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Modernism can be defined as the post-industrial revolutionary era, where which the western world began to see a change in all spheres of living. The effects of the industrial revolution became prevalent towards the end of the nineteenth century and the modernist movement drew inspiration from this widespread change. Artists, writers, architects, designers and musicians, all began to embrace the changing world and denounce their pre-taught doctrines and previous ways of producing work. Society felt the urge to progressively move forward toward a modern way of thinking and living.
Although we considerably live in a ‘post-modern’ world, many of the technologies and principles involved in designing and engineering them are draw influence from the innovative culture of the modern era. This essay aims to explore the contextual ideas behind the modern movement, how it influenced today’s artists and thinkers, how ‘Modernization, Modernity, Modernism’ shaped the world we live in.
Towards the end of the nineteenth century, around 1860 after man had considerably conquered the machine, a new reality became prevalent in the lives of the newly industrialised world. “Modernism includes more than just art and literature. By now it includes almost the whole of what is truly alive in our culture”(Greenberg 1982:5) This quote can be applied to the earlier days of modernism When jobs had changed from agricultural based employment to corporate and menial based labour. Housing situations had too changed, from rural to urban, as people began to follow the money trail the industrial revolution had left behind. All this change had brought a new way of life for the western world, as things became automated and products were readily available to the con...
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...1. Influenced by the futurists and is known to have been one of the founders of Constructivism, he left painting because of its decorative aspect and subjectivity. He was more interested in carrying on a universal language and believed that art should serve a cause. In these harsh terms he completely discarded painting, saying “Down with art if it is an escape route from a meaningless life! Not for art that reproduces the external world, prettifying it with a decorative mantle, but for a constructive art that reflects our way of life.” (The Future is our only Goal) This quote is embedded in my mind as I think of Rodchenko’s line of work and how he was against the painterly aesthetic but managed to undertake painting once again in his last years of his career. A medium that he left forgotten throughout his work describes both the start and end of his career.
The Modernist movement in Australia is inspired by the European avant-garde. In the mid-1910s, the first wave of modernism is felt through the influx of migrants, exhibitions and expatriates. In the following five decades, modernism experienced turbulent changes like economic depression, global wars, technological advances and massive social change, which undoubtedly further influenced the artistic output of Australian modernists. The introduction of modernism to Australia is a more complex phenomenon. Its complex and unfamiliar language often experienced passionate and strong resistance from the general masses.
Modernity held movements that paved the path for new ways of thinking and expression as a result of the industrial revolution. Two of these movements are: Surrealism, and the school of Bauhaus. Although these movements are quite different in appearance, they both wanted to challenge the traditional customs of the time. Whether it be eliminating conscious editing of thoughts by the Surrealists or producing a new sophisticated approach to design in Bauhaus, these movements created unique artworks that reflected the times of change they existed in.
Modernism indicates a branch of movements in art (Impressionism, Post-Impressionism, Fauvism; Cubism; Expressionism; Dada, Surrealism, Pop Art. Etc.) with distinct characteristics, it firmly rejects its classical precedent and classical style, what Walter Benjamin would refer to as “destructive liquidation of the traditional value of the cultural heritage”; and it explores the etiology of a present historical situation and of its attendant forms of self-consciousness in the West. Whereas Modernity is often used as ...
Postmodernity is said to be “a reaction against the Modern movement” (Nicol 2009) and has shown a complete disregard for many aspects of art and design that were popularized during modernity, including: legibility, the grid, and use of a clear hierarchy. Postmodernism, as an art movement, aims to create works based on an independent style. Nothing is new in postmodern art, in a sense that something always comes from something else.
Mark Rothko is recognized as one of the greatest artists of the twentieth century and during his lifetime was touted as a leading figure in postwar American painting. He is one of the outstanding figures of Abstract Expressionism and one of the creators of Color Field Painting. As a result of his contribution of great talent and the ability to deliver exceptional works on canvas one of his final projects, the Rothko Chapel offered to him by Houston philanthropists John and Dominique de Menil, would ultimately anchor his name in the art world and in history. Without any one of the three, the man, the work on canvas, or the dream, the Rothko Chapel would never have been able to exist for the conceptualization of the artist, the creations on canvas and the architectural dynamics are what make the Rothko Chapel a product of brilliance.
