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Common themes in literature
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The following in a report on the themes and action of The Good Earth by Pearl S. Buck as it relates to food and culture. This novel tells the story of Wang Lung. He is a man who rises from being a poor farmer to a very wealthy man because of his faith in the good earth. In the beginning of the story Wang Lung tries to see as little water as possible because he feels safest with his land under his feet. His family is very poor so he must feed his father corn gruel and tea. Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house. As a humble farmer Wang Lung always pay his respects to the figures of the Earth god and his mistress when he passes. Wang Lung’s love for the earth is the chief driving force in his life. It is also the foundation of his family and the one he turns to when he has troubles. Land is a sign and a symbol to Wang Lung. When O-lan’s and Wang Lung’s first child is born they dye eggs red and distribute them to the village to shown their first born is a male. After a year of good rains Wang Lung begins to amass a good fortune so he hides the money that they make so people will not try to borrow it. Again, the produce from the year is good, and Wang Lung is able to hide more silver. He buy land from the great house in town and it is very fruitful, yielding more harvest than his own land. Now everyone in the village knows that Wang Lung is the owner of a piece of the Hwang land. His status rises in the village. The following year the rains don’t come and the land dries up.
One day an old man comes to join the family for supper-- he new Poh-Poh from Old China... the man is odd looking and Liang thinks him to be "the Monkey Man" from the ghost stories her grams is always telling. Regardless Liang and this man she comes to call Wong-Suk become great friends. They go to the movies together and get jeered at (I'm not sure if this is beacause 'Beauty and the Beast' or because they are Chinese); he tells her stories; and she dances for him.
The author, Xinran, encountered an old Chinese woman named Shu Wen while working as a journalist. Shu Wen then told Xinran about her life and her arduous journey in Tibet in order to find her husband and along the way she seems to find herself. Xinran is able to take Shu Wen's story and put it into a simple yet captivating book.... ... middle of paper ... ... Xinran and Ma Jian wrote their book from different perspectives on how they felt towards Tibet.
I would like to point out that Wang Lung was never the most filial of men. Early in the novel, we saw him slip up once or twice. However, at a younger age, he felt guilty when this happened and was able to hold his tongue in most situations. Wang Lung’s uncle is able to exploit Wang Lung based on his filial piety. When the uncle, a lazy man who blames his struggles on an “evil destiny”, asks his nephew to borrow money, Wang Lung explodes, saying, “‘If I have a handful of silver it is because I work and my wife works, and we do not…[let our] fields grow to weeds and our children go half fed!’” (65). But right after he lets these words slip, he “[stands] sullen and unmovable” (66) because knows that his outburst is wrong. However, later in the novel, Wang Lungs lack of sense for filial piety grows evident as he becomes more arrogant. For example, when he is nearing the end of his life, Wang Lung asks without a second thought to be buried below his father but above his uncle and Ching. Asking to be buried above his uncle makes the statement that Wang Lung believes he is a greater man than his uncle. Before his rise through the ranks of society, Wang Lung would never have even considered being buried above his uncle, even though he always had a disliking for him. However, because of his power, he feels that he has the right to disrespect his
The Six Records of a Floating Life by Shen Fu is an autobiography, majorly about Shen Fu’s love life and his marriage to Chen Yun, a smart girl he falls in love with as a child. Throughout the Six Records of a Floating Life, different situations faced by the couple can reflect to the family structure of the peasants at the time. Shen Fu was born in an official family which works for the government. Although his family was not at a very high status, they do care a lot about the reputation of the family, and they also care a lot about manners. Chen Yun, according to Shen Fu, is a very smart and well-mannered woman, she thinks a lot about Shen’s family, and always try to do her best for them. Chen Yun’s father died when she was 4 years old, which
Most critiques of The Good Earth are preoccupied with the authentic quality of the novel, and while the Western critiques praise it as a novel based on facts, the Chinese hold a different view. Kang Younghill, a Chinese man, in reference to the image Pearl Buck created of China, stated that "it is discouraging to find that the novel works toward confusion, not clarification" (Kang 368). This statement illuminates Kang's feelings that the details, which Buck had presented as factual in the novel, were contrary to the actual life of the Chinese. Yet researches have shown that Buck was rightly informed and presented her information correctly. One detail that she paid special attention to was the family structure within the rural Chinese family, which she presented in the form of the Wang Lung household. The family structure demonstrated by Buck is not restricted to the Wang Lung family, but was a part of every rural Chinese home in the early 1900s. Every member's experiences within the family structure are determined by the role and expectations placed on them by the society, and Buck was careful to include these experiences in Wang Lung's family.
