Music During the Vietnam War

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Music During the Vietnam War Throughout time, music has been an influential part of society. As a form of entertainment and expression, its impact has always been felt both economically and emotionally. During the Vietnam war, music evolved into more a form of expression rather than pure entertainment. Emotionally charged songs became a method to oppose the war, and vent frustrations. While many songs opposed the war, numerous others focused on peace and happiness. They provided a positive perspective in an otherwise depressing time. Along with incorporating passion into music, cultural diversity increased in music greatly. Black artists became progressively more popular and accepted in the musical scene. This respect carried over to society slowly but surely. During the Vietnam war, music played a crucial role in the societal evolution into a state where emotions fueled actions, more emphasis was put on equality, all opinions counted. Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in... ... middle of paper ... ...erculture, and the Shaping of a Generation. New York: Weidenfeld & Nicolson, 1988. (193-195). 2) Kaiser, (195). 3) Kaiser, (206). 4) Kaiser, (200). 5) Nanry, Charles. American Music: From Storyville to Woodstock. New Brunswick: Transaction Books, 1972. (268). 6) Kaiser, (201). 7) Kaiser, (200). 8) Kaiser, (190). 9) Stanley, Adam Paul. Remember A Day:An Analysis of Over Twenty Years of American Rock Music Festivals. http://www.visi.com/~ astanley/rad/. Copywrite 1995 Adam Stanley. (10 October 1999). (1). 10) Stanley, (1). 11) Stanley, (1). 12) Stanley, (2). Bibliography - Friedlander, Paul. Rock and Roll: A Social History. Boulder: Westview Press, 1996. - “Woodstock Nation Foundation, Inc.” http://www.woodstocknation.org/ Copywrite 1998 EGGINK “a family business.” ( 10 October 1999).

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