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Importance of art & effects on society
The influence of art on society
Importance of art & effects on society
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The introduction of modernism to Australia is a more complex phenomenon than previously thought. Choose an aspect of Modernism, either Cubism or Surrealism or Expressionism or Modernist Design and Architecture and chart their development in Australia by focusing on the work of two artists, designers or architects. The Modernist movement in Australia is inspired by the European avant-garde. In the mid-1910s, the first wave of modernism is felt through the influx of migrants, exhibitions and expatriates. In the following five decades, modernism experienced turbulent changes like economic depression, global wars, technological advances and massive social change, which undoubtedly further influenced the artistic output of Australian modernists. The introduction of modernism to Australia is a more complex phenomenon. Its complex and unfamiliar language often experienced passionate and strong resistance from the general masses. The development of modernist sentiments is largely the result of spasmodic cultural transformations and the ensuing creative exchanges between architects, modern artists and designers. For the purpose of research, this paper will solely deal with Surrealism, an important aspect of Modernism and chart its development through two contemporary Australian surrealists – James Gleeson and Sidney Nolan. Before beginning our discussion on the chosen Australian surrealists, background discussion of surrealism, its influence and impact, is necessary. Surrealism is the first international art movement in Australia. In fact, European surrealists perceive Australia as a “surrealist place” because of its vastness, its distance from the other continents and its appeal as a “down under”. When the surrealist movement b... ... middle of paper ... ... the greatest achievements of any painter, not only in Australia, but anywhere in the world, working in our time.” A comparison of Nolan and Gleeson attitude towards surrealistic paintings reveals a clear distinction: while Nolan’s painting is mostly defined by social-political environment of those times without offering any opinions; Gleeson’s surrealism expresses the human conscious, subconscious and unconscious mind. While Nolan is involved in displaying the heroisms of Ned Kelly; Gleeson is obsessed with portraying mankind universal struggle from barriers. Nevertheless, both the styles resonated well with the Australian masses. In other words, their artistic works fulfils cultural transformation of a certain period of time and both the painters contribute equally to change the perspective of people viewing Australia, the outback, for the very first time.
Observation of the first piece in the series showcases the warm Australian desert tones contrasted against a cool blue night sky. This creates a different tone compared to the other pieces, which is enhanced with the inclusion of Truganini’s image in the sky, who is often historically known as ‘The last surviving Tasmanian Aborigine’ (Krischer 2012, 123). Therefore, the addition of her faded image in within the composition constructs an evocative feeling of loss, portraying the destructive impact of colonisation in Indigenous culture. Similarly, the geometric lines and perspective shapes contrast with the other painted styles of the artwork, and with Truganini being at the central vanishing point, it furthers that sense of loss. Thus, through the design principle of contrast, Bennett effectively conveys the historical and cultural impacts that colonisation had on Indigenous people across Australia and the concern over his personal
Contemporary art is the art that has been and continues to be created during our lifetimes, which can include and represent the Australian culture, politics and music as well as in art forms such as portrait and landscape. Contemporary art is defined as art that is current, offering a fresh perspective and point of view and often employing new techniques and new media. Current art means work by both emerging and also established artists. Rosalie Gascoigne and Imants Tillers are honoured for their contribution showing the Australian landscape in fresh, new and transformational way. Whilst both are similar in their use of text and original interpretation of our landscape they are vastly different in their approach and creating meaning for their
Indigenous Australian artist Gordon Bennett re-contextualises the work of Colin McCahon by borrowing and transforming key visual features. Bennett’s work challenges the viewer and gives them an alternative perspective of the culture and identity of Indigenous Australians. The quote by The National Gallery of Victoria states, “Often describing his own practice of borrowing images as ‘quoting’, Bennett re-contextualises existing images to challenge the viewer to question and see alternative perspectives.” This quote is clear through analyzing the visual features as well as the meaning behind the work of Gordon Bennett’s appropriated artwork ‘Self-portrait (but I always wanted to be one of the good guys)’ (1990) and comparing it to Colin McCahon’s
Rosie Gascoigne, is an artist who has aspired an appreciation for undiserable remnants and utilised with them in purpose to produce an assemblage of work that sees into a reflection of the past and present landscape of Australian society. Her growing motivation has taken further interest and development as the founding layers of her work through her deliberate perception, subject to the preservation of the environment and surrounding landscape. Gascoigne’s work offers an insight into deep country outback life of an Australian individual and introduces conceptualities that mirror a focus situated about ‘re-using’, ‘ recycling’ and understanding the insightful meaning present within everyday remnants. Her work is a collective gathering of selected materials to form a composition or an
The East Kimberly region of Western Australia has been depict as a place of ‘grinding poverty, violence and racist exclusion in which so many Aboriginal people in the east Kimberley live, and yet at the same time through art it communicate the beauty and grandeur of their lives. ‘For those trying to communicate through art with the issue of death, harsh, pain and even compassion, were seen as necessary to maintain memories and record of Aboriginal historical events. The thirst for telling such companionate story is not easily interpreted, however, if we look at history we could see the influence of real tradition of aboriginal art emerge.
