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In a post-national globalised world, what does or what can the term Australian literature mean? Answer your question with reference to at least 3 compulsary book-length texts and ‘North Wind’ by John Morrison. Australian literature is important towards a post-national and globalised world. Post-colonial Australian literary has provided various conducts moving from literary criticism to textual politics. The novels Barracuda, Unpolished Gem, Coonardo and North Wind all relate to Australian literature. Post-colonial texts have mostly focused on the around the literary canon. Barracuda was a modern piece of writing. Tsiolkas indicates thoughts towards the Australian mainstream. ‘He is more advanced than other writers writing in Australia towards …show more content…
Pichard based the novel ‘Coonardoo’ on her very own personal experiences of living in the bush, as she stated in the foreword, and the novel was set in Western Australia’s North West. ‘The novel had raised problems based on black and white history’. (Harper Collins Australia 2012). Prichard was typically seen in Australian literary history, where she grounded in her fictional representations of Aborigine people. Nineteenth Century Australian literature was thoughtful by the attendance of ‘the Aborigine’ in literature. Prichard indicated to her readers that Australians usually didn’t view and/or read writings which dealt with a white man’s association with an Australian aborigine. Society was not very much opened towards multicultural themes which this novel had dealt with. Novels such as ‘Coonardoo’ looked at white and aborinal racial and sexual associations. Prichard’s novel ‘Coonardoo’, was first published in 1929, it portrayed an interesting representation of racial tensions and post-colonial settlement in Australia during the 1920’s. ‘Coornardoo’ raised many issues towards race matters between Indigenous Australians and the White Australians in the early twentieth century. Among those conflicts between customs and traditions, pre-feminist attitudes which concerned differences in status between Indigenous women and the White women, cultural expectations regarding relationships …show more content…
‘Unpolished Gem’ attempted to move from the periods of migrant literature novels. ‘The novel is reflected in the eyes and behaviour of schoolmates and friends, in particular, to cultural conflicts and competing demands as Pung navigates between family and the wider Australian society’ (Ommundsen 2010). Between the lines of Pung’s typical style there is also some matters towards Australian multicultarism. Pung and her family had difficulty towards forming the cultural gap which they experienced with the broader Australian public. Pung did a great job notifying her readers about Asian australian life. Migrant experiences were very different. Pung strikes between happiness, sadness and frusturation. ‘Unpolished Gem’ was written in a language that combined her mother’s typically Chinese expressions and her own good english. The novel was a look into the complex world of people who had to adapt. Not just to the country they had come from and moved to, but to their own selves as they changed over time. ‘Unpolished Gem’ is high class writing. Pung’s novel is mostly stereotypically Australian. She had revealed a complexity of observation that was complicated but was also available. Asians usually were written about outsiders in Autralian literary history. Outside identities were sometimes a threat towards the white country. Morrison’s style of writing could be defined as Australian social realism with strategies resulting
The notions of the Australian voice as multifaceted and diverse, is insightfully expressed in Tim Winton's short story anthology The turning and the Drover's wife by Henry Lawson. Australian voice in literature often explores the quality inherent to the Australian identity of overcoming hardships. The stories Fog, On her knees, and The Drover's wife explore these hardships through the notions of mateship,and the importance of family in facing these challenges.
The compassionate novel Deadly Unna?, written by Phillip Gwynne, creates vivid characters and depicts race discourses experienced by Gary Black (also known as Blacky) in a fictitious South Australian coastal community. The novel portrays a typical coastal town of the 1970s and is set mainly in the Port: the local Pub, the Black family home and the jetty, where the local children play. The story explores the racism between the Nungas (the indigenous population who live at the Point) and the Gooynas (the white population who live at the Port). As Blacky is from the Port, he only begins to develop awareness of the racism around him as a result of his friendship with Dumby Red, a Nunga football player, and consequently stops making racist jokes and comments. Analysis of racist ideas in the town, the marginalisation of the Nunga community, Blacky’s changing beliefs and how it influences and empowers him to respond to the death of Dumby Red, reveals that Gwynne encourages the reader to reject the racist values, attitudes and beliefs of Blacky’s community.
Today, I will be telling my view on Australian texts. I will be analysing the text “The Exotic Rissole” by Tanveer Ahmed.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Both ‘The Drover’s Wife’ and ‘The Loaded Dog’ depict life as an Australian during the Colonial period. ‘The Drover’s Wife’ depicts the everyday life of a bush woman and her
“a verse for the cheated” discusses the effects of colonialism in Australia. The poem suggests the the European invaders or “tourists” arrive and are ignorant in respect to the Indigenous Australians.