To understand post-modernism we must first understand modernism. Modernism is the philosophy that began with the Enlightenment. The Enlightenment was an era when science and art flourished. European society used the Enlightenment to object to the oppression of the church. This era emphasized only those things that are observable or measurable (Smith, 1995). The scientific method developed at this time became the standard to which everything is measured. Modernism, although moving away from the confinements of religion, was limiting in its own way.
Modernism was first introduced to the United States in the beginning of the 20th century, and lasted through both World Wars continuing through the 21st century as a movement of art, music, literature and more. It was known as a time the United States began to view the world in a different and more innovative way. American Modernism allowed the nation and other parts of the world to explore a wide array of subjects, styles of art and music, and philosophies. This movement helped define the arts in American culture and allowed individuals to appreciate and embrace its creativity. Modernism had a major contribution to our nations humanities, especially through a variety of music. Jazz was one of the main genres inspired by modernism and because
Modernism represents a shift amongst artists in wanting to create something new. This marked a new era in change within tradition that includes religious, political, and society that creates a new trend of ideas. This movement appeared in France during the late 19th century as a rebellion against the ideas of realism. Artist embraces society with new ideas in terms of social life and art. Modern pieces of art and music give a new free theme that was criticized by the people. Everything that is always inconsistent and always changing is modern.
Russian Avant-Garde was born at the start of the 20th century out of intellectual and cultural turmoil. Through the analysis of artworks by Aleksandr Rodchenko and El Lissitzky, this essay attempts to explore the freedom experienced by artists after the Russian Revolution in 1917. This avant-garde movement was among the boldest and most advanced in Europe. It signified for many artists an end to the past academic conventions as they began to experiment with the notions of space, following the basic elements of colour, shape and line. They strove for a utopian existence for all, benefited by and inspired through the art they created.
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
Modernism described as movement in arts would best be described as a movement that was used to unit America after a period of crisis, it did this by it being centered on explorations into the spiritual nature of men and the value of his society and institutions. In a way it was like realism they too focused on the changes on society. The modernistic writers always wrote in a very formal defined form.
Many believed that Modernist works were not “art” because they did not always look like real life. But what is “real life”? A new outlook on reality was taken by Modernists. What is true for one person at one time is not true for another person at a different time. Experimentation with perspective and truth was not confined to the canvas; it influenced literary circles as well.
Artistic movements are often categorized by a specific aesthetic. These visual choices are usually a deliberate differentiating reaction to the current culture of art. Though most movements can be categorized by an aesthetic set of rules, such as Cubism, Romanticism, Impressionism, Fauvism, etc… Not all art movements can be defined solely within their visual associations. Nearly all major stylistic shifts in art were based on an ideology as well as a visual language. In the Arts and Crafts movement, the ideas behind the movement were more prevalent than a specific visual style. The Arts and Crafts movement not only changed the way people made objects in the late 19th and early 20th centuries, but it also set into motion an ideological stance that persists today.
Throughout time, nations have attempted to become independent from one another by discovering means to help their citizens experience more fulfilling lives. The dilemma that troubled each of these countries is whether or not innovations, in technology and society, led to a higher quality of life. In the book, Rites of Spring, Modris Eksteins examines how innovation affected the citizens of Germany. Eksteins conveys that technological and industrial innovations paved the way for social transformations, throughout Germany. These social changes include a newfound appreciation for Art, tolerance of homosexuality, and a new approach towards warfare.
“The term Modernism is widely used to identify new and distinctive features in the subjects, forms, concepts, style of literature and other art in the beginning of the twentieth century.” (M.H. Abrams) The truth on the progressive thought at the end of the nineteenth century had to do with much more than just art though, it involved: science, technology, economics, religion, and politics. Ideas and thoughts that were once accepted fact were now being challenged. The movement was given prestige through the number of greater thinkers whom helped envelop it like Nietzsche, Marx, Darwin, and Freud. The background leading up to the Progressive Movement were a combination of the Industrial and Scientific Revolutions, Marxism, and the introduction of Psychology. The progressive movement could be reflected in the politics of the Classical Liberal Party.