Aboriginal art is widely associated with the primitive and primordial nature of the Australian Indigenous culture. However, as it has become more popular globally, one must consider the authenticity of the Aboriginal art sold on the contemporary market. Eric Michaels essay, ‘Bad Aboriginal Art’ (Michaels, 1988) exposes his concerns with how we define certain art as being genuinely ‘Aboriginal’ and questions what external influences exploit and influence the validity and authenticity of Aboriginal art. The essay summons readers to question what they identify with Australian culture and whether or not White Australians have disordered the meaning of Indigenous art.
...Perloff, Marjorie. “Modernism without the Modernists: A Response to Walter Benn Michaels.” Modernism/Modernity 3:3 (1996): 99-105.
Surrealism was considered a cultural movement of the time and started in the early 1920s. The aims of the Surrealists of this time seemed to follow day to day life and all they tried to show in their works were to target dream and reality. It targeted the inconsistent of the reality and dreams. They also aimed to target the element of surprise.
One of the biggest surrealist was an artist known as Salvador Dali who brought surrealism from the many European cultures to the American culture. This was significant because the surrealist was spreading the idea of the surrealism, regardless of whether he was doing it for his own ‘fame’. Dali was one of the main surrealist who was looking to recreate his own dream world that he had dreamt in his own unconscious mind. Much of the art includes major contrasts of thoughts or objects. For example, in one of Dali’s pieces (created in 1936) named ’Lobster Telephone’ is an object displaying a lobster on top of a dial telephone [2] “I do not understand why, when I ask for grilled lobster in a restaurant, I’m never served a cooked telephone.” The surrealists unconscious thoughts are
“In Miss Levitt’s photographs the general feeling is that surrealism is that of the ordinary metropolitan soil which breeds these remarkable juxtapositions and moments, and that what we call “fantasy” is, instead, reality in its unmasked vigour and grace.” (Levitt & Agee 1965)
Surrealism, who has not heard this word nowadays? World of the dreams and everything that is irrational, impossible or grotesque, a cultural movement founded immediately after the First World War and still embraced nowadays by many artists. In order to understand it better it is necessary to look deeper into the work of two outstanding artists strongly connected with this movement, and for whom this style was an integral part of their lives.
Robert Motherwell unlocked creative forces during a time when Abstract Expression was frowned upon. Motherwell gave art a voice. He used raw emotional vitality during an era when American painting had become the prevailing force in international art. The role of Motherwell was quite distinctive. It helped to give the onlooker a sense of historical realization that such work can be perceived as not for what it is but what we think it is. It changed the audience’s awareness of reality. Robert Motherwell taught himself to paint and made friends with other surrealists such as himself. Just as psychoanalysts use the term free association, which is a mental process by which one word instinctively means another, Motherwell’s art expresses such
Rosemont, F. (ed.), 1978, André Breton. What is Surrealism? Selected Writings, Pathfinder, New York, London, Montreal, Sydney.
Many believed that Modernist works were not “art” because they did not always look like real life. But what is “real life”? A new outlook on reality was taken by Modernists. What is true for one person at one time is not true for another person at a different time. Experimentation with perspective and truth was not confined to the canvas; it influenced literary circles as well.
Surrealism. Do you know what is that word? Have you ever heard about that word? What it has to do with art and design? Surrealism is a cultural movement that began in early 1920s. It tried to combine between the dream and reality. The artists were trying to make a strange creature from everyday life object and paint that let the unconscious mind express itself. Surrealism is very well known from it visual artworks and writings. Surrealist was influenced by the Dadaists who like the work which relished on chance and spontaneity. Surrealist was working based on the unconscious site of mind and they believed that combination of ego, superego, dream and the id will lead them to express their authenticity and a truer reality (surreal). Surrealism was started in the midst of World War I in the influence of Dada activities. The “Pope of Surrealism” was André Breton, a French writer. He was said that surrealism was above all a revolutionary movement. The center development for surrealism was in Paris. After 1920s, the spreading of surrealism was over the globe already at visual arts, literature, film, and music of many countries and languages. In social environment, surrealism also affects political thought and practice, philosophy, and social theory. Surrealism use a lot of techniques to create the effect and make inspiration, such as collage, cubomania, decalcomania, eclaboussure, frottage, fumage and grattage. The visual artist who first worked with surrealist technique and imagery were the German Max Ernest, the Spanish André Masson, the Spaniard Joan Miró and the American Man Ray. Followed by that, a lot of surrealist, some of them also former Dadaist was express themselves with their uniqueness of techniques, one artist is different...