Compare And Contrast Rosalie Gascoigne And Contemporary Art

1211 Words3 Pages
bulb-icon

Recommended: Impact of technology and art

Contemporary art is the art that has been and continues to be created during our lifetimes, which can include and represent the Australian culture, politics and music as well as in art forms such as portrait and landscape. Contemporary art is defined as art that is current, offering a fresh perspective and point of view and often employing new techniques and new media. Current art means work by both emerging and also established artists. Rosalie Gascoigne and Imants Tillers are honoured for their contribution showing the Australian landscape in fresh, new and transformational way. Whilst both are similar in their use of text and original interpretation of our landscape they are vastly different in their approach and creating meaning for their …show more content…

Their similarities include both of the artists Imants Tillers and Rosalie Gascoigne being passionate about the environment and they loved the beauty of the Australian landscape. In their artwork both of them had used a grid to represent the changing sections of the landscape and they also built their work in layers. Both used text and referenced to literature and poetry, as in Rosalie’s artwork she used broken text combined together to make an image of a worn path whereas Imants uses words to portray a message and make a personal statement about the area. Rosalie Gascoigne referenced hers painting through the titles and the logos used in the imagery whereas Imants used direct quotes from poetry, place names and including his own message. Both of the artists lived in the same area and were influenced by the beauty and freedom in the landscape and they both believed in taking care of the environment. Rosalie loved the freedom and open spaces whereas Imants appreciated the bohemian nature of living in sync with the landscape and was influenced by indigenous beliefs. Both artists were also influenced by Japanese techniques as Rosalie had previous skills in Ikebana which valued line, from which influenced her making meaning from text to form imagery on the other hand Imants also had previous skills from Neko reprographic technology which allowed large images to be computer generated and printed on

Show More
Related

  • Requiem Of Grandeur Empire Visual Techniques

    725 Words  | 2 Pages

    Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture

    Read More

  • Race and Representation in the Film Jedda

    866 Words  | 2 Pages

    Jedda, Australia’s first colour film, created in 1955 by Charles Chauvel deals with an Aboriginal child adopted by a white grazing family. As she grows up, Jedda is tempted more and more to return to her people. Seduced by the wild Marbuck, she partakes in the film's tragedy, played out against a spectacular landscape. This essay seeks to discuss the representations of the Australian landscape as portrayed in the film Jedda, highlighting the use of filmic techniques in these representations.

    Read More

  • Biography of Anne Zahalka

    843 Words  | 2 Pages

    Anne Zahalka cleverly presents her intentions and interests in the world clearly throughout her artworks, more specifically her series ‘Welcome to Sydney’. Through the creation of this series Zahalka was interested in the changing multicultural nature of Australian society, closely drawing the audiences attention to the cultural frame. She effectively does this by portraying the subjects with dignity and respect by deliberately positioning them in an area in which they connect with. In doing so, Zahalka acknowledges her own experience, as the daughter of immigrant parents has influenced her conceptual practice. She uses cultural symbols to show the individuals are different, yet making them as one being put into Australian locations. In the image ‘Guangan Wu, Market Gardens, Kyeemagh’ a chinese immigrant stands in a panoramic landscape of market garden...

    Read More

  • Indigenous Australian Artist Gordon Bennett

    701 Words  | 2 Pages

    Indigenous Australian artist Gordon Bennett re-contextualises the work of Colin McCahon by borrowing and transforming key visual features. Bennett’s work challenges the viewer and gives them an alternative perspective of the culture and identity of Indigenous Australians. The quote by The National Gallery of Victoria states, “Often describing his own practice of borrowing images as ‘quoting’, Bennett re-contextualises existing images to challenge the viewer to question and see alternative perspectives.” This quote is clear through analyzing the visual features as well as the meaning behind the work of Gordon Bennett’s appropriated artwork ‘Self-portrait (but I always wanted to be one of the good guys)’ (1990) and comparing it to Colin McCahon’s

    Read More

  • Rosalie Gascoigne Analysis

    802 Words  | 2 Pages

    Rosie Gascoigne, is an artist who has aspired an appreciation for undiserable remnants and utilised with them in purpose to produce an assemblage of work that sees into a reflection of the past and present landscape of Australian society. Her growing motivation has taken further interest and development as the founding layers of her work through her deliberate perception, subject to the preservation of the environment and surrounding landscape. Gascoigne’s work offers an insight into deep country outback life of an Australian individual and introduces conceptualities that mirror a focus situated about ‘re-using’, ‘ recycling’ and understanding the insightful meaning present within everyday remnants. Her work is a collective gathering of selected materials to form a composition or an

    Read More

  • Analysis Of Nicole Krauss 'The Young Painters'

    1142 Words  | 3 Pages

    “A hidden weight seemed to attach itself to simple objects—a teacup, a doorknob, a glass—hardly noticeable at first, beyond the sense that every move required a slightly greater exertion of energy”(187). In Nicole Krauss’ short story, “The Young Painters”, Krauss brings across the idea of guilt swallowing the narrator because of her decision to steal a frightening story told to her by a dancer and recreate the story and publish it as her own work. In the first scene, the author encounters a captivating painter in the dancer’s home which she later discovers has a intense backstory. She later publishes the story as her own but adds a happy twist to deemphasize the horror of the original story. In the second scene, after an odd encounter with

