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How has technology affected music in society
Effects of technology on the music industry
Music industry introduction
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Selling one’s soul for fame is not a new expression in today’s society. This term often refers to the music industry’s lack of individualistic rights for the artist. Throughout the history of music there have always been companies that have monopolized the market. Although the music industry of America has some what evolved as artists take more liberties with their own music. South Korea on the other hand is at a point in which the artists have less freedom to take control of their careers. Some refer to the contracts the artist make with the company as 'slave contracts'. These type of contracts define not only the image of the artist but how many years they are to be with the company. Although, others say that this is the price of stardom and being committed to their dream. This controversy is only a small part of the overarching model of how the Korean pop music industry works.
In the United States due to use of technology and social media today's artists do not have to relay heavily on record companies in order to become well known. As we now have more advance forms of self promotion. Furthermore, we do not associate coming a pop star through the use of training boot camps rather through show like American idol or the Voice. There is a large focus on the freedom of individual artistic license unlike in Korea were the pop genre focuses more on pop groups rather than the individual. The Korean music industry is more controlled and contained to certain companies much like how the American music industry used to be and in some ways still is. With the help of technology it is easy to rise to the top and just as easy to fall to obscurity. more My main source an article on Beyond Hallyu discussed two view points of “slav...
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...do not go into the extent or the severity of this issue. Furthermore, this is excepted as part of the music culture.
This acceptance plays into the different models one will find for the music industry. In comparison the music industry of the United States which has begun to push past large corporations as technology allows smaller unknown artist to get out there without a big record label. Furthermore, the use of groups verses individual pop stars play a huge role into the model and what is accepted as the norm.
As in Korea to become famous or an pop star idol one is trained and groomed for stardom.
Works Cited
Benjamin, Jeff. "Bekah, Former K-Pop Star, Talks Realities of Korean Music Industry." Billboard. N.p., 24 Oct. 2013. Web. 22 Feb. 2014.
Victoria. "K-Pop ‘Slave Contracts’ – A Closer Look." Beyond Hallyu. N.p., 26 Mar. 2013. Web. 22 Feb. 2014.
Though The Apprenticeship of Duddy Kravitz was written years ago, the idea of materialism, and measuring one's success by their possessions is also a prominent theme in pop culture in the West. Luxurious and excessive lifestyles are in, perpetuated by "blinged out" rap artists and rock stars who own multiple houses, and drive unnecessarily large and expensive sport utility vehicles and sports cars. Pop music has evolved throughout the 20th Century, and has now gotten to a point where it's not just music, but an industry. Singers are actors and vice versa. To make it big in the music industry you not only have to have talent, but a strong business sense, and your own clothing line, of course.
If there is no individuality, then there is no costumer choice. When costumer choice is eliminated, then the problem of exploitation arrives from how these popular music products are commercialized. Raprehab reports, “[...] major record companies are paying radio stations thousands of dollars to play their records!” This contributes to the already established monopoly because when the radio, one of the most effective promotion and mass communication devices, circles around certain products attributed to certain labels exclusively, competition is lowered to a minimum, again. Alternative and independent labels are rarely ever, if lucky, played on the radio, leaving the only way for the consumer to discover alternatives to popular products through extensive research, that is unless the consumer is “not lazy” and willing to expand their horizons and turn their radius of view away from the popular world and dictated products into the underground, “struggling” music
... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete.
The future of industry depends on whether the people involved in it can use the new technology in a smart way. It’s up to the music industry to make the right next move.
major record labels have been slow to embrace distribution over the Web because of the difficultly
Music in every country has a history going back hundreds of years. It is an excellent type of entertainment that any person can enjoy. America being such a diverse country, any person regardless of race or gender needs to be given a fair shot in an opportunity to showcase his or her talent. However, there is a lack of Asians Americans represented in America. Asian Americans must go above and beyond on what is expected in the industry, compared to white and black Americans who seem to have it much easier. “Always, it is the Asian who assimilates, who must explain his or her prese...
Pfanner, Eric. "Music Industry Sales Rise, and Digital Revenue Gets the Credit." Business Day Technology. The Nre York Times, 26 Feb 2013. Web. 21 Mar 2014.
Ramsay, D. (2012). The Rise of EDM | Music Business Journal | Berklee College of Music. [online] Thembj.org. Available at: http://www.thembj.org/2012/10/the-rise-of-edm/ (Accessed: 20 May 2014).
Introduction: Perhaps no one has received this title in history “the king of pop”, now a days many artist’s have arisen and have performed but not as the king of pop known worldwide and in history, has dominated the world of pop as Michael Jackson.
Recently the United States has begun to experience a women’s musical renaissance. Women’s roles in pop music are steadily growing. There have been many outstanding female musicians and vocalists in the past that have aided in making the music industry less of a male opinionated society, from Aretha Franklin, Mo Tucker, and Ella Fitzgerald to pop icons like Courtney Love, Queen Latifa, and Melissa Ethridge. Along side these, there are two women who have conquered most obstacles they’ve faced and, in addition, forced the music industry to become more of a female friendly environment. Those two women are Madonna and Brittany Spears.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
...en the biggest hurdles the music industry has overcome. Thanks to iTunes and Google Music record labels and artist can reach almost anyone in the world with their music and know that their work won’t be infringed upon. In the next five years copyrights will still have the respect it has today. As technology moves along copyrights will be right behind it revising the rules and regulations to make sure that an artist intellectual property is safe and that the artist or label can receive compensatory damages for copyright infringement.
This SWOT analysis will look at K-pop at four sides to discuss how it become an international hit.
Tom, Dixon. "The Journey of Cultural Globalization in Korean Pop Music." EInternational Relations. N.p., 17 Aug. 2011. Web. 20 Mar. 2014.
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.