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The impact of hip hop on youth today
Hip hop influence on youth
Hip hop influence on youth
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Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
The longevity of Hip-Hop as a cultural movement can most directly be attributed to its humble roots. For multiple generations of young people, Hip-Hop has directly reflected the political, economic, and social realities of their lives. Widely regarded as the “father” of the Hip-Hop, Afrika Bambaataa named the cultural movement and defined its four fundamental elements, which consisted of disc jockeying, break dancing, graffiti art, and rapping. Dating back to its establishment Hip-Hop has always been a cultural movement. Defined by far more then just a style of music, Hip-Hop influences fashion, vernacular, philosophy, and the aesthetic sensibility of a large portion of the youth population (Homolka 2010).
Despite having absolutely nothing to do with the four elements of Hip-Hop as defined by Afrika Bambaataa, the most influential person in the creati...
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...olka, Petr Bc., and Jeffrey Alan Vanderziel. “Black or White: Commercial Rap Music and Authenticity.” Masaryk University Faculty of Arts, Department of English and American Studies. (2010): 7-21. Web.
Jonnes, Jill. “South Bronx rising: the rise, fall, and resurrection of an American city.” New York: Fordham University Press. (1986).
LaBoskey, Sara. “Getting off: Portrayals of Masculinity in Hip Hop Dance in Film.” Dance Research Journal. 33.2 (2001). 112-120.
Price, Emmett III. “Hip Hop Culture”. Santa Barbara. (2006).
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale New Haven Teachers Institute. (2003)
Samuels, David. “The Rap on Rap: the Black Music that Isn’t Either.” The New Republic. (November 11, 1991).
Simpson, Janice C., “Time.” “Yo! Rap Gets on the Map; Led by groups like Public Enemy.” (February 5, 1990).
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
Light, Alan. "About a Salary or Reality? – Rap’s Recurrent Conflict." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 137-146. Print.
Rhodes, Henry A. “The Evolution of Rap Music in the United States.” Yale. Yale-New Haven Teachers Institute. 2014. Web. 10 Mar. 2014.
Jeffries, M. P. (2011). Thug Life: Race, Gender, and the Meaning of Hip-hop. Chicago: University of Chicago Press.
5. Rose, Patricia (1991, Summer). ?Fear of a Black Planet: Rap Music and Black Cultural Politics in the 1990s,?. The Journal of Negro Education, 60 (3).
Rap is becoming more popular than ever, soon most of the world will have some type of knowledge of rap music. Rachel Sullivan from the University of Connecticut stated “White respondents in this survey had difficulty naming three rap artists, which indicated that they did not have a high level of commitment to the music.” This statement was produced in 2003, also seemed to be very one dimensional. Recently, rap music has been surging through the masses no matter the race. Furthermore, rap is becoming very prevalent especially in the youth of this era. Many trends, commercials, social media, etc. are revolving around rap music.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
Richardson, Jeanita W., Kim A. Scott. “Rap Music and Its Violent Progeny: America’s Culture of Violence in Context.” The Journal of Negro Education 71.3 (2002): 175 – 192.
Hip hop is often criticized for moving away from its roots, becoming detached from its socially and politically conscious beginnings. Modern hip hop is dismissed as being sexualized, drug-induced, and violence promoting. While this view may hold true at times, many ignore the political and social activism by those in the world of hip hop. Greg Tates essay How #BlackLivesMatter Changed Hip-Hop and R&B in 2015, the book chapter Hip Hop, Food Justice, and Environmental Justice by Nocella II et al., and Tricia’s Rose’s book The Hip Hop Wars, provide examples of hip hop social and political activism.
More than any other type of music, Hip Hop has used its power and notoriety to alert the world about the injustices in the inner city areas of America. This is why Hip Hop has become a vital piece in educating today’s teens about social and political topics in the world today. Hip Hop has also reached to people with all sorts of perspectives and viewpoints on social issues. Rap encourages adolescents to become concerned about issues such as racial injustices, police brutality, individuality, etc. Making youth conscious of the world around them is Important because they will want to make a difference and make society better. Many artists are known for their debatable song lyrics but they are usually are the ones to bring attention to some of the most crucial
15 March 2014 Springer.com. Riley. Springer:’’ Rap and Hip-Hop Genre Today’’. April 2004 15 March 2014 Springer.com Ruiz, Jonathan. Cross-Cultural Rhetoric.