Hybridity and National Identity in Postcolonial Literature Every human being, in addition to having their own personal identity, has a sense of who they are in relation to the larger community--the nation. Postcolonial studies is the attempt to strip away conventional perspective and examine what that national identity might be for a postcolonial subject. To read literature from the perspective of postcolonial studies is to seek out--to listen for, that indigenous, representative voice which can inform the world of the essence of existence as a colonial subject, or as a postcolonial citizen. Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process. Postcolonialism is the continual shedding of the old skin of Western thought and discourse and the emergence of new self-awareness, critique, and celebration. With this self-awareness comes self-expression. But how should the i... ... middle of paper ... ...nial institution--one voice which would articulate their own sense of national identity. But exploration of these societies, and the literature produced by postcolonial authors and poets illustrates that there is a veritable infinite number of differing circumstances inherent in each postcolonial society, and, consequently, in each piece of literature produced by postcolonial writers. If one is to read this literature in a way which will shed some light on the postcolonial condition, one must understand and adopt the theory that we are all walking amalgamations of our own unique cultures and traditions. We are all always struggling with our own identities, personal and national. We must understand that there is no "one true voice" representing an easily identifiable postcolonial condition, but, instead, each author is his or her own voice and must be read as such.
Post-colonialism is a discourse draped in history. In one point in time or another, European colonialism dominated most non-European lands since the end of the Renaissance. Naturally, colonialists depicted the cultures of non-Europeans incorrectly and inferior. Traditionally, the canon has misappropriated and misrepresented these cultures, but also the Western academia has yet to teach us the valuable and basic lessons that allow true representations to develop. Partly in response, Post-colonialism arose. Though this term is a broad one, Post-colonialists generally agree on certain key principles. They understand that colonialism exploits the dominated people or country in one way or another, evoking inequalities. Examples of past inequalities include “genocide, economic exploitation, cultural decimation and political exclusion…” (Loomba 9-10). They abhor traditional colonialism but also believe that every people, through the context of their own cultures, have something to contribute to our understanding of human nature (Loomba 1-20). This is the theme that Lewis prescribes in his, self described, “satirical fantasy”, Out of the Silent Planet (Of Other 77).
History can significantly influence the ways in which a place, along with its community, evolves. Now considered postcolonial, not only are Hawaii and Antigua heavily defined by their colonial pasts, but they are also systematically forced into enduring the consequences of their unfavorable histories. Through their unconventionally enlightening essays, Jamaica Kincaid and Juliana Spahr offer compelling insights into how the same idea that exists as a tourist’s perception of paradise also exists as an unprofitable reality for the natives who are trapped in their pasts yet ironically labeled as independent. The lasting impacts of colonialism on the history of Antigua and Hawaii can be noted through their lasting subservience to their colonizing
In this journal he expresses his need to support and assist the Cherokees. One way he supports the Cherokee people is by treating them as if they are his own family and by offering to help them in any ways he can (p.142). He refers to a Cherokee woman, Jane, as “our dear sister,” which shows that he values these people as if they were his family (p.139). The Cherokee people are going through a very rough time and Butrick mentions this often throughout his journal. Reverend Butrick mentions how the weather is extremely dry and warm and that many of the Cherokees are sick (p.139). Butrick talks about how awful the Cherokees are treated during this time of removal. The way that Butrick describes the situation that the Cherokees are in helps me to picture how immoral and horrible it actually was. Butrick mentions how overwhelmed he is after the first day of travel but then goes on to say, “it seemed a luxury to groan and weep” (p.140). He believes that his groaning and weeping is nothing compared to the struggles the Cherokees have been facing. He also talks about how the Cherokees are treated like “brute animals,” in the way they are all cramped in a small area with no privacy and also have to lie
In the first scene of the movie, Alec Baldwin’s character is in the office with the three other salesmen. Alec being that he is the boss is talking down to the employees and treating them like garbage. Alec talks to them this way because money and power has taken over his body. He has no idea what employee moral means. He gets a kick out of treating people like this. When the employees respond to him he makes a smart remark and yells at them. He acts this way because he knows that they will follow anything he says because he is the boss. When Jack Lemon’s character questions him about something Alec tells him off because Alec does not want to hear any complaints. Alec just wants the job done and if they cannot do the job he will find people that can. Alec is screaming at them to try to get them to comply with his orders and if they do not he will fire them because he does not need employees slowing him down.
