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Postmodernism in literary criticism
Postmodernism literary criticism
Postmodernism literary criticism
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The Growth of Janie in Their Eyes Were Watching God
Human beings love inertia. It is human nature to fear the unknown and to desire stability in life. This need for stability leads to the concept of possessing things, because possession is a measurable and definite idea that all society has agreed upon. Of course, when people begin to rely on what they know to be true, they stop moving forward and simply stand still. Zora Neal Hurston addresses these general human problems in her novel Their Eyes Were Watching God. Hurston, however, does not present the reader with the nihilistic hopelessness of Fitzgerald or Hemingway, but rather offers an understanding of the basic human aspect that causes us to fear emptiness. Janie, the main character in the novel, understands this emptiness and is dissatisfied with it. In an attempt to solve the problem, Janie sets out on a quest to make sense of her inner void. Although she is beset on all sides by tragedy, Janie does not become discouraged - quite the opposite actually. She uses her tragedy as emotional fuel to keep her moving toward her destiny. Although Janie is alone at the end of the novel, she realizes that she is no longer filled with nothingness. Her destination became herself. Hurston's novel was ...
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.... A Postmodern Reader. New York: SUNY, 1993.
Interpretations: Zora Neale Hurston's Their Eyes Were Watching God. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987.
Kubitschek, Missy Dehn. " 'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God." Modern Critical
Lyotard, Jean-Francois. "Excerpts from The Postmodern Condition: A Report on Knowledge." Hutcheon and Natoli 71-90.
Pondrom, Cyrena N. "The Role of Myth in Hurston's Their Eyes Were Watching God." American Literature 58.2 (May 1986): 181-202.
Wright, Richard. "Their Eyes Were Watching God (1937)." Appiah and Gates 16.
In the novel “Their Eyes Were Watching God”, by Zora Neale Hurston there were many contrasting places that were used to represent opposed forces or ideas that are central to the meaning of this work.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
Walker, Kristen. "Feminism Present in Zora Neale Hurston's Their Eyes Were Watching God." 7 February 2007. Yahoo Voices. 27 January 2014 .
Kubitschek, Missy Dehn. " ‘Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God.” Modern Critical
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper & Row Publishers, Inc., 1990.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Miller, JDove. "Movie vs Book: Their Eyes Were Watching God." Hubpages. N.p., 17 May 2010. Web. 20 Nov. 2013. .
Hurston, Zora N. Their Eyes Were Watching God: A Novel. New York: Harper Perennial, 2006. Print.
Hurston, Zora N. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1937. Print.
Teen Ink, Web. 20 Nov. 2013. . Hurston, Zora N. Their Eyes Were Watching God. New York, NY: HarperCollinsPublishers, 2000.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
Leonard Bernstein was born on August 25, 1918 in Lawrence, Massachusetts, the son of Russian-Jewish immigrants. Leonard's father, Samuel immigrated to America in 1908 at the age of sixteen from the Russian province of Volhynia where he came from a long line of rabbis. (Gradenwitz 1987: 20)
... middle of paper ... ... Through Janie's experiences and feelings regarding the love of her life, his death, and the hurricane, it is obvious that Hurston meant for the reader to relate self-realization to questioning God. Although God is not a dominant theme in the novel, it is likely that Hurston was mirroring the people she came into contact with throughout her endeavors as a folklorist.