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Effects of rural to urban migration in china
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Perspectives of Wealth in Pearl S. Buck's “The Good Earth”
Every person has their own definition of success. While many people think of money as success, people living with traditional values have their own perspective of prosperity. In Pearl S. Buck’s “The Good Earth”, a farmer undergoes difficult times as he becomes someone he is not. One character is Wang Lung who is initially described as innocent, humble, and “poor” (Buck 14). As he alienates himself from his initial environment, he appears to develop into a character completely opposite of what he was.
Scholars Rochmat Budi Santosa and Richard Jean So show how much Wang Lung cherishes his land. So describes Wang Lung’s upbringing as being devoted to the land (101). He reminds the reader
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Unlike his uncle who enjoys gambling, Wang Lung thinks land is an essence of life (Santosa 128). Although technology and modernization has impacted a country like China, Wang Lung differs and he would rather physically work and live off the land (Santosa 120). When considering China as a “homogenous” society, Wang Lung’s travel to the south allows him to realize his own place in society and that there is much more than “the people of black hair and black eyes” (So 100). So interprets that when Wang Lung meets the “white woman”, it serves as the modern existence of “racial, class, and social differences” and realizes his own place in society (100). Santosa states that Wang Lung doesn’t feel a sense of belonging in the southern city, and would get more land than earn money (130). However, when returning to the land Wang Lung’s character changes and ironically becomes someone he originally was not (Santosa 131). Wang Lung questions his wife’s beauty, becomes materialistic and possessive over his lands (Santosa 134). Spencer states when he “embraces wealth and materialism he loses his moral bearings” (129). From being perceived as a poor farmer, Wang Lung is “literally able to boss his former boss” (Spencer 129). The land has become his own meaning of wealth and negatively impacts his well-being (Santosa
I would like to point out that Wang Lung was never the most filial of men. Early in the novel, we saw him slip up once or twice. However, at a younger age, he felt guilty when this happened and was able to hold his tongue in most situations. Wang Lung’s uncle is able to exploit Wang Lung based on his filial piety. When the uncle, a lazy man who blames his struggles on an “evil destiny”, asks his nephew to borrow money, Wang Lung explodes, saying, “‘If I have a handful of silver it is because I work and my wife works, and we do not…[let our] fields grow to weeds and our children go half fed!’” (65). But right after he lets these words slip, he “[stands] sullen and unmovable” (66) because knows that his outburst is wrong. However, later in the novel, Wang Lungs lack of sense for filial piety grows evident as he becomes more arrogant. For example, when he is nearing the end of his life, Wang Lung asks without a second thought to be buried below his father but above his uncle and Ching. Asking to be buried above his uncle makes the statement that Wang Lung believes he is a greater man than his uncle. Before his rise through the ranks of society, Wang Lung would never have even considered being buried above his uncle, even though he always had a disliking for him. However, because of his power, he feels that he has the right to disrespect his
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
Culver has always dreamt and hoped of a place to call home or a place to be. As he observes the people on the train, he has no choice but to envy them because of their opportunity. A fire builds up in his heart and shapes his personality. In the book The Good Earth, Wang Lung envies the people with their wealth and opportunities. Culver experiences, as both men strived for something more than they had. Culver will always strive for a place to call home, giving him a fire. “As always, we started out hopeful, but as we traveled.. a pall fell over our little band” (4). Culver has experienced a life of struggle falling into a routine of hope that turns into sadness. He tries to put a positive spin on change, but in the end fails, and loses hope as they travel. His background and personality is formed by his experiences of moving affecting him for the worse. Culvers personality and situation resembles an orphan, both constantly on the move and lose their hope over time. The older they get, the more they move and the less hope they have. If he can never live in one place he will become hopeless and his family...
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
Most critiques of The Good Earth are preoccupied with the authentic quality of the novel, and while the Western critiques praise it as a novel based on facts, the Chinese hold a different view. Kang Younghill, a Chinese man, in reference to the image Pearl Buck created of China, stated that "it is discouraging to find that the novel works toward confusion, not clarification" (Kang 368). This statement illuminates Kang's feelings that the details, which Buck had presented as factual in the novel, were contrary to the actual life of the Chinese. Yet researches have shown that Buck was rightly informed and presented her information correctly. One detail that she paid special attention to was the family structure within the rural Chinese family, which she presented in the form of the Wang Lung household. The family structure demonstrated by Buck is not restricted to the Wang Lung family, but was a part of every rural Chinese home in the early 1900s. Every member's experiences within the family structure are determined by the role and expectations placed on them by the society, and Buck was careful to include these experiences in Wang Lung's family.
When his wife, O-lan sees this drastic change, she is horrified and rebukes her husband, telling him he “cut off his life”. O-lan’s criticism leaves Wang Lung regretful about his decision to cut his hair. Buck emphasizes the mutation of the symbol of hair in this passage, as Wang Lung’s hair no longer represents his loyalty to tradition, but rather his yearning to be modernized. O-lan emphasizes Wang Lung’s conversion to modernism when she exclaims that he “cut off his life”, which indicates that Wang Lung is ditching his traditional lifestyle by modernizing his hair. While Wang Lung does assimilate more to modern culture, he does experience guilt, realizing that he is being controlled by Lotus. Wang Lung’s regret proves that while his hair represents mostly modernism, it also of a bit of traditionalism. Therefore, Buck utilizes hair to highlight Wang Lung’s shift in
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
Throughout the book The Good Earth written by Pearl S. Buck, it shows the evolvement of the main character Wang Lung and how owning or not owning land in the 1920s is affected by peasants in China. It also shows the struggles of a peasant’s life, going through poverty and what happens when wealth enters their lives. Owning land as a peasant is an important aspect of their living style, simply because they live off of what they are able to grow that season. They depend on their land for resources to provide for themselves and family; and also selling crops or trading crops in order to make money. The peasants of China exemplify how important their crops and land are to them throughout the whole book by showing love and compassion for them; but,
Although his parents had no previous knowledge of America’s society, they were able to learn from watching films and reading books. When Liu was born, they decided it was a good idea for him to adapt to this new environment that may benefit his life with better opportunities that the culture provides. Some of these opportunities involved independence and a luxurious lifestyle that they thought was different than the Chinese culture. Liu took pride in believing that he was considered an Asian American when he perceives himself as a unique individual coming from two different cultures. He learns about the daily lives of white people and eventually made friends who were able to support and teach him to fit in with the society. During his life in America, Liu faced struggles and tries to overcome them by learning how to get along with white people, using the social-class to help him make connections with other white people, and getting involved with his internship which provided a good career opportunity while becoming an upper class person. Overall, Liu’s success in achieving his goals of individuality, career opportunities, and lifestyle as well as understanding himself about his Asian American
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
This novel tells the story of Wang Lung. He is a man who rises from being a poor farmer to a very wealthy man because of his faith in the good earth. In the beginning of the story Wang Lung tries to see as little water as possible because he feels safest with his land under his feet. His family is very poor so he must feed his father corn gruel and tea.
Pramoedya Ananta Toer’s This Earth of Mankind is an allegorical novel describing the growth of protagonist Minke during the pre-awakening of colonized Java. Set in 1898 during the period of imperial Dutch domination over all aspects of Javan life, the novel provides a clear image of the political and social struggles of a subjugated people through the point of view of a maturing youth. Using several of his novel’s major characters as allegorical symbols for the various stages of awareness the citizens of Java have of Indonesia’s awakening as a modern nation, Toer weaves together an image of the rise of an idyllic post-colonial Indonesia with modern views of Enlightenment ideals.