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Like walking through a barren street in a crumbling ghost town, isolation can feel melancholy and hopeless. Yet, all it takes is something like one flower bud to show life really can exist anywhere. This is similar to Stephen’s journey in The Samurai’s Garden. This novel is about an ailing Chinese boy named Stephen who goes moves to a Japanese village during a time of war between Japan and China to recover from his disease. By forming bonds with several locals and listening to their stories, he quickly matures into a young adult. Throughout the novel, Gail Tsukiyama shows how disease forces Stephen into isolation; however, his relationship with Sachi and his time spent in Matsu’s garden lead him out of solitude.
When Stephen contracts tuberculosis and is sent to Tarumi to recuperate, he loses his carefree childhood and falls into isolation. Upon arriving in Tarumi, he says, “This early autumn there didn’t seem to be anyone else here, just me, Matsu, and a complete white silence…I was exhausted by the time Matsu stopped in front one of the many bamboo fenced houses and cleared his throat to get my attention. My lungs were burning and my legs were weak” (9). A result of his tuberculosis, Stephen is physically weak, as shown by how his “lungs were burning” and his “legs were weak”. This is further developed by how “exhausted” he feels after the walk to the house. .A lack of other people is revealed by Stephen commenting “didn’t seem to be anyone else here, just me, Matsu”. This sheltered feeling is expanded even more by the “complete white silence” hanging the air. Stephen feels very secluded because the quiet calmness of the village is a harsh contrast to the bustling city life he is used to. In this quote, it is clear that diseas...
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...iyama appeals to the readers’ emotions and convinces them that the garden’s beauty was able to distract Stephen from the initial loneliness of his situation.
Though Stephen initially felt isolated both physically and psychologically due to his illness, through Sachi’s comfort and the calm beauty of Matsu’s garden, Stephen finds his stay at Tarumi to be much less secluded. This proves that though one may feel alone at times, other people or things may help vanquish that feeling. In today’s world, isolation is everywhere – there is isolation due disease, intelligence, race, etc. Yet, people find that little things like human comfort or object reminiscent of a happy past are enough help them realize they are not alone. This sense of aid shows that like the flower in the midst of the desolate landscape, something small is all it takes to erase all negative feelings.
Isolation often creates dismay resulting in an individual facing internal conflicts with themselves. Ann experiences and endures unbearable loneliness to the point where she needs to do almost anything to
Gail Tsukiyama’s The Samurai’s Garden is set in 1930s Japan, the theme of war and peace is developed through Character interaction. Characters in the story have very different reactions to the same circumstances. Through the character of Stephen, one can conclude that outside forces do not control a person’s life because in life, people can take what has been given to them and do with it what they wish. In other words, life is what you make of it. Even though the war in China is very important to Stephen, he does not let it interfere with his descisions in Tarumi.
Farming the Home Place: A Japanese American community in California 1919-1982 by Valerie J. Matsumoto presents a close and in-depth study of social and culture history of Cortez, a small agricultural settlement located in San Joaquin valley in California. Divided into six chapter, the book is based primarily on the oral interviews responses from eighty three members of Issei, Nisei, and Sansei generations. However, many information are also obtained from the local newspapers, community records, and World War II concentration camp publications.
In The Samurai’s Garden by Gail Tsukiyama, a young man is thrown from his established world, left in a new, confusing realm that holds more than meets the eye. In the midst of a violent and ferocious war between the Chinese and Japanese in mid 1937, this young man, Stephen, contracts tuberculosis, and is sent to his family’s summer house in Japan. There he meets the house’s caretaker, Matsu, a simple and reserved man who holds back all but the most necessary speech. This meeting will come to define many of Stephen’s interactions with others throughout the novel: reserved and limited. In this odd land filled with subtle secrets and unspoken uncomfortability, Stephen is prepared for a very quiet and restful period, marked with healing and growth.
Throughout life many are faced with obstacles that are difficult to overcome. These obstacles can change a person and their life as shown in The Samurai’s Garden, by Gail Tsukiyama. In the novel Matsu and Sachi go through life on a difficult path before finding happiness. When looking at Matsu’s and Sachi’s gardens, one can see that they are a representation of their lives, which is important because the gardens represent their personalities and struggles in their lives.
Though Stephen initially felt isolated both physically and psychologically due to his illness, through Sachi’s comfort and the calm beauty of Matsu’s garden, Stephen finds his stay at Tarumi to be much less secluded. This proves that though one may feel alone at times, other people or things may help vanquish that feeling. In today’s world, isolation is everywhere – there is isolation due disease, intelligence, race, etc. Yet, people find that the little things like _____ to make them realize they are not alone. This sense of aid shows that like the paint in the puddle of water, all it takes is something small to make the biggest difference.
Sometimes people are judged by their looks, and preferences will be made towards the more beautiful people before the less beautiful people. What individuals don’t put into account is that the person’s personality is part of their beauty. In Gail Tsukiyama’s novel, The Samurai’s Garden, through the characterization of Sachi’s personality and adversities, Gail Tsukiyama conveys the message that beauty is deeper than just the outside and this message is important because one shouldn’t judge someone just by their looks.
