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Introduction to aboriginal culture in australia
Art as a catalyst for social change
Aboriginals in today's society
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Recommended: Introduction to aboriginal culture in australia
The biographic of Paddy Bedford in its simplest description, is an internationally successful Aboriginal artist living in the East Kimberly region of Western Australia. This might not sound like a person of iconic significant, but in this essay it propose that Paddy as one of the most celebrated contemporary artist in the history of Aboriginal art. It will critically examine Paddy’s achievements with reference to Jirrawun Aboriginal Art Corporation in the East Kimberly. But mostly discuss Paddy’s position in the public sphere of affecting the Aboriginal arts and culture community and will talk about aboriginal social change at play in Australian society today. In addition, the essay also interrogates the issue of social injustice and equal rights with cause of preserving Aboriginal tradition. Most importantly, it will indicate my deep understanding about what it means to be Australian from investigating Paddy Bedford life, as well as, the historical events surrounding the East Kimberly.
The East Kimberly region of Western Australia has been depict as a place of ‘grinding poverty, violence and racist exclusion in which so many Aboriginal people in the east Kimberley live, and yet at the same time through art it communicate the beauty and grandeur of their lives. ‘For those trying to communicate through art with the issue of death, harsh, pain and even compassion, were seen as necessary to maintain memories and record of Aboriginal historical events. The thirst for telling such companionate story is not easily interpreted, however, if we look at history we could see the influence of real tradition of aboriginal art emerge.
The tradition of aboriginal art has always strived to develop ways to record all types of information, ...
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...icle for maintaining the value of aboriginal culture. The success of the artists and the Jirrawun cooperation can be used to reinforce and contradict aboriginal life and meaning, create a place for equal opportunity, and be visual element all on its own. Then by understanding about being Australian, Aboriginal or Tores Strait puts a hierarchy emphasis on having equal rights and opportunity doesn’t matter where you come from or have been living. The placement of maintaining value and culture allows visual flow and creates pauses for new opportunities and an understanding of aboriginality.
In conclusion, my deeper understanding about what is means to be Australian from investigating Paddy Bedford life and the Jirrawun Arts Corporate is there will to fight for justice and equal opportunity. Humanity bought to Paddy Bedford and his community would not occur if
Through the three pieces, the landscapes reflect a painting style is more often associated with European Romantic art, however, unlike the others, the central piece showcases the sky painted with miniscule dots, a technique common within Indigenous art (Lingard 2014, 44). However, the fact that the sky is the only piece of the composition painted with this technique and is placed in the background while more European inspired art and images are placed in the foreground is potentially symbolic of the marginalisation of Indigenous people and their culture in contemporary Australian society. Within Bennett’s own life, he was brought up without his Aboriginal heritage ever being spoken of, describing it himself as “overwhelming Euro-Australian” (McLean 1996, 20). Thus, within his artworks, a dotted circle at the top of each composition includes black footprints facing away from the circle, which matches his personal experience of Indigenous culture being ‘left behind’ in contemporary Australian society. The artist lived in a time where he was connected to a variety of Indigenous experiences including his own as well as the servitude of his mother, and thus through the combination of these varying art techniques, Bennett evokes both discord and further represents the marginalisation of Indigenous culture
The 2014 Walkley Award winning documentary, "Cronulla Riots: the day that shocked the nation" reveals to us a whole new side of Aussie culture. No more she’ll be right, no more fair go and sadly no more fair dinkum. The doco proved to all of us (or is it just me?) that the Australian identity isn’t really what we believe it to be. After viewing this documentary
Anne Zahalka cleverly presents her intentions and interests in the world clearly throughout her artworks, more specifically her series ‘Welcome to Sydney’. Through the creation of this series Zahalka was interested in the changing multicultural nature of Australian society, closely drawing the audiences attention to the cultural frame. She effectively does this by portraying the subjects with dignity and respect by deliberately positioning them in an area in which they connect with. In doing so, Zahalka acknowledges her own experience, as the daughter of immigrant parents has influenced her conceptual practice. She uses cultural symbols to show the individuals are different, yet making them as one being put into Australian locations. In the image ‘Guangan Wu, Market Gardens, Kyeemagh’ a chinese immigrant stands in a panoramic landscape of market garden...
Contemporary art is the art that has been and continues to be created during our lifetimes, which can include and represent the Australian culture, politics and music as well as in art forms such as portrait and landscape. Contemporary art is defined as art that is current, offering a fresh perspective and point of view and often employing new techniques and new media. Current art means work by both emerging and also established artists. Rosalie Gascoigne and Imants Tillers are honoured for their contribution showing the Australian landscape in fresh, new and transformational way. Whilst both are similar in their use of text and original interpretation of our landscape they are vastly different in their approach and creating meaning for their
The two pieces of art that I have chosen to compare reside in Toronto’s ‘Art Gallery of Ontario’. While the two pieces are very different in terms of artistic medium and period, the painting, “The Academy”, by Kent Monkman, makes direct reference to Auguste Rodin’s sculpture “Adam”. The sculpture is a giant bronze cast from 1881 inspired by Michealangelo’s “Creation of Adam” Ceiling Fresco in the Sistine Chapel. “The Academy” by Canadian painter, Kent Monkman was commissioned by the AGO in 2008. The piece was created as a visual commentary on the “injustices and oppression Aboriginal people have suffered” (Filgiano) However different they may appear to be, Kent Monkman ‘borrows’ the theme of Rodin’s “Adam” sculpture to create an analogy between Adam’s banishment from paradise and the Aboriginal’s loss of paradise through colonization.
