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Essays for the samurais garden
Essays for the samurais garden
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Havens of Captivation
Throughout the course of his stay in the pulchritudinous village of Tarumi, the main protagonist, Stephen, eventually finds it burdensome when he is forced to return back to his family in the chaotic city of Hong Kong due to several facets that deepen not only his understanding of others, but also his appreciation of the gift of life itself. The Samurai’s Garden is an alluring novel written by Gail Tsukiyama, which focuses on a young, Chinese man’s personal experience in a placid village located in Japan. Stephen, who sojourns in Tarumi in order to preclude the prospect of infecting his sister, Pie, with tuberculosis and to distance himself from the ongoing war between the two nations, quickly acclimatizes himself to the
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tranquility associated with the quixotically blissful Japanese village. During his stay, he develops relationships with several of the unique individuals, many of whom share an affinity for the gift of human life through their own experiences. Consequently, these new friends enlighten Stephen of the various facets of life, which collectively render him more intellectually inclined and aware of certain values that are not emphasized upon in the pretentious metropolis of Hong Kong. Albeit Stephen’s solicitude for his family in Hong Kong is unable to be cast aside due to the advancing war, there are several elements that serve to render his departure more difficult than one would be left to anticipate. The three most important facets that serve to firmly establish Stephen in the village of Tarumi and consequently make his life more meaningful to his own benefit and enrichment are the serene nature of both Matsu’s garden and the village itself, the fundamental relationships that he develops with several people, and the various life lessons that he learns during his stay in Japan, as they all bring him closer to the purport of life.
Firstly, one of the characteristics that renders Stephen’s departure arduous is the mollifying projection of Tarumi and the nearby gardens within its vicinity. During his sojourn in Tarumi, Stephen gradually comes to appreciate the seductiveness of Tarumi and the corresponding gardens, as they serve to temporarily hide his stress associated with the outside world beyond Tarumi. As soon as Stephen enters Tarumi, he immediately appeals to the quietude of the area when he utters, “‘Even the light is revealing; you can’t miss the smallest nuance, the slightest sound. It’s as if the world were concentrated into just these small rooms.’” (Tsukiyama 20) In this depiction, Tarumi is portrayed as an area of silence, which makes the hectic atmosphere of Hong Kong and the outside world gradually fade away from Stephen’s concern due to the vast opportunities of self-contemplation that Tarumi provides. This meditation consequently deepens Stephen’s admiration of the gift of human life and gives him a moment to question the true importance of life; as a result, Stephen gradually becomes acclimated to the peacefulness of Tarumi and jaded to the purposeless concerns of everyday life present in large, materialistic societies. Furthermore, Stephen finds the beauty and tranquility of Matsu’s garden in particular to be highly irresistible. From the moment he enters Matsu’s garden for the first time, “‘the sweet perfumes [are]
immediately intoxicating.’” and his pain associated with his illness, tuberculosis, seems to slowly pass from his mind (10). Over the course of his stay, Stephen becomes highly attached to the attraction of his garden, which is made evident by Stephen’s various depictions of the garden such as when he exclaims, “‘All I remember is I felt as if I couldn’t breathe, drowning in the sweet, nauseating smells that came from the garden. . . . The sweet, intoxicating smells of the garden embraced me, surrounding me with a deep sense of comfort.’” (100–01) Even near the end of the novel when Stephen goes to Tokyo with his father for a few days, when he returns, he finds “‘refuge in Matsu’s garden,’” as the flowers and their charming aroma “‘soothe [Stephen’s] fears [of the ongoing war].’” (171) Both of these statements cast light upon the notion of how the garden serves a shelter from the concerns of the outside world, as Stephen finds solace in tending the garden due to the fact that it helps him forget about the Imperial Army’s exploits. Evidently, Matsu’s garden has a pacifying effect on Stephen, as he finds that the area allays his trepidation of the prospect of Japan seizing his hometown, Hong Kong, while contemporaneously inuring him to hardships as a whole such as the familial affair concerning his unchaste father. Also, the garden serves to open Stephen’s character up to new experiences and ultimately, to the beneficial deepening of his own character, as its beauty is associated with various messages about human life, such as internal beauty, which serve to render Stephen more appreciative of the true value of life. Accordingly, one of the facets that make