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The impact michael jackson had on pop culture
The impact michael jackson had on pop culture
The impact michael jackson had on pop culture
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The Voice of Michael Jackson: Shattering the Dichotomies of Race “I'm a Black American. I'm proud of my race. I'm proud of who I am. I have a lot of pride and dignity” – King of Pop (YouTube 2014). The late Michael Joseph Jackson was a 20th-century African-American singer and songwriter who transformed the face of pop music and popular culture throughout his lifetime (Michael Joseph Jackson ). Debuted in the professional music world in 1968 at the age of 10 as a member of The Jackson 5, Jackson’s rise to fame had been largely influenced by his invaluable contributions to the music, dance and fashion industries (Michael Joseph Jackson). Hailed as the ‘King of Pop’, his solo album “Thriller” remains “the best-selling album of all time”, with global sales of “over 51 million copies to date since 1982” (Guinness World Records ). Michael Jackson’s one-of-a-kind songs have also earned him over 700 awards, including 13 Grammy Awards as well as the Grammy Lifetime Achievement Award (Michael Jackson; Grammy). However, his music recognition goes beyond what his cupboard-full of awards could ever represent. In this paper, I propose that Michael Jackson’s songs have touched and changed many lives through his constant fight for racial fairness. In particular, I argue that Michael Jackson used his music career as an outlet to break down racial barriers in the American music industry, to express his disappointment towards racial discrimination, to demonstrate his support for racial equality, to advocate that the color of our skin does not differ us from one another, as well as to show and guide others that change has to begin within oneself before impacting the world . Although certain parties would point out that Jackson used derogatory r... ... middle of paper ... ... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete. Rossiter, Brian. ““They Don't Care About Us”: Michael Jackson's Black Nationalism.” Popular Music & Society 35, no. 2 (2012): 203-222. Accessed April 28, 2014. Academic Search Complete. “Past Winner Search.” Grammy.com. Accessed April 27, 2014. http://www.grammy.com/nominees/search?artist=%22Michael+Jackson%22&field_nominee_work_value=&year=All&genre=All. "The Jackson 5 Biography." The Rock and Roll Hall of Fame + Museum. Accessed May 4, 2014. http://rockhall.com/inductees/the-jackson-five/bio/. Warwick, Jacqueline. ““You Can’t Win, Child, You Can’t Get Out of the Game”: Michael Jackson’s Transition from Child Star to Superstar.” Popular Music and Society, 35:2 (May 2012): 241-258. Accessed April 27, 2014. doi: http://dx.doi.org/10.1080/03007766.2011.618052.
Michael Jackson is one of the most widely beloved entertainers and profoundly influential artists of all time; he leaves an indelible imprint on popular music and culture. Commonly referred to as the “King of Pop”, Michael Jackson continues to earn millions of dollars beyond the grave- earning over $700 million in the years since he passed away in 2009. As the pop genre derives from an abbreviation of “popular”, the King of Pop maintained record breaking popularity for extended periods of time. Pop music, is typically short and simple commercially recorded songs oriented towards a youth market; the King of Pop challenged stereotypes and the viewpoints of his audience with songs like “We are the World”, “Man in the Mirror” and many more.
Motown is the sound that changed America. No other record company in history had more than 180 number 1 hit songs worldwide and counting. Motown just recently celebrated their 50th anniversary of the company’s founding. Marvin Gaye, Temptations, Jackson 5, and many much brought together racially divided country and segregated society around the world. In this essay I first will tell you more information about Motown and where it got its name from, I then will tell you about Marvin Gaye and his history dealings with Motown, next I will talk about Stevie Wonder and explain his life and how he became a part of Motown, and lastly I will talk about Jackson 5 and talk about how they became a group and their dealings with Motown.
Before beginning to analyze both Motown and Stax Record’s influence on black consciousness it must first be understood why black consciousness itself can be seen as a step in the right direction in the fight against black struggle. Brian Ward does a great job of capturing the true success of soul music’s influence on black consciousness. Ward says, “[Black radio’s] real strength… was its ability to dramatize and celebrate shared aspects of the black experience… to promote a revived sense of black identity, pride, solidarity and common consciousness” (Ward 449). In his book, Ward also points out that despite this successful development of black consciousness, there was limited success both economically and structurally on behalf of the black music industry. This shows that even though ther...
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
The most poignant finding is not that black and whites think differently about its meaning, but what emerged was the acknowledgement that Hip-Hop was created as a tool to voice the sentiments of the disenfranchised. This locates the birth of Hip-Hop in cradles of disenfranchisements, the hood. Hip-hop worked as a megaphone, a magnifying glass that candidly told whoever would listen about the hardships, injustice and racism faced by those living in American ghettos. It worked as a tool to tell the stories of the people living there in order to build empathetic conversatio...
Lena, J. C. (2006). Social Context and Musical Content of Rap Music, 1979-1995. Social Forces 85.1 , 479-495.
...anthem that “unified and inspired generations” (James Joe Brown Jr.) Brown believed in non violent protests and even told H. Rap Brown of the Black Panther “I'm not going to tell anybody to pick up a gun” (James Joe Brown Jr.) After the assassination of Martin Luther King Jr., Brown performed a live concert in Boston that was broadcast throughout the city and as hoped, deterred a significant amount of violence and riots that would have otherwise occurred (James Joe Brown Jr.)
...olka, Petr Bc., and Jeffrey Alan Vanderziel. “Black or White: Commercial Rap Music and Authenticity.” Masaryk University Faculty of Arts, Department of
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
Introduction: Perhaps no one has received this title in history “the king of pop”, now a days many artist’s have arisen and have performed but not as the king of pop known worldwide and in history, has dominated the world of pop as Michael Jackson.
You know him as the singer, the dancer, and the song writer. As the famous Artist whose words were often binary. As a man that was regarded with much adulation and scrutiny for singing and acting with audacity. The one and only, Michael Joseph Jackson, well known performer and the producer of many great songs, as well as the inventor of the moonwalk. Jackson often released songs that had powerful messages behind them e.g. 'We Are the World' and “Black and White”. Michael Jackson’s “They Don’t Care About Us” released as part of the “HIStory: Past, Present and Future, Book I” album in 1996, was addressed to “the people” in an effort to promote equality, justice, and peace. However, it led to unexpected controversy
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .