Literary approaches

594 Words2 Pages

Literature

• Choose six of the following approaches and find one article for each approach.
• Writing:
 One page per article
 2 pgs summary

Critical approaches important in the study of literature:

MORAL/INTELLECTUAL
• Concerned with content and values
• Used not only to discover meaning, but also to determine whether works of literature are both true and significant.
• To study lit from this perspective is to determine whether a work conveys a lesson or a message and whether it can help readers lead better lives and improve their understanding of the world.
• Answer these questions:
 What ideas does the work contain?
 How strongly does the work bring forth its ideas?
 What application do the ideas have to the work’s characters and situations?
 How may the ideas be evaluated intellectually? Morally?

TOPICAL/HISTORICAL
• Stresses the relationship of lit to its historical period
• Investigates relationships of this sort, including the elucidation of words and concepts that today’s readers may not immediately understand.
• Common criticism is that in the extreme, it deals with background knowledge rather than with lit itself.

NEW CRITICAL/FORMALIST
• Focuses on literary texts as formal works of art, and for this reason it can be seen as a reaction against the topical/historical approach.
• Most brilliant in the formal analysis of smaller units such as poems and short passages.
• Discussions of point of view, tone, plot, character, and structure are formal ways of looking at lit from this point of view.

STRUCTURALIST
• Stems from the attempt to find relationships and connections among elements that appear to be separate and discrete.
• Attempts to discover the forms unifying all lit
• Important because it enables critics to discuss works from widely disparate cultures and historical periods.
• Furnishes an ideal approach for comparative lit and the method also enables critics to consolidate genres such as modern romances, detective tales, soap operas and film.
• Best in the analysis of narratives and larger units.

FEMINIST
• Holds that most of lit presents a masculine/patriarchal view in which the role of women is negated or at best minimized.
• Seeks to raise consciousness about the importance and unique nature of women in lit.

ECONOMIC DETERMINIST/MARXIST
• Features individuals in the grips of the class struggle.
• Often called proletarian lit
• Emphasizes persons of the lower class – the poor and oppressed who spend their lives in endless drudgery and misery, and whose attempts to rise above their disadvantages usually result in renewed suppression.

PSYCHOLOGICAL/PSYCHOANALYTIC
• Provided a new key to the understanding of character by claiming that behavior is caused by hidden unconscious motives.
• Treat lit somewhat like information about patients in therapy.

ARCHETYPAL/SYMBOLIC/MYTHIC
• Presupposes that human life is built up out of patterns, or archetypes, that are similar throughout various cultures and historical times.

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