Stephen’s ineluctable departure difficult is the emotionally and physically appeasing effect of the various gardens and the village itself, which is supplemented by his profound relationships with the people who live there. In addition, another aspect that serves to nestle Stephen in the restful village of Tarumi is the indispensable relationships in which he establishes with several individuals over the course of his sojourn in Japan. Over time, when Stephen gets to know people such as Sachi, Kenzo, and Keiko, he learns to understand what Matsu means when he says that all people are bound by their “‘strength of history together,’” (92) Consequently, as Stephen gradually deepens his relationship with several people with a large range of diverse personalities and experiences, he successively becomes more attached to their lives and consequently finds it burdensome to leave all these relationships. His newfound friends also leave a positively indelible mark on Stephen’s set of values, as their own unique experiences all serve to enrich Stephen’s appreciation of human life. Moreover, when Stephen becomes privy to his father’s vice concerning how he has been surreptitiously living with a mistress in Japan for many years, their relationship languishes and Stephen consequently yearns for a stronger father figure in his life. Concomitantly, during his last days in Tarumi, Sachi tells Stephen how he has been like a long lost son to both her and Matsu. This assertion is indeed true, as Matsu gradually becomes Stephen’s ideal male role-model, which Stephen seems to be lacking ever since he arrives at Tarumi, and enlightens Stephen of various life lessons. In particular, Stephen comes to appreciate Matsu’s shy and reticent character and consequently, Stephen learns to develop an intrinsic relationship with a person whose personality he initially casts aside as dreary. Matsu witnesses many egregious misfortunes in his life during Stephen’s visit in Tarumi; subsequently, Stephen gradually becomes cognizant of the “‘small cracks in [Matsu’s] armour, grief in the curve of his back and shoulders.’” (167) This statement further corroborates Stephen’s deepened relationship with Matsu and concomitant ability to view others on the inside instead of the outside, as Stephen comes to learn Matsu’s internal sense of tribulation notwithstanding the fact that Matsu’s character appears to be unshakable. Furthermore, Stephen also develops a rich relationship with Sachi who employs an impactful simile to compare her own relationship with Tomoko when she says, “‘We did everything together, growing strong like stalks of bamboo. While we might sometimes bend one way or the other, it would take a great deal to break us.’” (132) This articulation can be associated with Stephen’s desire to remain in the village of Tarumi, as he has formed several relationships that are unable to be broken and forgotten. Her assertion also reflects and reinforces Stephen’s own set of core beliefs, as he comes to deepen his understanding of the true power of friendship and the effect that his mere presence can have on the lives of others; more specifically, Sachi and how she becomes less shameful and more receptive towards the company of others during the course of his stay. Thus, another facet that serves to establish Stephen in the quiet village of Tarumi is the meaningful relationships in which he sets up with various people during his vacation in Japan who consequently share many meaningful life lessons with him.
Connections Question- The author of Cold Sassy Tree, Olive Ann Burns stated that she made Aunt Loma an unsympathetic character. Do you think she has been successful so far? Support your answer with examples from the text.
After reading the novel As I Lay Dying, I was able to gather some first impressions about Jewel Bundren. One of these impressions is that Jewel Bundren is aware that Anse Bundren is not his father,. One reason why this is evident is because when Jewel half brother, Darl, is questioning him about who his father is, Jewel doesn’t answer, meaning he might know that he isn’t related to Anse. Another reason this is evident is due to the way Jewel acts when he is talking to Anse, as he is continuously disrespectful to him. Even though it’s shown Jewel is aware that Anse is not his father, there is no indication in the novel that he is aware that Whitfield is really his father. Another first impression I was able to gather about Jewel
In The Samurai’s Garden by Gail Tsukiyama, a young man is thrown from his established world, left in a new, confusing realm that holds more than meets the eye. In the midst of a violent and ferocious war between the Chinese and Japanese in mid 1937, this young man, Stephen, contracts tuberculosis, and is sent to his family’s summer house in Japan. There he meets the house’s caretaker, Matsu, a simple and reserved man who holds back all but the most necessary speech. This meeting will come to define many of Stephen’s interactions with others throughout the novel: reserved and limited. In this odd land filled with subtle secrets and unspoken uncomfortability, Stephen is prepared for a very quiet and restful period, marked with healing and growth.
