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When comparing Baroque era music to any modern day rock band, one most listen to the music with open ears. It is hard to identify the similarities of Baroque music and that of modern day rock. Although, the advances made in music during the Baroque era (1600-1750) are still noticeable in modern day rock. A perfect example of the noticeability of modern rock influenced by Baroque music can be heard in the Baroque music of Johann Sebastian Bach’s, “Brandenburg Concerto No 4 G major BWV 1049”(Classical Vault 2), and modern day rock band, This will destroy you combined instrumental music, “Three legged work horse and there are some” (TheRealConcertKing). Although both compositions show much difference, they are also very similar in the way the music is set up and thought out in music form.
In both Bach’s, “Brandenburg Concerto No 4 G major BWV 1049” (Classical Vault 2), and in This will destroy you, “Three legged workhorse and there are some”
(TheRealConcertKing), the polyphonic contrapuntal style is apparent. However, it is accompanied by concerto grosso with use of the technique of terraced dynamics in ritornello form (Whitehouse 76). In Johann Sebastian Bach’s, “Brandenburg Concerto No 4 G major BWV 1049”(Classical Vault 2), the major and minor tonality is obvious, The terraced dynamic are clearly heard when the solo (violin and two flutes) play and when the full orchestra plays (Whitehouse 86). Author Whitehouse writes,” The immediate decrease in sound when the smaller group plays and a return to a full sound when the full orchestra plays” (Whitehouse 87). Bach also used ritornello form in “Brandenburg Concerto No 4 G major BWV 1049” (Classical Vault 2). Bach’s chosen ripieno is, tutti, solo, tutti, solo, tutti, solo (Whitehouse 8...
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...ner gets, “the essence of perfect ordered” (Sartorius).
Work Cited
Classical Vault 2, dir. Bach - Brandenburg Concerto No 3 in G major, BWV 1048 Freiburg Baroque Orchestra. YouTube, 2013. Web. 21 Mar 2014. .
Pfanner, Eric. "Music Industry Sales Rise, and Digital Revenue Gets the Credit." Business Day Technology. The Nre York Times, 26 Feb 2013. Web. 21 Mar 2014.
Sartorius, Michael. "BAROQUE MUSIC DEFINED." baroquemusic. N.p.. Web. 21 Mar
2014. .
"The Baroque." maxweber. N.p.. Web. 22 Mar 2014. .
TheRealConcertKing, , dir. This Will Destroy You - "A Three Legged..." and "There Are Some..." (Live in San Diego 3-13-14). YouTube, 2014. Web. 21 Mar 2014. .
Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.
During the Baroque period, instrumental music was written for every conceivable size of ensemble. On the smaller side, the Baroque sonata offers one of the finest examples of chamber music. Two types of sonata are found during this period: the sonata da chiesa (church sonata), and the sonata da camera (chamber sonata). The sonata da chiesa was more somber, while the sonata da camera was, much like the suite, usually comprised of dance forms. The gigue from Corelli's Sonata for 2 violins and lute is a fine example of the sonata da camera
Ludwig Van, Beethoven. Symphony no. 5, op. 67, in C minor.. New York: E.F. Kalmus Orchestra Scores, 1932. Print. .
In simple terms, the word “concerto” translates into “concert.” Motets by Vidana, madrigals by Monteverdi as well as works by Corelli and Torelli are all described by their composers as ‘concertos’. The Baroque era was one in which many different styles of music had been formulated. These differing forms of music were influenced mainly by several factors. First and foremost would be the religious thinking and beliefs of this time, along with changing attitudes in politics. These two factors influenced the form of the Baroque concerto greatly. Baroque music mainly covers the times between 1580 to 1750.
Schubert, S.D & Suarez, M.J. & Region, P.J. & Koster, R.D. & Bachmeister, J.T. (2004). On the
Unlike the concertos of the baroque period, the classic era mainly emphasized the solo concerto. The choice of solo instrument, however, was somewhat broader then in the baroque era. There was more of a trend during the classical period towards keyboard concertos. This style was originated in North Germany, by C.P.E. Bach, and gradually spread to other areas. Mozart took the concerto to its greatest heights. "His incomparable ability to weave the complex strands of the concerto fabric without entangling or obscuring either soloist or orchestra has never been surpassed.