With no treatment needed, glaucoma is a leading cause of blindness in the United States, while simultaneously being the number one leading cause in Africa (Glaucoma Research Foundation). According to the American Optometric Association, “Glaucoma is a group of eye diseases causing optic nerve damage. The optic nerve carries images from the retina, which is the specialized light sensing tissue, to the brain so we can see.” They go on to say that when dealing with glaucoma, one’s eye pressure plays a vital role in damaging the delicate nerve fibers of the optic nerve. “When a significant number of nerve fibers are damaged, blind spots develop in the field of vision. Once nerve damage and visual loss occur, it is permanent.” The National Institute of Health states that due to shallower anterior chamber depths, this defect hurts the lives of people mostly from East Asian descent. The Foundation continues to say that blacks are among the people who are three times more likely to have glaucoma while woman in general are two times more likely to developing angle closure glaucoma.
In the play Glengarry Glen Ross, selling is like a complicated courtship. Richard Roma is sales. Throughout the play, we never once get a true insight into the real Richard Roma. All we know is that he is good at his job, greedy and calculating. His demeanor changes on a dime; he is whoever he needs to be in whatever situation he happens to be in. This is his edge.
Through the excerpts from Pixley, Carvalho and Kim, the basis of both liberation theology/liberation criticism and post-colonial criticism stem from their focus on the marginalized, whether that be natives or “The Other” and the interplay between these two criticism can be observed through their opposition to the dominant culture, the necessity of educating the marginalized and giving them a voice, and their analysis of the text through hermeneutics and its application in each criticism.
Postcolonial criticism, as suggested in the textbook, “has developed because of the dramatic shrinking of the world and the increasing multicultural cast of our own country” (1603). As described by Andrea Smith in his book “From Heteropatriarchy and the Three pillars of White Supremacy”, “The
Glaucoma is a group of eye disorders that cause blindness by hurting the optic nerve, which is the large nerve that is responsible for vision. In glaucoma, the optic nerve damage is related to a change in the fluid pressure that circulates around the eyeball. In many cases, Glaucoma occurs when the eye's fluid pressure is high, but it can also occur when the pressure is measured as normal.
Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Colonial Discourse and Post-Colonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. London: Harvester Wheatsheaf, 1994. 66-111.
In this paper feminist aspect of post colonization will be studied in “Season of Migration to the North” novel by Tayeb Salih. Postcolonial feminism can be defined as seeks to compute for the way that racism and the long-lasting economic, cultural, and political influences of colonialism affect non-white, non-Western women in the postcolonial world, according to Oxford dictionary. As it mentioned earlier about the application of Feminism theory in literature, the provided definition of postcolonial feminism also is not applicable in literature analysis. Therefore, Oxford defines another applic...
In this essay, I will refer to several authors who attempt to move away from viewing colonialization through political and economic frameworks, mainly Ashis Nandy, Mahmood Mamdani, and Frantz Fanon. I will delineate the ramifications of colonialism on identity, discuss the
Postmodernism is an intellectual movement that promotes itself as the 'antithesis' of modernism, resulting from the intensification, radicalization, or transformation of the processes of modernity. (Barfield, 368) The term was introduced in the late 1940's, however, the turn towards, if not the origin of postmodernism in anthropology, can be traced to a single publication: Writing Culture (1986). It consisted of contributions from nine scholars, edited by Clifford and Marcus, and attempted to sketch out the basic premise of the postmodern perspective. (Harris, 153) Anthropologist are forced to contend with the changes created by postmodernism in a variety of ways, beginning with the challenge to anthropological authority. It is felt by many that it is incredibly arrogant for anthropologists to assume that they have both the capacity and mandate to dissect, interpret and describe the lives of people in other cultures, given the power and wealth imbalance of the colonial past, leaving the 'other' unable to speak for him/herself. This argument finds itself in the whole 'West vs.
In both of these short stories, both Naipaul and Lessing explore the topic of post-colonial cultural identity though a diverse lens. Primarily, these authors explore the context of race, and class, something that prevalent in all of our lives wherever we come from. By opening these diverse lanes of communication through literature, each author has only made their country a better but the world as well, i.e. the mission of Nobel Laureates.
In addressing the two fundamental emotions (pursuit of pleasure and avoidance of pain) consumers are influenced by a number of factors that have been the subject of much research and academic attention.