley.
Marcel Duchamp was a conceptual artist that made readymades that changed the definition of art. Conceptual art is an art that the idea behind the work is more important that the finished art object. Many conceptual artists like Duchamp make their art very bland, plain, and simple but with a profounder thought process behind it. If you look at his works you will see how non-aesthetic they are. For instance, in his art work bicycle wheel or fountain they are very simple you may not find them appealing to the eye but they have a deeper meaning, in contrast to Hans Kosuth’s one & three chair’s it is still plain and simple but it has more meaning to it than Duchamp’s. Conceptual artist dematerializes things which means that they decrease the amount
Art can be defined in many ways by an individual. One can say that any creative output by a person is considered art. Others contend that art must conform to a societal standard and the basis of the creation should be understood by most intellectual people. For example, some contend that computer-generated images, such as fractals, are not art due to the large role played by a computer. E.O. Wilson states “the exclusive role of the arts is to intensify aesthetic and emotional response. Works of art communicate feeling directly from mind to mind, with no intent to explain why the impact occurs” (218). A simple definition may be that art is the physical expression of the ideals formed by the mind.