One of them is by helping people from Yamaguchi, those who are feared, shunned, and punished by the society because of their illnesses. When the village of Yamaguchi catches on fire, Matsu’s first instinct was to help all of those who lost their homes. Along with Stephen, they both spent several weeks rebuilding houses. Sachi was very upset, even mad because the people had already lost so much and now they were losing their homes too. Matsu made her realize that they lost things that can be replaced. “As long as they are alive to do so, that’s what is important” (123), he is telling Sachi that they should appreciate that they are alive because for all they know, it could have been worse. Matsu sacrificed himself to Yamaguchi, he gave up opportunities of living somewhere else. Another characteristic that Matsu embodies is his internal strength. The strength that he possesses is shown during Kenzo’s burial, “Matsu was silent throughout the entire procession, simply bowing his head to those who showed their sympathy at the loss of his good friend” (109). His internal strength comes from within, which allows him to remain calm and to prevent emotional pain. After his best friend committed suicide, Matsu turned to his garden, a place of peace. Stephen recognizes that it is there that Matsu turns for refuge and for
1. Chapter 3, page 5, #3: “A little fog hung over the river so that as I neared it I felt myself becoming isolated from everything except the river and the few trees beside it. The wind was blowing more steadily here, and I was beginning to feel cold.”
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
Without honor, life is meaningless. According to the folktale, Green Willow, honor is essential to an individual of Japanese decent. This tale explains what the people of this country value and how they function. As the story unfolds, so do the components that form what Japan is. The background contains the codes and classes in which they live. The plot draws our attention, however it is the elements of the culture that is taken into account. In addition, it presents a conflict that is dealt with by society everyday. That is, being distracted from our tasks. In the act of facing that conflict, good judgment should be used. The decision of the main character reveals what arises when you do not.
“Maturity is when your world opens up and you realize that you are not the center of it.”-M.J. Croan. In the novel entitled The Child of Dandelions, by Shenaaz Nanji, the protagonist undergoes many changes during the course of the plot. From the start of the novel, Sabine was a young naïve fifteen-year old Indian girl, living in a protected and privileged life in Kampala, the capital city of Uganda. When Idi Amin, the president of Uganda at the time, announced that all foreign Indians are being expelled out of the country, she thought that her family was safe from the law since they chose to be Ugandan citizens while other Indians remained British. This however, changes when she experienced injustice and racism towards
As Stephen grows apart from his father after he finds out about his mistress, he begins to view Matsu, the caretaker of his grandfather’s house in Tarumi, as a father figure. Matsu is filled with wisdom and knowledge, is often silent with his words: “With Matsu, everything is in what he does not say” (59). Sachi, a friend of Matsu for over 40 years, notices his quiet personality and informs Stephen. As Stephen talks to Matsu more, he sees Matsu as more of a father figure than a friend because of his knowledge and openness. He sees Matsu as the father he had once had. Much like a father, Matsu gives advice with kind words to Stephen: “Whether you see Keiko-san or not anymore won’t take away from your having known her. If she is important, she will stay with you” (193). Like any father should, Matsu converses with Stephen through the rough times, and pushes him to do well. Stephen is attracted to a young Japanese girl from Tarumi, Matsu notices and takes action to guide him through confusion. Matsu helps Stephen with his words and actions, and sees Stephen as a son instead of a
Firstly, one of the characteristics that renders Stephen’s departure arduous is the mollifying projection of Tarumi and the nearby gardens within its vicinity. During his sojourn in Tarumi, Stephen gradually comes to appreciate the seductiveness of Tarumi and the corresponding gardens, as they serve to temporarily hide his stress associated with the outside world beyond Tarumi. As soon as Stephen enters Tarumi, he immediately appeals to the quietude of the area when he utters, “‘Even the light is revealing; you can’t miss the smallest nuance, the slightest sound. It’s as if the world were concentrated into just these small rooms.’” (Tsukiyama 20) In this depiction, Tarumi is portrayed as an area of silence, which makes the hectic atmosphere of Hong Kong and the outside world gradually fade away from Stephen’s concern due to the vast opportunities of self-contemplation that Tarumi provides. This meditation consequently deepens Stephen’s admiration of the gift of human life and gives him a moment to question the true importance of life; as a result, Stephen gradually becomes acclimated to the peacefulness of Tarumi and jaded to the purposeless concerns of everyday life present in large, materialistic societies. Furthermore, Stephen finds the beauty and tranquility of Matsu’s garden in particular to be highly irresistible. From the moment he enters Matsu’s garden for the first time, “‘the sweet perfumes [are]
Societies vary greatly throughout the world, as do human experiences. What it means to be a social being in Japan, may not equate with what it means to be a social being in Central Africa. Throughout this essay I will argue that, while society may vary, the desire to be social exists in all cultures throughout history. The world may have always had its recluses, those who attempt to live a solitary life, but even these people can be seen as a reflection of their previous culture and society, fulfilling a role and remaining tied to their pre-existing relationships, using and being used by society like any other social being (Stone 2010: 6). Throughout this essay I will use the example of the Japanese and Central African social being to show how experiences of society change and are shaped by one's location. Further I will explain what it is to be a social being, and how society shapes our experiences, whether we remain within it or not, through the experiences of various hermits and recluses throughout history.