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Like Martin Luther King Jr. said, “We must learn to live together as brothers or perish together as fools.” In the 1950’s the South was heavily racially segregated. Elvis Presley unintentionally put himself in the position to become a valuable instrument in the battle against segregation. “Without casting himself as a fighter for racial equality, Elvis became a subversive standard bearer for cultural desegregation at a time when the codified racism of the South was under increasing pressure.” How did an uneducated white hillbilly from the south influence both black and white teenagers against segregation? It was quite simple, for Elvis Presley had a unique talent of combining traditional black music; such as the blues and jazz, with the traditional white music; like country and white gospel. This unique style of blending different types of music, gave Elvis the edge on the musical racial barriers America was facing; and open the path for both sides to enjoy the music together and therefore desegregated.
Elvis Presley was born on January 8, 1935 in Tupelo, Mississippi to Vernon and...
James Earl Jones’s early life was difficult, and he was a part of the Great Migration. He was born in Arkabutla, Mississippi in 1931. Jones was raised by his maternal grandparents, for his father had left his mother when Jones was very young. She too left him at a young age, but visited from time to time. “I rejoiced in her visits, yet her impending departure brought me to grief” (Jones 18). Jones’s grief was routed in a feeling of abandonment. His did not see his father for many years, and his mother’s visits were infrequent, but his grandparents were very loving, and he would respect them as his parents (Jones 21). His attachment to his grandparents profoundly affected his life when he was nearly abandoned again. At age 5, his grandparents decided to move north to Michigan, and on the way they stopped by Memphis, Tennessee where they attempted to leave Jones with his paternal grandmother. ...
... gospel singer, had he lived for six more months. Presley also revealed his spirituality through racial reconciliation. His appreciation for black and white southern gospel music was evident, and he even showcased black performers as his backup singers. In a concert song entitled “An American Trilogy,” Presley challenged southerners to transcend sentiments rooted in racism that dated back to the Civil war. Presley’s spirituality can be seen as a white working-class southern spirituality. Overall, Presley’s southern spirituality drastically influenced his music and his career embodied the southern movement toward using modern entertainment to reach all with the age-old message of the gospel.
Segregation and discrimination in America was a serious social issue that affected the lifestyle of African-Americans in the 1960’s and the civil rights movement was a social movement that had an aim of ending racial inequalities. As a result of the segregation between these two cultures, there was a lot of rising racial tension which consequently led to the culmination of race riots. The social issues at that time played a significant part in Gordy’s success in the production of Motown as he wanted to produce the “sound of young America” regardless of one’s colour or race and to take this sound to wider audiences including Baby Boomers. “Motown was about music for all people- white and black, blue and green, cops and the robbers…I was reluctant to have our music alienate anyone…” (Gordy, 2011). According to Boyce (2008), the image and sound of Motown was all about the promotion of “cross over” music without the involvement of politics, but Gordy ended up showing some support for the civil rights movement as he recorded and distributed Martin Luther King Jr.’s ‘The Great March to Freedom’ speech in 1963, later founding a Black Forum
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Samuel Cornelius Phillips was born in 1923 in Florence, Alabama to a family of tenant farmers (Sam Phillips Obituary. 3) He grew up around the songs of his parent’s, primarily black, coworker’s songs as they were tending to the cotton fields. Phillips said that he “felt an awakening of [his] spirit when [he] heard the singing of African Americans who worked alongside him”. This early exposure to racial equality stuck with him for the rest of his years. When Phillips grew older, he took a job as a disc jockey for an “open format’ radio station (Sam Phillips Bio. 2). He experienced first-hand the reaction of the listeners to black rhythm and blues, and that led him to founding Sun Records. Sam Phillips founded Sun Records in 1952 in the heart of the Memphis black music scene. Sun Records was created in attempt to “develop new and different artists, get freedom in music, and tape people that weren’t getting tapped; despite the boundaries” (Sam Phillips Bio. 5)
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents which led to the rebellion of the civil rights movement. Through these factors rock ‘n’ roll influenced a great deal over the civil rights movement.