When his wife, O-lan sees this drastic change, she is horrified and rebukes her husband, telling him he “cut off his life”. O-lan’s criticism leaves Wang Lung regretful about his decision to cut his hair. Buck emphasizes the mutation of the symbol of hair in this passage, as Wang Lung’s hair no longer represents his loyalty to tradition, but rather his yearning to be modernized. O-lan emphasizes Wang Lung’s conversion to modernism when she exclaims that he “cut off his life”, which indicates that Wang Lung is ditching his traditional lifestyle by modernizing his hair. While Wang Lung does assimilate more to modern culture, he does experience guilt, realizing that he is being controlled by Lotus. Wang Lung’s regret proves that while his hair represents mostly modernism, it also of a bit of traditionalism. Therefore, Buck utilizes hair to highlight Wang Lung’s shift in
Neither life nor culture can be sustained without food. On a very basic level, food is fundamentally essential for life, not simply to exist, but also to thrive. A means by which carbohydrates, fats, proteins, vitamins, nutrients, and calories are introduced into the body, food is a mechanism of survival. However, on a more abstract level, food is also fundamentally essential for culture by establishing its perimeters and dimensions and in shaping its authenticity and character. Food becomes the carbohydrates and calories that maintain any culture. Food offers a dynamic cross-section of man's tendencies. "Nourishment, a basic biological need," argues anthropologist Sidney Mintz, "becomes something else because we humans transform it symbolically into a system of meaning for much more than itself" (7). By examining food consumption and preparation, much is discoverd regarding the intricacies of culture. The preparation and consumption of food in Puritan society are reflected in Mary Rowlandson's The Sovereignty and Goodness of God. Rowlandson's view of food and admissions of hunger in the infancy of her captivity cast a revealing light upon the roots of her conceptions and ideas about food and, more generally, about her culture's conceptions and ideas about food. As the conflict between her soul and her stomach raged over food, Rowlandson's attitudes toward the Native Americans' preparation and consumption of food reflect the socialization of the Puritans to believe that every meal ...
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
Mulan is a young girl in China, who is trying to honor her family and ancestors by finding a husband. She was expects to be delicate, quiet, obedient, graceful, polite, and poised, none of which Mulan displayed. She showed up late to the meeting with the woman, “The Match Maker”, who picked whom Mulan would one day marry. Although they expect women in China to have a tiny waist, too small of a waist, which Mulan had, was no good. She would not be great at baring children. Mulan could not pour the tea right for the woman either. She missed the cup, spilling the tea on the table. She was not very graceful and upset “The Match Maker”, who believed Mulan would never honor her family. Mulan did not display the characteristics that the Chinese society expected a woman to have and was looked at as dishonorable to outsiders.
The protagonist of the story is Jing-mei. She is a flat character who turns out to be dynamic. Throughout her life, she has been very stubborn about accepting her identity. An example of this is when she explains, "I was 15 and had a vigorously denied that I had any Chinese whatsoever under my skin" (857). She shows her dynamic characteristic at the end of the story when she finally does accept her heritage.
“This woman is well enough!”Pg.28 Content- Wang Lung becomes content with his wife when he learns that she cares for him more than anyone else.
aspect of her personality remains completely foreign to her mother. the narrator, who describes it with an innocent wonder. In the Beginning of the story The mother speaks of Wangero's actions in the past. The. Even then she displayed an arrogance that isolated her mother.
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
After being in the marriage for a few years, her mother in law, Huang tai tai wants her to provide the family with an heir. She believes that Lindo is moving around too much and confines the girl in her room. The relationship between Lindo and her husband resembles one between brothers and sisters. Subsequently, she know the relationship will not proceed for long. One day, she recalls to herself, “I started to think about how I would escape this marriage without breaking my promise to my family. It was really quite simple. I made the Huangs think it was their idea to get rid of me, that they would be the ones to say the marriage contract was not valid” (59). She tactfully manipulated her in believing exactly what she planned. Due to her smarts and ambition she is able to escape her marriage with very few
Nowhere in the book is the significance of the earth better presented than in this passage. When taken less literally and more figuratively, one can witness all that the land does for Wang Lung throughout the entire tale. Through the hands of his faithful wife (which are an extension of his own hands, as are all the laborers whom he hires in the latter part of the book) the land is an agent of life, healing, and