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The evolution of the music industry
The evolution of the music industry
Racism in music today
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The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that …show more content…
The Beginning of the Music Industry The beginning of racism in the music industry began only 13 years after the creation of the phonograph by Thomas Edison in 1877. Recorded sound was still pretty new at the time, but it didn’t take long for record companies to form: Berliner, Edison, and Columbia, all of which functioned under the plan that the artist didn’t matter, but the song did. Under this plan, companies skipped over the talent from stage and focused on finding anyone who could carry a turn and had good diction. By the 1890’s, they “had established a cadre of profession white recorders” that “could reproduce works of African American performers with “authentic” dialect”. This group of white singers were grouped together and made to sound like black artists …show more content…
It became less about the outwardly racist and degrading stereotypes and became more about black artists being pushed to the side with their work covered by white artists. The most obvious example is the Rock N Roll revolution. Rock N Roll was marketed to teenagers as a way to command attention and was seen as a way of rebellion: Elvis Presley’s gyrating hips and abundance of sex appeal at the forefront. There is no doubt that Elvis Presley was a great performer and arguably the first real rock star. He was able to command a stage and have a room full of women scream at the top of their lungs with just one note. Doesn’t mean that he all those notes were his. For instance, Hound Dog, one of Elvis’s most recognizable songs was also a cover. The original artist, Big Mama Thornton, wrote the song in… and never got to see her version reach a fraction of the fame Elvis’s did. In fact “as to her royalties she says, “I got one check for $500 and I never seen another. (235)” Elvis’s version of Hound Dog sold roughly 2 million
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Like Martin Luther King Jr. said, “We must learn to live together as brothers or perish together as fools.” In the 1950’s the South was heavily racially segregated. Elvis Presley unintentionally put himself in the position to become a valuable instrument in the battle against segregation. “Without casting himself as a fighter for racial equality, Elvis became a subversive standard bearer for cultural desegregation at a time when the codified racism of the South was under increasing pressure.” How did an uneducated white hillbilly from the south influence both black and white teenagers against segregation? It was quite simple, for Elvis Presley had a unique talent of combining traditional black music; such as the blues and jazz, with the traditional white music; like country and white gospel. This unique style of blending different types of music, gave Elvis the edge on the musical racial barriers America was facing; and open the path for both sides to enjoy the music together and therefore desegregated.
Nowadays, I feel that many people limit black musicians to the genres of rap or R&B. Roots of Rhythm and Blues do run through African American culture and rap stemmed from “toasting” that took place on the streets of Jamaica (Campbell, 2013. pg. 264). While the population of rap and R&B are predominantly African American, there should be no limit put on these musicians. Another example of an exception to the rule would be a white rapper or rapper of another ethnicity other than African American. Although things have begun to change, people still see rap as only being a genre for black musicians. I believe that gangsta rap came about and gained popularity when in the 1990’s, African Americans were using this form of music to shed light on their oppressed lives. Many African Americans, more so than whites, live in poverty where the cycle of struggling continues. As gang violence and discrimination increased, their anger spilled out in the words of raps songs. During this time, I believe that many people stereotyped African Americans as authority hating, angry, and lazy people. I feel that some people view the successful rappers that have made money maybe in a similar arrogant way of the city slicker Zip Coon. These people may view African Americans in poverty as they would stereotype Jim Crow as content with their situation and that there is no actual problem. Just like Darius Rucker is
In this day and age, pop music dominates the airwaves at every turn. Katy Perry, Lady Gaga, Kanye West, and many are commonplace names among teenagers and younger demographics not only in the United States, but all around the world. The United States has accepted the position of international, cultural role model long ago, dating back to the 1950’s when rock and roll caught fire as a hybrid of blues, country, and jazz and spread to the rest of the world almost infectiously. Since then, every major artist that comes out of the United States has easily become a global icon, regardless of the language or nationality of their adoring fans. However, one could conceive that this glamorized version of music comes less from the soul of the artist and is merely born of fiscal ambitions and visions of grandeur. The point made previously is not to critique any pop icon’s talent, which clearly they have proved to possess an abundance of it to keep the public swooning at their every whim, but instead, to show that there are musicians out there producing beautiful music without the threat of corruption and adherence to mainstream culture.
... social norm that the music are created within. Historical period music involved around racism and the dominant race while racism is still around in recent decades it’s not as talked about or blunt in the society.
The Hollywood music industry has a tendency to emulate the idea that musical bands or artists express “their” individual thoughts and beliefs through the music they produce and more importantly the lyrics they preform. From gangster rappers portraying a tough or thug lifestyle in their dress, actions, and lyrics, to various boy bands constantly being portrayed as sensitive heart throbs singing countless love ballads. However, when it comes to these “individual identities” they are often nothing more than carefully constructed “characters,” that have their lyrics crafted and perfected in order to appeal to certain groups of people. What is interesting about the modern idea identity, is that one can observe clear changes in the “identities” of targeted demographics based on the types of things that massively successful artists sing about. Specifically one is able to see a link between certain behaviors of adolescents, and popular music subject matter.
