Americans believe that after ‘N Sync, boy bands were dead and then brought back by One Direction. Although One Direction is a British group, American has accepted them as the return of boy bands. That can be proven wrong by looking over at South Korea. While ‘N Sync lasted seven years a Korean boy band, Shinhwa, has been together for sixteen years and is still ongoing, meaning that One Direction was not the return of boy bands, but have just been added to the list. Kpop has been alive for very long and has found its way into peoples’ hearts. The fame that follows Kpop has introduced people into the Korean culture and has influence other parts of the world. Although KPop is a very important factor in the spread of Korean culture many people do not know what Kpop is, therefore the question would be what is Kpop and who are the biggest Kpop stars?
The Hallyu Wave is a “wave- like” South Korean trend spreading across the world. The term Hallyu was first used when the Chinese noticed the popularity of Korean entertainment in China by the late 1990s. Since then the meaning of the word has slightly changed to mean the popularity of Korean entertainment as it spreads around the world (korea.net). Korean culture has spread due to multiple factors including the interest for Korean dramas, culture, and popular music, also known as K- Pop. Another contributor to the popularity of Korean culture is the internet. As more people surf the internet many more discover popular Korean culture, and as more discover the foreign culture even more learn to love K- Pop and consequently use the internet to feed their addiction for the Korean popular music.
The making of K- Pop can be seen mostly through the influence of two countries and the events that...
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...lomon, 2008). Warner Bros (the firm that invested in Madonna’s career) benefited from Madonna’s power to capture the market. Madonna’s unique persona helped her establish high customer loyalty. Warner Bros received an unexpected sale increase during Madonna’s first tour when the initially planned small concert has to add new seats and move to a larger arena because her concert tickets were sold-out within the first hour (Cengage, 2003). The success in selling Madonna’s books and albums are resulted from people’s perceived quality of racy and erotic contents in her work. Madonna puts both her career and personal life on the spotlight to create maximum customer awareness. Although there are some negative associations with her name, Madonna’s ability to reinvent herself to fit the public’s desire has kept her one of the most influential American icons in the world.
Because of this, though, the globalization of a song can be seen as detractor to the value of the song 's original use or purpose as there is an essential loss of identity for the song when it is utilized for purposes that stand in contrast to the personal value that it originally possessed. This article is essential in understanding global pop music and the relationship that it has with various forms of music because of the introduction of this discussion that it poses. Feld illustrates many of the reasons behind this development and the causes as to why this phenomenon
American pop culture recently received flak for cultural appropriation. Artists such as Katy Perry and Selena Gomez were criticized for superficially incorporating Asian images into their music. However, cultural appropriation and cultural tourism – and its consequences – are commonly seen in relation to traditional culture; this lack of attention towards visual representation of modern Asian subcultures – in relation to Asian Americans – dismisses the potential impact of these images. A visual analysis of Avril Lavinge’s “Hello Kitty” and Gwen Stefani’s appearances with the Harajuku Girls reveals that the use of Japan’s Harajuku subculture in American pop culture perpetuates Asian American stereotypes. Specifically, these acts contain characteristics of the submissive “lotus blossom” stereotype and the invisibility that comes from this stereotype. These characteristics result in an insidious formation of race; Avril Lavinge and Gwen Stefani’s cultural tourism constructs the concept of an American that excludes the Asian body through contrasts between themselves and the background Asian body. This racial formation relies on the idea that the two artists have become part of the Harajuku culture, yet they are clearly distinguishable from the homogenized Asian body.
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For our project, K-POP, we have decided to compare how the digital realm influenced the boom of cosmetic surgery in Korea compared to American plastic surgery, where digital means are a less common tool utilized to increase, accentuate, and bring publicity to this industry. We want to take a deeper look into how Korean pop culture and its technology may be influencing the process one takes to get plastic surgery, such as the advertising it provides for each individual plastic surgery. This is opposite of America, where plastic surgery is more taboo, therefore absent in these spaces. Through this research we are ultimately focusing, emphasizing, and analyzing how the digital realm of each country has recently influenced the plastic surgery industry,
There are close to 12 million Asian Americans living in the United States (U.S. Asian, 2000). Asian Americans are considered one of the fastest growing minorities (Pimentel, 2001). Between 1990 and 1999, the Asian population rose 43% (Census, 2000). However, Asian Americans are still portrayed in a simplistic manner by the American media, which in turn, promotes stereotyping. I have researched various types of mass media in the United States, such as: music, films, television and magazines. I will focus on several examples where Asian Americans are portrayed in a negative way. Furthermore, I will give examples of musicians, and independent films that prove Asian Americans have potential on what they can contribute to in the American media. Finally, I will recommend different ways to rid the stereotype put on Asian Americans by actions that can be taken, not only pertaining to Asians, but to other ethnicities that face stereotypes on their culture.
Quite a huge number of American pop singers has already visited Singapore to have multiple concerts held here. Different people who enjoy American pop music or particular artist, came together as one to again experience and consume the Americanization through music. However, even though these concert activities contribute to the spread of American popular culture through music, technology plays even a bigger part as people grow attention and interest for the artists through listening to their music or watching their music videos through internet or television which will be discussed further towards the end of this
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A mixture of western and eastern music, Korean Pop, or Korean Pop, has boomed as fans drool over the idols, their dance moves, and their combination of Asian culture with Western hip-hop verses, Euro-pop choruses, rap, and even some dubstep. Korean Pop hit the waves in Asia quickly becoming popular in China, Japan, Singapore, Taiwan, Vietnam, and many other countries (John Seabrook, 2012). The Korean Wave has continued to spread throughout the East to countries farther west such as Saudi Arabia, Iran, and others, which are quickly getting drawn into the fan base (Clair Weber, 2014).
This SWOT analysis will look at K-pop at four sides to discuss how it become an international hit. 1. Strengths 1.1 A comprehensive and strict training system In order to become a K-pop singer in Korea, it is not an easy thing. The company had been looking for trainees long time before they actually decided to introduce a boy group or girl group.
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.