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Literary prospective of postmodernism
Elements of postmodernism
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Recommended: Literary prospective of postmodernism
Postmodernism is a style of art that first became popular in the late 20th century. When seeing the word postmodernism, it might have to do with any one medium of art-- literature, philosophy, history, economics, architecture, fiction, and literary criticism. Lyotard, a founder of postmodernism in philosophy, is quoted as saying, “Simplifying to the extreme, I define the postmodern as incredulity toward metanarratives.” By saying this, Lyotard simply meant that, as a postmodernist, he was against the ways of thinking of modernists and wanted to see something new philosophically and artistically. Postmodernity demonstrates a departure from the art style modernism.
Lyotard was quoted trying to define postmodern. He is credited as coining this term and making it philosophical jargon, because it first became popular with the publication of The Postmodern Condition: A Report on Knowledge in 1979. This book contains Lyotard’s thoughts on many subjects, including the computer age, avant-garde art, and creative experimentation, among other things. Jean-François Lyotard is considered (philosophically) a founder of postmodernism. Other founders of postmodernism include Barthes, Foucault, and Derrida.
Something all of these men have in common are that they are all far left on the political spectrum. Also, these philosophers did not agree with capitalism in a bourgeois society. Bourgeois means conventional, as in middle-class people, or capitalist, according to Marxist theory. Although they did not agree with capitalism, they predicted how capitalism would change throughout the 1980s and 1990s (The Economist, 2006). This group foresaw that businesses that catered to one certain niche would prosper the most. Today, one-stop stores...
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...ostmodernism”, Arts Magazine, 58 : 6, Feb 1984, p. 69.
Barr, Marleen, “Food for Postmodern Thought: Isak Dinesen’s Female Artists as Precursors to Contemporary Feminist Fabulators”, in Jones, Libby-Falk, Goodwin, Sarah-Webster (eds.), Pfaelzer, Jean (response), Elshtain, Jean Bethke (response), Feminism, Utopia, and Narrative, Knoxville: University of Tennessee Press, 1990, pp. 21-33.
Felluga, D. (n.d.). General Introduction to Postmodernism. College of Liberal Arts : Purdue University. Retrieved August 16, 2013, from http://www.cla.purdue.edu/english/theory/postmodernism.
Jones, P. (2011). Introducing social theory. (2nd ed.). Polity.
McHale, B. (2013). Afterword: Reconstructing Postmodernism.Narrative, 21(3), 357-364.
Shopping and philosophy: Postmodernism is the new black. (2006, December 19). The Economist, Retrieved from http://www.economist.com/node/8401159.
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
Lyotard, Jean-Francois. "Excerpts from The Postmodern Condition: A Report on Knowledge." Hutcheon and Natoli 71-90.
Macey, David. “Postmodernity.” The Penguin Dictionary of Critical Theory. London: Penguin Books, 2001. 307-309. Print.
Over the years, the American department store has developed and evolved as not only a commercial business but also a cultural institution. While it has weathered many storms and changes since its inception and throughout history, its most predominant enemy has been a change in the lifestyle of the American people (Whitaker, 2013). As the customer’s needs and wants have shifted, department stores have struggled to keep up with demands. It has been argued that the decline of the department store has been ongoing for the last 50 years (Whitaker, 2013). This dissertation aims to understand how the department store has historically played a role in consumer culture and spending, and additionally, how this has evolved and changed in today’s retail market. Although department stores may not be able to take all the credit for inventing modern shopping, they certainly made its conventions and conveniences commonplace. They set a new standard for the way the consumer should expect to be treated, the type of services that should be provided, and the convenience that should attend the process of acquiring the necessities and niceties of life all in one place. They made shopping into a leisure pastime. This environment meant shopping was a means of freedom to look around, pick up objects with no obligations to buy. As one historian remarked, department stores: “encouraged a perception of the building as a public place, where consumption itself was almost incidental to the delights of a sheltered promenade in a densely crowded, middle-class urban space” (Whitaker, 2006). Although this perception and view of the department store has changed over the years, this paper aims to follow the trail of how and why that happened.
Jameson, Frederick. "Postmodernism, or The Cultural Logic of Late Capitalism" New Left Review. 146 (July-August 1984) Rpt in Storming the Reality Studio. Larry McCaffrey, ed. Durham, NC: Duke UP, 1992.
