Art Appreciation
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
“In 1252 , Kublai Khan granted an audience to Pagba and Garma Pakshi, an eminent monk with the Garma Gagyu Sect. Garma Pakshi, however, sought the patronage of Monge Khan who proceeded to bestow him a gold-rimmed black hat and a golden seal of authority. Prior to his death in 1283, Garma Paksli penned a will to ensure the established interests of his sect. The will advised his disciples to locate a boy to inherit the black hat, with the instruction based on the premise that Buddhist ideology is eternal, and a Buddha would be reincarnated to complete the missions he had initiated. Garma Pakshi's disciples acted in accordance with the will and located the reincarnated soul boy of their master. The event marked the introduction of the Living Buddha reincarnation system for the Black-Hat Line of Tibetan Buddhism.”
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...giving to humanity. Both paintings seem to suggest that this kind of selflessness will result in serenity.
Works Cited
Rathnasambhava, the Transcendent Buddha of the South. Tibet, 13th century C.E. Mineral pigments on cotton cloth, height 361/2”. Los Angeles County Museum of Art.
Cimabue. Madonna Enthroned. C. 1280-90. Tempera on wood, 12’71/2”x7’4”. Galleria delgi Uffizi, Florence.
“Angels in Christianity.” Wikipedia. n.d. Web. Feb. 19, 2011.
http://en.wikipedia.org/wiki/Angels_in_Christianity
“Cimabue.” Wikipedia. n.d. Web. Feb. 19, 2011.
http://en.wikipedia.org/wiki/Cimabue
“Ratnasambhava.” Wikipedia. n.d. Web. Feb. 19, 2011.
http://en.wikipedia.org/wiki/Ratnasambhava
“The Reincarnation of the Living Buddhas.” Tibet Travel Expert. n.d. Web. Feb. 19, 2011.
http://www.tibet-tour.com/tibet/reincarnation.html
Guanyin (Bodhisattva) (See Fig. 1 in Appendix) is an artefact, with Object Number of 2400, in the Honolulu Museum of Art. The medium, or material, of this sculpture of Guanyin is painted wood, and traces of pigment can still be seen on the sculpture. Its height is approximately 67 inches, or 170.2 centimeters. The origin of this sculpture is China, Northern Song (960-1126) or Tangut Xia (1038-1227). According to the museum, this sculptural art piece was purchased, or acquired, in 1927 from a renowned collection of Matsukata Kojiro, who passed away in 1950.
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
Walking into the Hall of the Buddhas, there was a sense of peace and guidance lingering inside me. The seated Bodhisattva, of the Northern Wei dynasty (386-534), CA.480, from the Yungang, Cave xv, Shani Province, made of sandstone, guarded the entrance. At first, I thought it was a time to be disciplined, but the transcending smile from the statue was a delicate fixed gesture that offered a feeling of welcome. It was not a place to confess your wrongdoings; neither was it a place for me to say, “Buddha I have sinned.” It was a room to purify the mind, the mind that we take for granted without giving it harmony. There was a large mural decorating the main wall called “The Paradise of Bhaishajyaguru”(916-1125). I sat down wandering if the artist of the portrait knew that his work would one day be shared on this side of the world, in my time. Much like Jesus Christ and his followers, the mural is a painting of healers and saviors. It was a large figure of the Buddha of medicine, (Bhaishajyaquru) surrounded by followers of Bodhisattvas, Avalokiteshvara, and Mahosthamaprapta with twelve guardian generals who have pledged to disseminate the Buddha’s teaching (Tradition of Liao 916-1125, Metropolitan Museum wall plaque).
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The founder of Buddhism was a man named Siddharta Gautama. He was born as a prince of a small kingdom located near today’s Nepal, around 500 B.C.E. (Gurinder 1). According to the legends, Siddharta was raised in the lap of luxury. He was given the finest clothes, riches, and a mansion for every season (Fisher 136). Despite having anything his imagination could conjure, he was unconvinced of their value (136). As the story continues, he was presented with the four sights that were being kept from him (136). These sights included death, sickness, old age, and a monk seeking lasting happiness rather than material possessions (136). After these sights, Sidhharta began his long path to enlightenment. After six years of searching, he had reached his goal of an ultimate consciousness called Nirvana, or enlightenment that is above ordinary human states of mind (Gurinder, Numrich, Williams 1-2). After his discovery of the ultimate consciousness, he was given the title of Buhhda, which means “Enlighten One” (2).