The novel is set during a World War. The tension and separation of races during a war seemed evident in Australia. As a multicultural country including Japanese and Aborigine population, conflicting attitudes towards these races had to be imminent. I entirely agree with the above statement due to the unequal treatment of the aborigines, tension between the Japanese population and characters such as Hart showing lack of trust over his lover Mitsy
Literary works are the products of the society in which they are created and therefore display dominant societal values unless the text producer deliberately challenges these values. These works of literature communicate these dominant values and reinforce tropes in our society. One such trope, as communicated in Peter Goldsworthy’s Maestro is that of the larrikin – a hooligan, a trope which conjures up a mental image of disdain for authority, propriety and the conservative norms of bourgeois Australia. The consumption of texts produced in Australia by Australians helps reinforce our cultural norms and values, and aids us in recognising ourselves as Australians. This is done through characterisation, with the characters embodying many ‘Australian’ attributes, and the establishment of setting.
Tiberius Sempronius Gracchus was born in approximately 163 B.C.E to Tiberius Gracchus the Elder and Cornelia Africana. Gaius Gracchus, his younger brother, was born in 154 B.C.E. In the 2nd century B.C., the two brothers formed “The Gracchi”. The two, born plebeians, belonged to one of the most influential families in Rome, the Sempronia. Their father was the tribune of the plebs, the praetor, consul and censor. Fatherless from a young age, they were taught democratic views by tutors. As they grew older and gained influence, their goal became to restructure Rome in a way that benefited the underprivileged and unfortunate. At the time, their help was especially welcome as members of the Populare, a political group whose purpose was to serve the people, rather than the aristocracy (like the Optimates). The ideals of the Gracchi leaned towards what people today would call populism or socialism; in fact, they are almost reverently called “the founding fathers” (Fife 1) of the aforementioned political parties. The brothers were perhaps so interested in restoring the rights of the people because of the dichotomy of their plebeian births within a noble line.
Reynolds, H. (1990). With The White People: The crucial role of Aborigines in the exploration and development of Australia. Australia: Penguin Books
The novel was written at a time where Australia was embracing different cultures and the Australian government were recognizing migrants for their contribution to society.
When it comes to post-colonial literature, most initially think about the colonization of other countries and how it has affected the natives. Though it is the most well known form of post-colonial literature, it is not the most wide-spread. By slightly altering the framing in which one looks at it, the idea that feminist literature by women from a patriarchal society is post-colonial literature begins to make sense.
First of all, Indigenous people and Asian have different values and means to Australia. The Australian Indigenous people have lived Australia for long time and they have developed their own culture. However, when the British people started to colonise Australia, the British culture was brought into Australia. They have struggled under the pressure of White Australian. Therefore, whatever their identity can be a part of Australian. On the other hand, most of Asian people came to Australia as immigrants to seek better life. Ommundsen states that Asian Australian literatures made by the writer’s identity and life, for example (512). However, he also argues that “Asia”, “Australia” and “Asian Australia” are uncertain categories (512). In “Love and honour and pity and pride and compassion and sacrifice”, there are no strong elements of Australia, and even the protagonist, Nam, lives in Iowa (Le 3), the United States. In “The boat”, Australia is just destination of the main character, a girl named Mai (Le 278). Thus, The Boat seems more Asian literature that Asian Australian literature. It is really difficult to find how Indigenous identity narratives affect to such Asian Australian literatures, because they seems really different from each other. If something must be said, Asian Australian literatures have to refer to Indigenous people. Most Asian immigrants regard Australia as a western country, white culture, and well-developed country. They do not think about Indigenous people so much, so but if Indigenous identity narratives’ increase of importance, Asian Australian literature must include them as
The 19th century Australian Novelist and short story writer, Henry Lawson, uses distinctly visual techniques of writing, which allowing responders to visualize the hardships faced during . Australia’s colonial period The iconic story “The Drover’s Wife” reveals the hardships faced by women and the sacrifices and adjustments they made to survive. Lawson’s story “In a Dry Season” gives the reader an insight into the difficult lives of Australians during the colonial period. The Artwork “Sunday Evening” by Russell Drysdale stresses the hardships faced in the Australian outback. His artwork compliments Henry Lawson short stories.
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.