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Essay on russian artist wassily kandinsky
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Wassily Kandinsky expressed his inner feelings when painting “Coposition IV”.” I see his
painting, and I react as such. There is a clear blue middle that he seems to draw attention to.
This is his focus of the painting. The focus can be defined as the main point of a painting, the area
that draws the strongest contrast. When I see his painting, I see someone that is trying to express
himself through his mediums. He used oil on canvas for his medium in this painting. There are
many other emotions that the artist is trying to display in his painting. Although we can try and
rationalize these, the true meaning may be a mystery for all times.
Through what we have studied of the artist, we know that he
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There is a pepper, indeed, in the picture, but there is so much more that the
artist is trying to perceive through his work.
Looking simply implies what we see straight off the start. This would be the simple
pepper image that is seen in the artist’s rendition of the piece. There is so much more to the
work, though, in the shading and what can be actually seen by the bystander. There is so much
more than just a simple vegetable!
The artist sees an image that is so much more than just that simple vegetable. He sees a
life, and what is true to him. And in this, he sees his medium for creating artwork for the
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Artwork that can be understood.
Perhaps in seeing his painting, we are to judge what he is really trying to say. But in
reality, there are many things that the artist is trying to convey to his reader. This is not simply a
painting of a vegetable!
In the rendering of shadow and foreground, there is plenty of ground to consider what
was truly meant to be the focus of this masterpiece. There are many aspects that make us think
and hope that it could be like what we are seeing. And we see something that was meant to be,
something that the artist was really trying to convey to the audience, to the viewer.
Personally, I think that to truly see something, it would take seeing it in person. That is one thing that I was unable to do, but hope that I will be able to do in the future.
Both artists brought to me something that I was unable to see before. They brought me
pieces that I could see through their own eyes, and until I could do this I was unable to realize the
power of the piece beforehand. Both artists show excellent attributes and hopes for becoming
more than just a picture on the wall in the
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
his writing as an artist would in a masterpiece of a painting. For instance a
In 1792 he suffered from a serious illness which left him permanently deaf. This began to make him feel alienated and separated from everyone else, provoking him to paint the darkness and weakness of mankind. He began to paint his own version of caricatures, showing the subjects as he saw them.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
McGonigle, D., Mastrian, K., G., (2012). Nursing Informatics and the Foundation of Knowledge (Custom ed., pp. 96-109). Burlington, MA: Jones & Bartlett Learning.
... expression of the self. Pouring and flinging paint onto canvas, usually on the floor, he created large “all-over”—completely covered, large-scale—surfaces with no place for the eye to rest.
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
.make expressionist paintings, evoking mood and the idea of feelings into his artworks3..During the Nazi...
Art is said to be the expression of the soul; however, quite often, one is unable to truly know the artist by his or her works alone. So is the case of the postimpressionist painter Paul Gauguin. while the paintings of Paul Gauguin do not reveal all of his life, the paintings are very much so a reflection of Gauguin’s views on life.
how much he admired him that the painting he did was thought to be the
literature. He will always be considered one of the greatest and most influential artists of all
Richins, S. (2013). Nursing Informatics: A Career on the Rise on ADVANCE for Nurses. Retrieved February 27, 2014, from http://nursing.advanceweb.com/Features/Articles/Nursing-Informatics-A-Career-on-the-Rise.aspx
Nursing Informatics is important to the nursing profession since nurses’ work in information-intensive environment. The advanced technology available in recent years allows nurses to collect data from patents, share the information with other nurses and healthcare providers to provide better care and knowledge that can be gather from the information. Information can be used in clinical care, teaching environments, billing and other environments, with regards to privacy policies. The advancement in technology is allowing nurses to spend more time caring for their patients rather that spending time documenting incidents. New devices and applications are allowing patents and other healthcare providers to provide better care by allowing them to
emotional state of his characters to create dramatic works of art. Through Caravaggio's painting of The
The painting was of a river flowing from a lake, surrounded by very tall grass. On each side of the river there are people standing. What was interesting is they were painted all black. They looked like shaded figures. They were all shaped differently but you can tell they were all men. On the top left side of the river there were five men. On the right bottom side of the river there were four men. On each side it looked as though the men were trying to cross over to the other side. They looked tired and scared. It looked as though they were hiding, and getting across the river was the only way to get to that safe haven.