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
"Heilbrunn Timeline of Art History." Altarpiece Dedicated to Buddha Maitreya (Mile) [China] (38.158.1a-n). N.p., n.d. Web. 15 May 2014.
Vanitas paintings are two dimensional compositions of symbolic content and iconography. The various objects used in the design of these paintings symbolize the brevity of life, the vanity of wealth and beauty, and the inescapable reality of death. This form of art was developed out of Northern Europe in the mid-16th century and through the 17th century. The word “vanitas” is Latin for “vanity.” Vanitas paintings are designed to remind its viewers of the verse in the Biblical book of Ecclesiastes that says all earthly things are “vanity of vanities, all is vanity.” Artists who painted vanitas wanted their viewers to remember that the wealth, beauty, and achievements that people desire and obtain will pass away and that death is a sure thing. Mortality is the message present in each vanitas painting and each artist expresses this meaning individually with the use of iconography, color, and various techniques.
In fact, some of the works presented depict mythological paintings that resemble the transcending Metaphysical matter of nature. Take for instance, the general aspect of the artworks presented in this chapter. They depict different social levels through the use of objects, emotions and various conditions. The lower status contradicts, the slaves to the wealthy and royalty, all delineate the role of the people present in the society and their everyday life. In the images, the poor and the slaves depicted with little to no possessions, looking tired and over-worked. Through their everyday labor, they must survive as a less fortunate person. In contrast to the images of the po...
Buddhism places a high value on finding the truth. This fundamental principal allows for an acceptance of science, as it is seen as a modern truth to most. Furthermore, Buddhists believe in the evolution of human consciousness—this evolution, along with the truth presented from science, allows for an over arching acceptance of biological evolution. Even more interesting is that in the Agganna Sutta, a sacred Buddhist text, Buddha explains the world as having evolved over time. Though there is no mention of biological evolution, there is still an emphasis of evolution as a whole—both physically and spiritually. Tibetan Buddhism is known as the branch of Buddhism that has the largest emphasis on reincarnation, which is the most relevant to this research. Reincarnation is driven by the decisions made in each life and is basically the knowledge that one’s spirit travels between material beings over different lives. The spirit evolves as one becomes closer and closer to Nirvana, or perfection. Karma, too, influences the lives of the reincarnated as this idea causes the consequences of both good and bad deeds from each past life to be brought over to the current life. Overall, Tibetan Buddhism and evolution flow very well together as various Buddhist beliefs in spiritual evolution and karma, and the search for truth lead to the acceptance of science and evolution.
Siddhartha Gautama is famously known as Gautama Buddha and was the founder of the idea of Buddhism. The Buddha was known to possess supernatural powers and abilities. He was born in the holy land of Nepal and his journey began in India when he decided to travel and teach himself about life. In the midst of his journey, he discovered Buddhism after he experienced a profound realization of the nature of life, death and existence. Buddhism became a religion based on the teachings of Siddhartha Gautama and since then Buddhism has been popular throughout many civilizations. Buddhism is now one of the most ancient religions in the world, where people follow Buddha, which stand for “awakened one,” and Buddhism which has gained popularity because of the teachings of the Buddha.
A man and a woman led us to a small room. The man wore jeans and a regular t-shirt and the women wore a colorful dress reaching her knees. The man later told us that he typically didn’t wear jeans, instead he is generally in a more relaxed and comfortable attire. In the small room, there were four quilts laid out on the floor with cushions to sit on. All of the small quilts faced one wall, which contained three statues and a couple of pictures. On the left side of the wall was a statue of Siddhartha Gautama Buddha. As stated in an article in World-Faiths, Buddhism was established upon Siddhartha’s teachings. He was an Indian prince who began his spiritual journey when he was 29 years old. After six years, he rea...
Chinese artwork is a form that contains and demonstrates many different meanings and morals that can be linked back to not only religion, but the overall meaning of life. This paper will discuss the sculpture titled Seated Buddha and how it represents peace, enlightenment, and the overall importance of how these two components influence the mindset of the people involved in the Buddhist religion. The Seated Buddha was created between the 5th and 6th century in China. The artist of this piece is unknown, but this does not hinder us at all from seeing what the artist was trying to portray through the different aspects that they included in the Seated Buddha sculpture. This piece is crafted from stone and a chisel was then used to create the
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.