Music has always been a basic form of expression. From Antonin Dvorak, to Eminem, to even ancient, tribal music, it has been a medium through which individuals convey their thoughts and expressions. Today this medium is under attack. Everywhere we turn, everything we do and say is being scrutinized. We are being told what to say. We are being spoon-fed our emotions. No longer are we allowed to think freely, openly. All the censors out there are on the prowl for another piece to rip to shreds because it doesn't fit their description of what is decent and moral. What they fail to realize is that we don't make the music for them... We do it for release.
In this song, Macklemore expresses the importance of race and how white privilege affects people in different ways. Because Macklemore and other white people accept the fact that white privilege benefits them, it is difficult for them to speak about racial issues and discrimination. Many whites tend to have a sporadically feeling of unspoken guilt. The “White Privilege II”, shares the perspective of white people who’re acclimated with the black movements while also addressing the racial issues within our society and encouraging both races to work together in order to eliminate them. Macklemore’s tone impacts the way the listeners receive his perspective.
Some artists use their music to share their social commentary, while others write music to earn money and fame. The authors of these articles stress that it is important for artists to decide if they want to “make music that might have the chance of helping me pay the bills or do I make music that represents my heart, my community, and how the country is going?” (Green p.3). Green and McCarthy both argue that it is crucial for artists to take a stand and discuss social issues and controversial topics. Being a musician allows an individual a unique opportunity to share their thoughts about the world with others. Artists should focus on important issues such as sexism, police brutality, racism, etc. The authors argue that the music business needs “more artists who aren’t afraid to tackle important social issues” (McCarthy p.2). Even though rap and country music could not be more different on the spectrum of music, both genres are used to communicate the artist's thoughts about the
Commercial Hip Hop is the only genre that has an abundance of spins on the radio. “70 percent of people who buy hip hop music are white.” (Butler 128) which explains the fact that most of hip hop music is promoted according to the demographic that’s in demand. In most cases, the publics demands are what is most important to record companies and mass media. Most white people want to keep and have the idea that black people are bad people which is why they love to see them talk about doing drugs and how they love being violent. This conception reminds me of the perception of black people during slavery. Masters of plantation grounds thought that we were unworthy and that we were always violent and didn’t have “common sense or intelligence”.
White oppression of black culture reflects an elitist system that values white experiences and voices over those of people of color. This is evidence in rap and hip-hop music, as the music and culture made by musicians of color are conveyed as noise and unpleasant to sensitive white ears. According to Jennifer Lynn Stoever, “U.S. White supremacy has attempted to suppress, tune out, and willfully misunderstand some sounds and their markers and histories.” This is evidence in how white musician “borrow” the music from black culture but refuses to acknowledge the culture the music was created in. Whites separate the music from the message and experiences of black culture without the reciprocation of the black experience. This leaves those of white culture tone deaf to the pleas of their peers of color, as they have not only deemed their experiences inferior but refuse to acknowledge an issue with race in America. By refusing to listen, we, as white people, are refusing to not only acknowledge the cries of injustices in black society but are enabling a system that favors white sounds and therefore the white
The music industry is one of the largest stages for individuals to convey messages. Some artists sell millions of records every year and are able to get a point across to their audience through their music. Unfortunately, the artists that sell the most records often are the ones who don’t use music for message sending, but solely as a source of income. On the other hand, there are a handful of talented artists out there who use music as a platform for good, by using their lyrics to send positive messages. Many musicians use the music industry as just as a place to make money, but there are always musicians that use their lyrics to tell stories, send messages, and better the music industry as a whole.
When it comes to sexism in music, all genres are guilty. Some more so than others, but all are. Why, one might ask, is that a problem? Many studies have demonstrated that exposure to violence desensitizes the viewer to violence, and the same holds true with music. In spite of most studies focusing on sexism in hip hop or rap, pop and country contain sexism as well. Music indicates the state of culture, and beyond that, influences culture. It has been shown to contain the highest levels of sexual content of all media forms. Through studies largely done on hip hop and rap music, it has been shown that songs portraying sexual violence or harassment or other forms of sexism encourage and strengthen sexism, both hostile and benevolent. Americans
It has actually usually been said that one of the most intelligent people like certain sorts of music. I presume if I asked you, and also you were to take an enlightened assumption, you might say that timeless songs such as Mozart, or Beethoven would be with the type of songs appreciated by the top rate of human IQ. Yes, I assume this is the basic perception, and also I believe it to be correct, although I am not particular without a doubt. The concern is why, I expect, why is it that classical music is frequently corresponded to highly intellectual people?
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’