Matsu’s, the heroic samurai, garden highlights his personality and the struggles he faced throughout his past. Matsu lives a very private life because of these struggles. With the arrival of Stephen, Matsu is forced to be extroverted rather than his usual introverted self.
Elizabeth Lavenza (later Elizabeth Frankenstein) is one of the main characters in Mary Shelley’s Frankenstein. She is a beautiful young girl; fragile and perfect in the eyes of all. Her father was a nobleman from Milan, while her mother was of German descent. Before she was adopted by the wealthy Frankenstein family, she lived with a poor family. After Alphonose and Caroline Frankenstein adopt Elizabeth, they lovingly raise her alongside their biological son, Victor Frankenstein, in hopes that the two will eventually get married. When Victor goes off to Ingolstadt college, Elizabeth writes letters to him that later become a crucial part of the story. It weaves together every piece of the story, holding together each individual
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...iyama appeals to the readers’ emotions and convinces them that the garden’s beauty was able to distract Stephen from the initial loneliness of his situation.
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Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
In 1818, Mary Shelley’s Frankenstein was anonymously published. In the story, the title character brings to life a monstrous creature that reflects his own feelings of worthlessness and destruction. In Frankenstein, Victor Frankenstein compares himself to a blasted tree when he says, ‘But I am a blasted tree’ (Shelley 114-115). Ironically, this quote relates more to the life of the creature than Victor Frankenstein’s life. Mary Shelley uses the metaphor of a blasted tree to emphasize the destruction of not just Victor Frankenstein’s but also the creature’s ties to humanity, his self-worth, and his failure.
Booth suggests that "At this point, [Fantomina] still has a great deal of desire for Beauplaisir, but she also does not want to lose at the game she herself has created." (23). Stuck in a predicament of betrayal by Beauplaisir to both Fantomina and Ms. Bloomer but reluctant to come clean to him because of her true desires for him, Fantomina resolves to create a fourth disguise in the character of Incognita to conquer his inconstancy: "She got over the Difficulty at last, however, by preceding in a Manner, if possible, more extraordinary than all her former Behavior" (797). Fantomina writes a letter to Beauplaisir as Incognita praising him as an honorable and well-suited man, a move she knows will spark his own interest in sexual desires. For the duration of their meeting, she covers her face completely up until it comes time for the call of their desires to be answered upon which she completely darkens the room, satisfies both her own and Beauplaisir's desires, and still remains to keep her identity concealed. She has mastered the game by meeting him with no disguise during sex but a lack of light.
Terrorists need everything to go their way, or they will kill or severely injure you if you don't obey. Although these extremist groups known as terrorist groups, are terrible they are happening, and many people are being abused because of it. The book I used in this essay is Under the Persimmon Tree, by Suzanne Fisher Staples. The book is about a family of four living in a small village. The mother is pregnant with a third child. The Taliban takes Baba-jan (father to the main character), and Nur (teenage boy, main character's brother) to fight, also they take all their remaining food, and supplies. Baba-jan is killed immediately after he was taken, along with all the other men in the village. Mada-jan (mother of the main character), and Habib
As Stephen grows, he slowly but inexorably distances himself from religion. His life becomes one concerned with pleasing his friends and family. However, as he matures he begins to feel lost and hopeless, stating, "He saw clearly too his own futile isolation. He had not gone one step nearer the lives he had sought to approach nor bridged the restless shame and rancor that divided him from mother and brother and sister." It is this very sense of isolation and loneliness that leads to Stephen's encounter with the prostitute, where, "He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin.
Even as a young boy, Stephen experienced rejection and isolation at school. On the playground Stephen "felt his body [too] small and weak amid the [other] players" (Joyce 8). His schoolmates even poked fun at his name. In response to his rejection by the other boys Stephen makes a conscious decision to "[keep] on the fringe of his line, out of sight of his prefect" and the other boys. Stephen is later depicted as choosing the "warm study hall" rather than the playground with his friends outside (Joyce 10). His rejection at school leads him to isolate himself in his schoolwork, thus putting himself on a scholarly path that will give him the intellectual skills necessary for the artist within him to achieve adulthood.