Postmodernism can be defined as a rejection of the idea that there are certain unequivocal truths or grand narratives (such as capitalism, faith or science) and as a belief that there are multiple ways of understanding anything, whether it be it culture, philosophy, art, literature, films, etc, or even television... Television reflects the mass-produced society we live in and certain shows exhibit many of the archetypes of postmodernism that have become prevalent in other art forms. Postmodernism can be useful for understanding contemporary television it can help us to relate to the ever-changing world we live in. Television shows like ABC’s Lost (ABC, 2004-2010) dabble in matters of intertextuality, questioning of grand narratives and, amongst others, a manipulation of time through use of flashbacks, flash-forwards and, uniquely to Lost, the flash-sideways.
REFERENCESJean Baudrillard Simulations--1983 Semiotext[e]. America--1988 (English Edition) Verso. Seduction--1990 (English Edition) St. Martin’s Press. The Illusion of the End--1994 (English Edition) Stanford University Press. Simulacra and Simualtion--1994 (English Edition) University of Michigan Press. Jean-Francois Lyotard The Postmodern Condition: A Report on Knowledge--1984 (English Edition) University of Minnesota Press. The Postmodern Exaplained--1993 (English Edition) University of Minnesota Press. Michel Foucault Madness and Civilization--1973 Vintage Books. Discipline and Punish: The Birth of the Prison--1977 Vintage Books. The History of Sexuality--1980 Vintage Books. Linda Hutcheon A Poetics of Postmodernism: History, Thoery Fiction--1988 Routledge. The Politics or Postmodernism--1989 Routledge.
Postmodern literature contains an authoritative point of view as it expresses the “real” and the “unreal”. The authoritative viewpoint hides within the representation of words and the form of the text. Jean Baudrillard speaks of the masking of view in his essay, “Postmodernism and Consumer Society”, when he says, “This, feigning or dissimilating leaves the reality principle inta...
...“Some Common Themes and Ideas within the Field of Postmodern Thought: A handout for HIS 389,” last modified May 13,2013,
In conclusion, the use of elements of post modernism add a richness to literature and to the reading experience of the reader. Elements such as irony, magic realism and fragmentation cause people to think and make connections between the literature they are reading and how it relates to their own lives and the lives of the authors and other readers. The short stories studied in Ms. Reynolds 4U English class all contained many effective post modern elements that made students go more in depth with their reading and understanding of noted English literature. Perhaps some people were enlightened and adopted a postmodern view on the world.
Jameson introduces the idea that postmodernism, the absence of innovation, is a concept that plays an active role in our society but is not accepted as so. This is not widely accepted because it is frowned upon to not be unique or exclusive in our day to day lives. Being able to cultivate your own styles and ideas makes you a more desirable person in our culture. Jameson concedes that postmodernism has a main characteristic,
It should help to better comprehend a statement, posed already in 1984 by Andreas Huyssen. He trod more warily and states inter alia that there is cultural shift which arises slowly but surely in Western civilisations and in which context the expression ‘post-modern’ is fully advisable for the time being (p.39). Moreover, this chapter points to McHale, who came up in 1987 with the fact that the postmodern novel shows a clear move from an ‘epistemological’ principal to one that is rather ‘ontological’. This implies a change from the perspectivism, in which the modernist could find himself in a sense better in a delicate, yet unique reality. Light was shed on how the diverse truths are able to exist at the same time or strike each other.
Postmodernism is an intellectual movement that promotes itself as the 'antithesis' of modernism, resulting from the intensification, radicalization, or transformation of the processes of modernity. (Barfield, 368) The term was introduced in the late 1940's, however, the turn towards, if not the origin of postmodernism in anthropology, can be traced to a single publication: Writing Culture (1986). It consisted of contributions from nine scholars, edited by Clifford and Marcus, and attempted to sketch out the basic premise of the postmodern perspective. (Harris, 153) Anthropologist are forced to contend with the changes created by postmodernism in a variety of ways, beginning with the challenge to anthropological authority. It is felt by many that it is incredibly arrogant for anthropologists to assume that they have both the capacity and mandate to dissect, interpret and describe the lives of people in other cultures, given the power and wealth imbalance of the colonial past, leaving the 'other' unable to speak for him/herself. This argument finds itself in the whole 'West vs.
Postmodernism assumes an ontology of fragmented being. Where modernism asserts the primacy of the subject in revealing universal truth, postmodernism challenges the authority of the subject and, thus, universal truth based on it. Modernism and postmodernism, however, draw upon distinctly different epistemological modes: critical and dogmatic.
Post impressionism is a term that is used to describe a group of late-19th century and early-20th century artists whose work helped art transition into a new era. These artist defied the naturalism of the Impressionist to explore color, line, and form. This rebellion led to the development of Expressionism. Generally, the approaches were so varied that it is difficult just to focus on one artist and their technique.