3. BWV in D major. Johann Sebastian Bach wrote four Orchestral Suites. This piece is the second of the five movements that compose his Orchestral suite No. 3. The date it was composed remains unsure, as there is strong evidence that the writing of the piece was done during his years at Köthen, even though the piece is said to have been composed and premiered some years later in Leipzig sometime between 1727 and 1730 by his son Carl Philipp Emanuel Bach, one of his students and himself. Johann Sebastian wrote out the main violin and continuo parts, C.P.E. Bach did the same with the trumpet, oboe, and timpani parts, and Johann Ludwig Krebs, his student, finished with the second viola and violin parts. Regardless the authors of the piece, Johann Sebastian Bach ended up getting all the credit for the piece. Air stands out as one of his most famous and successful pieces of the Baroque period, as well as of his life. The beginning of the piece is one of the most recognizable melodies of the Baroque
Beethoven’s Fourth Piano Concerto is considered to be one of the central works of the piano concerto literature. It’s been widely recorded and performed. On September 17, the Pacific Chamber Orchestra, under the
Vivaldi created a piece of music in 1723 called 'The Four Seasons' which still remains today as one of the most amazing pieces of music ever created. Handel and Bach also created spectacular pieces of music for orchestras. Baroque music was usually very religious, but with this came such a beautiful combination of instruments which played together to create somewhat mind-blowing pieces of music. Baroque music tends to have a few stylistic elements, two of them being continuo and ornamentation. Both of these concepts consisted of the difference between what the composer wrote down and what the performer played. Continuo is also found within Baroque music. Continuo consisted of a harpsichord and a cello, providing the rythmic and harmonic foundation of the Baroque ensemble. A concerto is a "large-scale compsition" between a soloist (or group of soloists) and an orchestra, found in Baroque music. The soloists alternate, playing along with or alongside the larger ensemble to create opposition and contrast. Solo-concertos often have brilliant and technically demanding passages for the soloist to play. Ritornello is often found in solo
The first piece, written by Johann Sebastian Bach, had six different movements. The first movement is the most known portion of the music; it has a very uplifting feel. The volume stays at mezzo-piano until the next movement. Tempo ranges between andante and moderato. Each note in this prelude is accented and distinctly
In the Baroque era there are familiar names that made this era’s music possible including those of J.S. Bach, G.F. Handle, and A. Vivaldi. These names were involved in the sounds produced during this era which consisted of much of homophony rather than polyphony. When these composers
After listening to Bach’s Wachet auf, I was able to hear a four part chorus with an orchestra. The bar form for this work is A-A-B. Improvisation was very well liked in Baroque music. Bach used a tune written by another composer and used it as a melody. The tune heard is a chorale. While listening, I was able to hear clearly as the sopranos sing in a higher range, and then change pitches to a much slower rate than the other three parts of the chorus. The lower voices heard sing a complex, faster moving, imitative polyphony. While listening, there are three large sections of music, the first two are repetitive, and the third introduces new music.
glance, the Baroque music period and the Classical music period seem to be very much alike. However,
The Concerto’s form consists of three movements that are fast, slow, and then fast again. Fast movements use ritornello which is a returning theme in the ripieno or tutti sections. The ripieno or also known as tutti is a larger ensemble. The slow movements are similar to an opera aria in which soloists could add extensive melodic embellishments. An example of this is A minor for Two Violins, op. 3 no. 8 by Vivaldi. There are a few types of concertos. There is also the Solo concerto that consists of one soloist against a ripieno ensemble. There is the Concerto Grosso that has the concertino playing against the ripieno. A great example of this is Arcangelo Corelli’s concerti grossi that feature a ripieno of strings and a basso continuo with a concertino. The concertino is a small group of soloists with their own basso continuo. Lastly there is the ripieno concerto that doesn’t feature any soloists at
3 (‘Slavyanskaya’), by Boris Kozhevnikov, provided me with feelings of excitement. The loud volume in the first movement filled the atmosphere in the hall with energy. It sounded as though this section of the arrangement was designed to be a march with the vibrancy of the brass instruments. Hearing the first few notes of Slavyanskaya reminded me of John Phillip Sousa’s King Cotton March which also began with the powerful and rich tones of brass instruments. Slavyanskaya then transitioned into a waltz with a noticeably slower tempo than the movement that preceded it. This shift lightened the intensity that was introduced by the first movement. Because of this, I settled on choosing the third movement as the section that I liked the most in this work. This movement continued the festivity introduced by the first passage. It was also easier to accept than the first because its volume gradually increased while the first was more abrupt. By the time this piece concluded, I was so energized that I was left in my seat eagerly waiting for