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Gender issues in the joy luck club
Gender issues in the joy luck club
Gender issues in the joy luck club
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Communication in The Joy Luck Club
Sadly, the characters revealed in The Joy Luck Club have personal histories so complicated by cultural and emotional misunderstandings that their lives are spent in failed attempts to cross the chasms created by these circumstances.
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
Each of the Chinese mothers attempted to guide her daughters, yet they were ill equipped to translate their life experiences in China to the alien environment they found in America. It was their lives, not their language, that they were unable to translate. Like her friend Lindo, An Mei Hsu was raised the Chinese way, as she describes:
" . . . taught to desire nothing, to swallow other people's misery, to eat my own bitterness. And even though I taught my daughter the opposite, still she came out the same way! Maybe it is because she was born to me and she was born a girl. And I was born to my mother and I was born a girl. All of us are like stairs, one step after another, going up and down, but all going the same way"(Tan 289).
As the story unfolds, both mothers and daughters are forced to face "truths" that their own private histories had previously blinded them to. Yet, as readers, we must ask "what is truth?" When a person lives their life according to that which they believe to be true, does their belief not become the truth itself, with the conventional "truth" then becoming a lie? As the characters begin to face their past demons, in order to resolve their personal conflicts (both internal and external), the reader begins to hope that their might be resolution.
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
In the novel, The Joy Luck Club, the author Amy Tan, uses figurative language to create an effect on the readers. Tan uses similes, metaphors, and symbolism, to add to the overall message of the relationships between mother and daughter and bond between them that has been inherited. However, Tan also uses language to show the connection between storytelling, memories, and inheritance.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
Throughout your life you will run into some miscommunication with someone, whether its a family member, a friend, or even a random person. At times people would say something to someone, and they would either take it literally or just misunderstand it. Both people would start arguing which would lead to a huge disagreement. In Amy Tan's novel, The Joy Luck Club, miscommunication plays a huge role. Mother, Lindo, and her daughter, Waverly, misunderstand each other and a hatred feel for each other begins. In the end both, Lindo and Waverly, talk about Lindo's origins. From the two solving their problems, Amy tan shows that you should take the time to get to know one another.
... and in her hurry to get away, she (falls) before she even reach(s) the corner,” (87). This foreshadows the relationship between the mothers and daughters in The Joy Luck Club. The daughters can not understand the reasoning behind their mothers’ decisions. However, the mothers realize their daughters are so much like them and they do not want this to happen. The daughters grow up being “Americanized,” but as they grow older they begin to want to understand their Chinese culture. All of the characters learned many valuable lessons that will be passed on to their own children.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
One type of effect the Chinese mothers’ expectations has in their relationship with their “Americanized” daughter is negative since the mothers are unable to achieve anything. An-Mei Hsu expects her daughter to listen and obey as the young ones do in Chinese culture, but instead receives a rebellious and stubborn daughter, “‘You only have to listen to me.’ And I cried, ‘But Old Mr. Chou listens to you too.’ More than thirty years later, my mother was still trying to make me listen’” (186-187). Instead of the circumstances improving, the mother is never able to achieve anything; her forcing and pushing her daughter to the Chinese culture goes to a waste. They are both similar in this sense because both are stubborn; the daughter learns to be stubborn through American culture and wants to keep herself the way she is, whereas the mother wants to remove this teaching from American culture and does not give u...
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
The Joy Luck Club, is a film that shows a powerful portrayal of four Chinese women and the lives of their children in America. The film presents the conflicting cultures between the United States and China, and how men treat women throughout their lives. People living in the United States usually take for granted their roles as a male or female. The culture of each country shapes the treatment one receives based on the sex of the individual. Gender roles shape this movie and allows people, specifically the United States, to see how gender are so crutcial in othe countries.
The Chinese mothers, so concentrated on the cultures of their own, don't want to realize what is going on around them. They don't want to accept the fact that their daughters are growing up in a culture so different from their own. Lindo Jong, says to her daughter, Waverly- "I once sacrificed my life to keep my parents' promise. This means nothing to you because to you, promises mean nothing. A daughter can promise to come to dinner, but if she has a headache, a traffic jam, if she wants to watch a favorite movie on T.V., she no longer has a promise."(Tan 42) Ying Ying St.Clair remarks- "...because I remained quiet for so long, now my daughter does not hear me. She sits by her fancy swimming pool and hears only her Sony Walkman, her cordless phone, her big, important husband asking her why they have charcoal and no lighter fluid."(Tan 64)
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
Morgan Freeman and Peter Dinklage mashed up to create one of the most popular commercial this year for Mt Dew and Doritos. People in the United States worship celebrities like gods. These celebrities have millions of followers on social media, hoards of paparazzi following them around, and endless gossip magazine articles about them. This exemplifies how Americans like to sit in their homes and watch the lives of other people. Maybe they do this to relax and escape reality, maybe they do it because they have nothing better to do. They could easily change their way of life, but they don’t because that would require thought and action. No one can find anything positive to say about America’s obsession with fame. Why obsess with someone else’s life when you could live your own? This may be true of humans in general, but most Americans spend more time watching than doing (hence the obesity rate and lack of action taken by citizens), and that remains one of the most obvious traits of American
The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters. The hardest problem communicating emerges between Suyuan and Jing-Mei. Suyuan is a very strong woman who lost everything she ever had in China: "her mother and father, her family home, her first husband, and two daughters, twin baby girls" (141).