    Read More

  • Essay On Elizabeth Catlett's Art

    2251 Words  | 5 Pages

    The idea that art can be a service to people- most importantly a service to poor and disenfranchised people is one that may be disputed by some. However, Elizabeth Catlett and other artists at the taller de Graffica Popular have proved that art could be made to service the poor. Catlett in particular is someone who has always used her art to advocate for the poor and fight injustices. While her activism and political views were very impactful, they were also very controversial. Catlett`s art and activism influenced African American and Latin American art by changing the narratives of Black and Brown working class women. In their books titled Gumbo Ya Ya, The Art of Elizabeth Catlett, African American Art: The Long Struggle, and Elizabeth Catlett: Works on Paper authors Leslie King-Hammond, Samella S. Lewis, Crystal Britton, Elizabeth Catlett, and Jeanne Zeidler speak of the work of Catlett. In a paper titled -----, ---- also speaks of the work of Elizabeth Catlett and her legacy as an activist.

    Read More

  • The Graphic Horror of War: George Gittoes

    932 Words  | 2 Pages

    The 21st Century appears to be headed towards a future of vast corruption and exploitation as a result of the often inhumane and uncivilised individuals who, over the years have become desensitized to poverty, war, consumerism, racism, mental illnesses and political corruption. As the world moves towards further democracy, and decentralization it is vital that art is given the opportunity to stimulate people’s awareness, participation and judgment. Arts purpose is not only to be a fulfilment of society’s visual needs but is needed be utilised as a function to alert people to society’s problems. Australian born George Gittoes, works within war zones to create confronting paintings, film, photography and prose that frequently portray man’s inhumanity to man. Gordon Bennett, also Australian, paints images that depict his own self questioning about his identity and the injustice towards Aboriginal Australians since the time of settlement.

    Read More

  • Gordon Bennett The Coming Of The Light Analysis

    924 Words  | 2 Pages

    Unlike Gordon Bennett, who grew up struggling from his Aboriginal heritage, Tony Albert, a founding member of Queensland's Indigenous art collective proppaNOW explores political, social and cultural issues that are relevant to Indigenous Australian in today’s society. Albert’s artistic practice has a range of media and applications producing 2D wall art, sculpture and installation based works. According to Albert, he began to see the ‘problematic representations of his identity’ (Art Monthly Australia, 2015, p.55) after discovering the work of contemporary Aboriginal artists Tracey Moffat and Gordon

    Read More

  • Griselda Pollock's Impressionism

    903 Words  | 2 Pages

    In her, “Modernity and the Spaces of Feminity,” Griselda Pollock questions the representations and myths of modernity in Paris during the nineteenth century. The Impressionist movement, dominated by a masculine perspective, represent Paris as being the new place for recreation, leisure and unrestrained pleasure. But, what about Impressionist women painters? what was their point of view? Pollock argues that a historical asymmetry, which is a social and economical difference produced by a social structuration of sexual difference, determined both what and how men and women painted. Therefore, in order to analyze female Impressionist, we must take into consideration that they share the same social system produced by a sexual differentiation, hence,

    Read More

  • Muriel Cooper: Twentieth Century Graphic Artist

    398 Words  | 1 Pages

    Muriel Cooper was a famous twentieth century graphic designer. Besides being a book designer, she was a researcher and educator as well. MIT Press wanted her assistance for a very longtime as an art director. Furthermore, she founded MIT’s Visible Language Workshop and co-founded the MIT Media Lab. Also Cooper was one of the first graphic designers to apply her skills to the computer screen.

    Read More

  • Griselda Pollock: Article Analysis

    985 Words  | 2 Pages

    The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.

    Read More

  • Story Of Joseph Vs. The Market Place

    1391 Words  | 3 Pages

    During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.

    Read More

  • What It Means To Be Australian

    355 Words  | 1 Pages

    Australia is a very unique place, along with our multiculturalism there is also a strong heritage surrounding us. At first thought of Australian heritage we think about such landmarks as Uluru, The Sydney harbour bridge and The Sydney opera house, The Great Barrier reef and other internationally recognised places. But our heritage goes much deeper than that; it is far more than outstanding icons. Along with these icons there are also unsung places like the old cattle stations, Aboriginal missions, migrant hostels, War memorials, our unique wetlands and the towns and cities we have built. Adding all of these things together, helps to tell the story of who we are and how we have shaped this land in the unique identity it has today.

    Read More

  • Norval Morrisseau

    1861 Words  | 4 Pages

    I will also be showcasing depictions of the floor plan and the technicalities that will be included to create an experience out of the exhibit. Space/Location/Display: When you see Christian Chapman’s painting Future, there is no doubt it will remind you of Norval Morrisseau’s work. This Anishinaabe artist’s work is very significant in Indigenous Art. Based on a piece written by Canadian journalist Barbara Sibbald, Morrisseau lies on his spirituality and imagination, and reclaiming his cultural heritage including Anishinaabe legends. Morrisseau relied on his imagination as the powerhouse of his art practice.

    Read More

More about Compare And Contrast Rosalie Gascoigne And Contemporary Art

Open Document