Indigenous Australian artist Gordon Bennett re-contextualises the work of Colin McCahon by borrowing and transforming key visual features. Bennett’s work challenges the viewer and gives them an alternative perspective of the culture and identity of Indigenous Australians. The quote by The National Gallery of Victoria states, “Often describing his own practice of borrowing images as ‘quoting’, Bennett re-contextualises existing images to challenge the viewer to question and see alternative perspectives.” This quote is clear through analyzing the visual features as well as the meaning behind the work of Gordon Bennett’s appropriated artwork ‘Self-portrait (but I always wanted to be one of the good guys)’ (1990) and comparing it to Colin McCahon’s
The poem “We’re not trucking around” by Samuel Wagan Watson presents an Aboriginal perspective on Australian National identity, showing the audience that Australians still mistreat Indigenous people, expressing his perspective through the ideas that white men still mistreat Aboriginals and the marginalization of Aboriginal culture. Watson reinforces his idea through poetic and language
The concept of discovery is a manifold notion. It comprises exploring something for the first time or it could be rediscovering something has been faded or lost, forgotten or concealed. People may experience different types of discovery which could be sudden and unexpected. However it may affect them physically, emotionally, intellectually and spiritually. This response will focus on the idea discovery that relates to the themes of aboriginal connections to their family, place and culture and also the discrimination upon them. This well demonstrated thought the texts “Rainbow’s End” by Jane Harrison, the two poems “Son of Mine” and “We are going” by Oodgeroo Noonuccal as well as my chosen related text, the film “One night the moon” by Rachel Perkins. Each text presents a variety of discovery aspects that allows a deep understanding of the concept of discovery.
The lines, “As I said, it might help if we … we can imagine it’s opposite” use perspective to put the non-indigenous Australians into the shoes of indigenous Australians, to help them explore and understand the possibilities of not belonging.
Before 1919, Aboriginal/indigenous art and artifacts were virtually non-existent in the world of art, with almost no representation whatsoever and was “thought to be dying under the waves of white cultural encroachment on their lands, languages and cultural practices.” (The Canadian Encyclopedia, paragraph #4). After returning from a trip to England in 1899, feeling “cheated by 'bad health and circumstances'”, Emily felt isolated in Victoria, being in her mid-thirties and single, grouped with her sisters critical opinions of her and old friends having moved away or joined private groups such as 'The Married Ladies' Club' that she could not join. In 1905, she visited a small Aboriginal village by the name of Ucluelet, where she had often been to in her teen years and had been known as Klee Wyck, meaning “laughing one” in Kwakiutl (Tippett, Maria, Emily Carr: a Biography, p. 63-65).
Bourke, E and Edwards, B. 1994. Aboriginal Australia. St Lucia, Queensland: University of Queensland Press.
In the nineteenth century, the “History wars” became the fight between the most prominent historians revolving around the deception of frontier conflict between the labor and coalition. The debate aroused from the different interpretations of the violence that took place during the European colonization and to what degree. It became a crisis in history, emerging from the dispossession of the Aboriginal and Torres Strait Islanders (ATSI) that resulted in exclusion of their traditions and culture. The ATSI were the first people of Australia that brought along a different culture, language, kinship structures and a different way of life (Face the Facts, 2012). Post European colonization was a time where the ATSI people experienced disadvantage in the land they called home. With the paramount role as future educators, it demands proficient knowledge on the Australian history and one of the most influential moments in our history started from the first European settlers.
Before a select historiographical study on historians’ approaches to Aboriginals’ historical role can be addressed, the views and evidence presented by Raibmon require contextual examination. Raibmon maintains that to satisfy European colonizers’ perceptions of the Aboriginal, pressure from 19th century colonial missionaries, government, tourists, and anthropologists resulted in the creation of exhibits of Aboriginal...
Frederick McCubbin, Arthur Steeton and Tom Roberts were all a part of the iconic art movement in Australia, that was, the Heidelberg school. The avid group of painters began their work in Melbourne and its landscape exploring the style of impressionism derived from Paris, France in the early 1860’s. These painters forever changed the national identity of Australia with their specific style of painting and influences. Their work depicted the harsh beauty that is the Australian bush, at the time, opening up the world to the outside depicting the experiences of the bush. They aimed for 'truth to nature' and worked in the open space outside, sketching quickly and applying their paint swiftly capturing instant impressions. This essay will discuss
Tom Roberts was an Australian artist who travelled widely around Sydney areas to find ideas for his paintings such as historical, political and landscape. In the perio...