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Their eyes were watching god theme essay
Critical perspective their eyes were watching god
Race and ethnicity in america zola Neale Hurston
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Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages. Janie’s first discovery about herself comes when she is a child. She is around the age of six when she realizes that she is colored. Janie’s confusion about her race is based on the reasoning that all her peers and the kids she grows up with are white. Janie and her Nanny live in the backyard of the white people that her Nanny works for. When Janie does not recognize herself on the picture that is taken by a photographer, the others find it funny and laughs, leaving Janie feeling humiliated. This racial discovery is not “social prejudice or personal meanness but affection” (Cooke 140). Janie is often teased at school because she lives with the white people and dresses better than the other colored kids. Even though the kids that tease her were all colored, this begins Janie’s experience to racial discrimination. Janie grows up quicker than her Nanny expects when she catches “Johnny Taylor lacerating her Janie with a kiss” (11). Nanny wants... ... middle of paper ... ...re Watching God’.” The Southern Literacy Journal 17.2 (Spring 1985): 54-66. Literature Resource Center. Web. 11 Feb. 2011. Ha, Quan. “Utopian and Dystopian Elements in Zora Neale Hurston’s Their Eyes Were Watching God.” Rpt. in Themes of Conflict in the Nineteenth and Twentieth Century Literature of the American South. Ed. Ben Robertson. Lewiston: Edwin Mellen Press, 2007. 27-41. Print. Hurston, Zora N. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1937. Print. Jordan, Jennifer. “Feminist Fantasies: Zora Neale Hurston’s Their Eyes Were Watching God’.” Tulsa Studies in Women’s Literature 7.1 (Spring 1988): 105-117. Literature Resource Center. Web. 9 Feb. 2011. Rosenblatt, Roger. “Roger Rosenblatt’s Their Eyes Were Watching God.” Rpt. in Modern Critical Views of Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House, 1986. 29-33. Print.
Zora Hurston’s novel “Their Eyes Were Watching God” depicts the journey of a young woman named Janie Crawford’s journey to finding real love. Her life begins with a romantic and ideal view on love. After Janie’s grandmother, Nanny, soon grows fearful of Janie’s newfound sexuality and quickly marries Janie off to Logan Killicks, an older land owner with his own farm. Janie quickly grows tired of Logan and how he works her like a slave instead of treating her as a wife and runs away with Joe Starks. Joe is older than Janie but younger than Logan and sweet talks Janie into marring him and soon Joe becomes the mayor of an all African American town called Eatonville. Soon Joe begins to force Janie to hide not only her
Walker, Kristen. "Feminism Present in Zora Neale Hurston's Their Eyes Were Watching God." 7 February 2007. Yahoo Voices. 27 January 2014 .
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Perennial Modern Classics, 2006
Hurston, Lora Neale. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1990.
4. Hurston, Zora Neal. Their Eyes Were Watching God. New York: Harper Collins, 1937. Print.
Hinton, Kip Austin. "Zora Neale Hurston." Zora Neale Hurston Web Site. Kip Austin Hinton, ed. 07/16/2003. Available at www.1.am/zora
Hurston, Zora N. Their Eyes Were Watching God: A Novel. New York: Harper Perennial, 2006. Print.
This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes apparent that Wright's traumatic experiences involving females and Hurston's identity as a strong, independent and successful Black artist contributed significantly to the ways in which they chose to depict African-American women and what goals they adhered to in reaching and touching a specific audience with the messages contained in their writing.
Zora Neale was an early 20th century American novelist, short story writer, folklorist, and anthropologist. In her best known novel Their eyes were watching God, Hurston integrated her own first-hand knowledge of African American oral culture into her characters dialogue and the novels descriptive passages. By combing folklore, folk language and traditional literary techniques; Hurston created a truly unique literary voice and viewpoint. Zora Neale Hurston's underlying theme of self-expression and search for one’s independence was truly revolutionary for its time. She explored marginal issues ahead of her time using the oral tradition to explore contentious debates. In this essay I will explore Hurston narrative in her depiction of biblical imagery, oppression of African women and her use of colloquial dialect.
McLeod, Laura. "Zora Neale Hurston: Overview." Feminist Writers. Ed. Pamela Kester-Shelton. Detroit: St. James Press, 1996. Literature Resource Center. Web. 18 Apr. 2014.
Racine, Maria J. "African American Review." Voice and Interiority in Zora Neale Hurston's Their Eyes Were Watching God 28.2 (1994): 283-92. Jstor. Black's Women Culture Issue, Summer 1994. Web. Dec. 2013.
Zora Neale Hurston’s Their Eyes Were Watching God is a novel illustrating the life of an African American woman that finds her voice through many trials and tribulations. At the heart of the story, Hurston portrays a protagonist who moves from a passive state to independence, from passive woman with no voice who is dominated by her husband to a woman who can think and act for herself. Hurston achieves the greater theme of Their Eyes Were Watching God, of self-expression and independence through her use of three basic southern literary elements: narrative structure, ¬¬¬¬¬allegory, and symbolism. A brief inspection of these three basic elements will reveal how Their Eyes Were Watching God achieves its inspiring effect.
Williams, Shirley Anne. Forward. Their Eyes Were Watching God. By Zora Neale Hurston. New York: Bantam-Dell, 1937. xv.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990.