The 1950s had many types popular music with Rock n' Roll being the most influential on the nations youth. Elvis Presley was the greatest Rock n' Roll star and was a symbol of youth rebellion. He was an American singer, actor, and best known as the king of rock n' roll. His successful performances in a variety a genres made him the most popular performer of his day and one of the most influential figures in pop-culture history. "Elvis Presley's 1956 appearance on TV's Ed Sullivan Show touched off a frenzy of teen adulation - and a flood of letters from parents scandalized by his 'gyrations'" (Norton, Mary Beth. Chapter 25: America at Midcentury 1945-1960. In A People & A Nation, p. 767). Other famous and influential singers were Bill
On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called “That’s All Right Mama” (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often times after a great war there exists a time of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive thought of the ‘50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled “Color” written to Esquire magazine in 1962 the essayist James Baldwin describes the revival of white culture after WWII with the following passage:
Since the start of racial segregation, African Americans have been treated badly and Emmett Till was one of them. He was one of the victims of racial discrimination and segregation. Segregation limited all African Americans daily life like, eating in a restaurant, drinking from a water fountain, using a public toilet, attending school, riding a bus, and the purchase of a home. Through all of this, Emmett Till and his family were strong and lived on with their lives.
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
After many of World War II’s harmful effects, the 1950s served as a period of time of musical change that reflected the dynamic of society as well as the traditional norms and values. Many factors contributed to this transformation. For example, the civil rights movement heightened many racial tensions, and the music produced consequently manifested this tension in itself. Rock-n-roll and R&B music universalized music typically associated with African-Americans, and many African-American musicians gained fame; however, as with any relatively-widespread success, there were many musicians as well who missed their opportunities due to the same racial segregation. While “radical” genres such as R&B and rock-n-roll laid the foundation for music future forms of music, the standard pop, jazz, and country music adhered to traditional values, and thus continued to maintain popularity amidst phenomena such as the Elvis craze.
...ent for the Vietnam anti-war movement, rock 'n roll was indubitably a source of communication for the Civil Rights movement. At the start of the 1950s, rock 'n roll began to develop a conscious, epitomized by the involvement that it demonstrated as the demand for racial equality picked up momentum. To begin with, rock 'n roll took on a powerful role by crossing over racial boundaries. It integrated musical styles of both black and white artists. The music was definitely considered to be touching incredibly controversial and dangerous topics, especially as it defied the status quo at the time. As it became the movement's unofficial anthem, the aesthetic approach of rock 'n roll allowed black artists to be signed to labels due to the music's popularity and potential profitability. Rock 'n roll brought both black and white teenagers to break the barriers of prejudice.
Racism and equality was a major problem that dominated America and is still a major issue today. During Martin Luther King Jr.’s time, these problems were at its’ highest peak. On August 28, 1963, Martin Luther King Jr. delivered his revolutionary “I Have A Dream” speech in Lincoln Memorial Park. This speech demanded justice and equality for African Americans. King was one of many protesters who fought long and hard for equality and freedom to all Americans. His speech told the dreams of millions of Americans, demanding a free, equal, and just nation. In his speech, he stressed the idea of equality between colored and whites, and connected his pain with millions. Ethos, pathos, and metaphor are three of the elements that made Martin Luther
It became less about the outwardly racist and degrading stereotypes and became more about black artists being pushed to the side with their work covered by white artists. The most obvious example is the Rock N Roll revolution. Rock N Roll was marketed to teenagers as a way to command attention and was seen as a way of rebellion: Elvis Presley’s gyrating hips and abundance of sex appeal at the forefront. There is no doubt that Elvis Presley was a great performer and arguably the first real rock star. He was able to command a stage and have a room full of women scream at the top of their lungs with just one note. Doesn’t mean that he all those notes were his. For instance, Hound Dog, one of Elvis’s most recognizable songs was also a cover. The original artist, Big Mama Thornton, wrote the song in… and never got to see her version reach a fraction of the fame Elvis’s did. In fact “as to her royalties she says, “I got one check for $500 and I never seen another. (235)” Elvis’s version of Hound Dog sold roughly 2 million