A Paragraph On Conceptual Art

600 Words2 Pages

“I forced myself to contradict myself in order to avoid conforming to my own taste.” Marcel Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped revolutionize the art world in the 20th century. Born July 28th, 1887 in Blainville-Crevon, France, Duchamp was a painter, sculptor, writer and avid chess player. Originally associated with Dadaism, after WWI, Duchamp rejected the work of many of his fellow artists, like Matisse, as retinal art, intended to only please the eye. Instead, Duchamp wanted to make art about the mind, which would set the foreground for conceptual art and change the world’s perception on what art is. Conceptual art involves the concepts or ideas of art that are precedent over the traditional aesthetic. Many works of conceptional art can be constructed by anyone just by simply following a set of instructions. This was especially the ideology for American artist Sol LeWitt. “In Conceptual art the idea or concept is the most important aspect of the work, When an artist uses a conceptual form of art, it mea...

Show More
Related

  • Van Gogh Influences

    614 Words  | 2 Pages

    Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.

    Read More

  • Postmodern artists Mike Parr and Stelarc

    1051 Words  | 3 Pages

    “In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.” (Sol LeWitt - Artform, 1967)

    Read More

  • Essay On Jean Achael Basquiat

    868 Words  | 2 Pages

    Jean-Michel Basquiat was born on December 22, 1960 in Brooklyn, New York to parents Gérard Basquiat and Matilde Andradas. Little did they know at the time that Jean-Michel Basquiat would soon go down as one of the most important contemporary painters continuing to leave a legacy for decades to come after his passing. Basquiat would live a difficult life and experience many hardships until he later dies of a heroin overdose, but what he experiences during his lifetime is what shaped the way Basquiat expressed himself through his art. Basquiat’s exceedingly personal and relatable art is what guided him to being such an influential artist. “His work is likely to remain for a long time as the modern picture of

    Read More

  • Polykleitos Of Argos Art Analysis

    841 Words  | 2 Pages

    All artists are influenced by or incorporate issues and events of their time and place in their artworks. This statement is confirmed by a number of artists such as Polykleitos (5th century BC), Michelangelo (1475-1564) and the father of cubism, Picasso (1881-1973). Although some may be less influenced or may be one of the creators/fathers of their arts, all artists follow this statement as the time and place from where they were born helped mould the artists.

    Read More

  • Art Analysis Paper

    913 Words  | 2 Pages

    The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.

    Read More

  • Art Analysis

    965 Words  | 2 Pages

    Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.

    Read More

  • The Controversy of Marcel Duchamp

    856 Words  | 2 Pages

    One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.

    Read More

  • How Did Rene Magritte Influence The Use Of Repetition In Pop Art

    1310 Words  | 3 Pages

    René Magritte is a 20th century Belgian Artist. He was influenced by André Breton -a writer known as the founder of surrealism-for his 1924 Surrealist Manifesto, Sigmund Freud-a neurologist-for his psychoanalysis that repetition is a sign of trauma. He studied at the Académie des Beaux-Arts in Paris between 1916 and 1918.1 After leaving because he thought that it was a complete waste of time, and upon meeting Victor Servranckx-a fellow artist who introduced Magritte to futurism, cubism and purism-Jean Metzinger and Fernand Leger had a large influence on his early works of cubism.

    Read More

  • Definition Essay - Defining Art

    503 Words  | 2 Pages

    In my view, art is the representation and transmission of thought. It is the representation of the thoughts or experiences of an artist, created to transmit and subsequently evoke the same thoughts or experiences vicariously in an audience, via the artist’s creation. I believe art is based on the fact that people, through their own perceptions, can experience the same thoughts or feelings as the artist. I...

    Read More

  • The Holy Virgin Mary

    2191 Words  | 5 Pages

    It’s interesting to note what happened to the art world after Duchamp revolutionized art into meaninglessness. Artists seem to be exempt from the moral laws that are binding to ordinary people. Everything is O.K. under art’s magic umbrella: rotting corpses with snails crawling over them, kicking little girls in the head, rape and murder recreations, women defecating. Where does it stop? What is art and what is porn? What is art and what is disgusting? Where is the line? There isn’t one anymore. The effect of Duchamp’s pranks was to point out that anything could be art. All it took was getting people to agree to call something art.

    Read More

  • Analysis Of The Neo-Wittgensteinian Theory Of Art

    1478 Words  | 3 Pages

    Among the many theories of art that have emerged over time, the theory I will defend in this paper is the Neo-Wittgensteinian theory of Art. I will defend this view against the following (two) objections: a) The “open concept” idea of art is too expansive, and b) the “family resemblance” theory of artworks is also too expansive.

    Read More

  • Clive Bell and the Formalist Theory

    1861 Words  | 4 Pages

    Man has long created art, this much is certain. However, man has never ultimately defined art. There are so many things which qualify as art and as many qualities to each piece that trying to find answers only seems result in more questions. The formalist theory of art, as present by Clive Bell, makes an attempt at defining art and answering many of these questions. Below is a discussion of the formalist theory; its definition, its strengths, and its weaknesses as evidenced by the work of Clive Bell.

    Read More

  • The Movements of the 20th Century Culture

    1165 Words  | 3 Pages

    In the early 20th century several movements occurred in America and Europe, therefore it was an era that characterized by the imperialism industrialization which polarized the nation into two categories of high and the low class. And the western culture dominated most of the world possessions. The U.S was able to have power over their land and they gained high economic and political power. The American did not allow other countries free trade to enter their lands. Furthermore, the Modernism Cultural movements allow many artists to present their styles in a unique form of expression. Modernism is characterized radically by breaking down the trends which occurred in the past of the 19th century. Moreover, Pablo Picasso, he was a phenomenal modern artist; Picasso was very famous for all of his work of art especially the cubism arts. Therefore, some viewers consider his art to be disturbing because they...

    Read More

  • Aesthetic Emotion Essay

    1050 Words  | 3 Pages

    AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).

    Read More

  • Modernism And Modernism

    929 Words  | 2 Pages

    Influenced by the futurists and is known to have been one of the founders of Constructivism, he left painting because of its decorative aspect and subjectivity. He was more interested in carrying on a universal language and believed that art should serve a cause. In these harsh terms he completely discarded painting, saying “Down with art if it is an escape route from a meaningless life! Not for art that reproduces the external world, prettifying it with a decorative mantle, but for a constructive art that reflects our way of life.” (The Future is our only Goal)

    Read More

More about A Paragraph On Conceptual Art

Open Document