Introduction "1991: The Year Punk Broke" is a documentary about the leading punk figures in the nineties such as Sonic Youth and Nirvana. In the continuation of the documentary, the viewer finds Thurstoon Moore of Sonic Youth asking young music enthusiats: “People see rock and roll as youth culture, and when youth culture becomes monopolized by big business, what are the youth to do?". In addition to the question, he states, "I think we should destroy the bogus capitalist process that is destroying youth culture by mass marketing and commercial behavior control and the first step to do is to destroy the record companies.” "The bogus capitalist process" that Moore talks about refers to the aggressive capitalist side of any market, but more …show more content…
The two biggest components are major and independent record labels. Major record labels are the driving force of the industry, “Big Four labels/major record labels represented the majority of the music sold, making up as much as 75% of the music market or more depending on the year.” (About.com) Additionally, “The five major record labels; Sony, Universal, BMG, EMI and Time Warner dominate 85% of the market when it comes to sales of Compact Discs. Leaving only 15% for the hundreds of independent record labels and thousands of artists out there." (Raprehab and Bomhiphop.com) In his essay A Brief Outline of How the International Popular Music Industry Manipulates and Exploits the Audience, Shams Quader discusses this issue."Big Four is responsible for 70% of the worldwide music and 85% of US music sales. ... Seeing that these companies have such a monopolistic hold on the world market..." (Quader) it would be safe to presume that the music monopoly was/ is created as a result of how the three major record labels today are holding more than three forths of the net profit of the industry moreover the question of the monopoly was brought to the table especially when Universal Music Group proposed a merger with EMI and many of its top billboard chart artists, Universal Music Group was also the …show more content…
If there is no individuality, then there is no costumer choice. When costumer choice is eliminated, then the problem of exploitation arrives from how these popular music products are commercialized. Raprehab reports, “[...] major record companies are paying radio stations thousands of dollars to play their records!” This contributes to the already established monopoly because when the radio, one of the most effective promotion and mass communication devices, circles around certain products attributed to certain labels exclusively, competition is lowered to a minimum, again. Alternative and independent labels are rarely ever, if lucky, played on the radio, leaving the only way for the consumer to discover alternatives to popular products through extensive research, that is unless the consumer is “not lazy” and willing to expand their horizons and turn their radius of view away from the popular world and dictated products into the underground, “struggling” music
Although it may be perceived that music is a free market based on the love of music, others may argue it is based on profit. In the article “U2’s double trouble,” the band Negativland proclaims that Island Record’s, U2’s record label, only concern in the lawsuit is, “to control the marketplace” (139). Negativland believes Island is trying to control what music is being made and sold. Island is so focused on profit that they are limiting the musical market.
“To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. It's freedom”.(Brainyquotes.com)
Emerging from England’s punk rock scene in 1977, The Clash morphed from traditional punk beginnings into the new wave movement. Described as “a more genuine, radical, proletarian,” sector of the punk genre, it was evident the band was destined to transcend musical boundaries.1 The Clash’s trademark idiosyncrasy is their layering of cultural remarks with historical relevancy througho...
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
Clark, D. (2003). The death and life of punk: The last subculture. Retrieved from http://utoronto.academia.edu/DylanClark/Papers/32839/The_Death_and_Life_of_Punk_The_Last_Subculture
...ue. Consumers shouldn’t have to settle with music instead they should be enjoying it. In order to get the authenticity back within commercialized music it will only happen if people begin to realize the power that they hold. Once people start to realize that then the music that is produced, and sung will have a more significant affect on its listeners; music then can continue to be inspiring. Quality music is and will always be cherished more than mass-produced commercialized cacophony.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
The three major record labels are Sony Music Entertainment, Universal Music Group, and Warner Music Group; these majors have sub-labels such Atlantic Records (Warner) and Columbia Records (Sony). There are thousands of indie labels (300 Entertainment, Mad Decent, etc.) yet they only represented about a third of the total US album market share in 2015. Majors have substantial amounts of capital at their disposal and key divisions in-house (distribution, publishing), often putting them at an advantage over their smaller competitors. The below graph shows just how large a share of the US recorded music market the major labels controlled in 2015 compared to their many independent
In today’s evolving and changing society, many people do not appreciate how extraordinary music truly is. Since the birth of the vinyl record, there are less people who own and are interested in them. Even though vinyl records have recently been making a comeback, they are still not as popular as they once were. People take for granted how easily accessible music is today though in the past it was not as simple. Even though vinyl records may be costly and may not have a large quantity of songs, as time progresses and technology continues to develop, the way that people listen to music degrades their appreciation for music due to easier accessibility, weaker sound in terms of quality, and decaying genres.
Think about the most laid back, independent, self-sufficient, and wild or extreme music movement. What is it? The answer to that is DIY punk. DIY punk began in the mid 70’s and had a huge impact on that time period. These punk bands were ones that did not follow societal norms and did not necessarily care about making a profit from their music. In the article “Do It Yourself… and the Movement Beyond Capitalism,” Ben Holztman et al states that DIY members were collective individuals going against capitalism (45). They did not want to be involved in that sort of atmosphere. Instead, DIY music addressed value and social relationships (Holtzman et al 45). It was very important for these bands to form new friendships with others that had the same
The 1990's, also known as “The Last Great Decade” was a time where new inventions and great leaders would create a grand and wealthy economy for the citizens of the United States. George H.W. Bush became president in 1989 until 1992. William J. Clinton became president in 1993 and remained president until 2001. Although “The Last Great Decade” had exceptional highs, it also had lows. The end of the cold war began in 1985 and extended until December 1991. This began with Gorbachev becoming leader of the Soviet Union. The USSR forbid liberal reform and Gorbachev was the first to advocate liberalization. The USSR faced economic difficulties, but in 1991 the Soviet Union collapsed and the Cold War came to an end. In August 1990, the Gulf War began
Art is a way to express oneself, providing the space one needs to make a statement not only about themselves, but also of society. In The Punk Singer, a 2013 documentary film directed by Sini Anderson, the viewer follows the feminist punk singer Kathleen Hanna in her journey to empower herself and women like her through performance. The film itself is structured on interviews with several artists, as well as Hanna's bandmates and friends, that expatiate Hanna's history as a punk rock singer and feminist icon of the 90s and early 2000s. Between each interview, we get a clip of Hanna's performance in the band "Bikini Kill".
In every generation there are countercultures, some more prominent and influential than others that go against social norms. Jack Kerouac brought to light the counterculture known as The Beat Generation from under the veil of the conservative surface in the 1950’s, in his book On the Road. This generation was so influential that they were the driving force behind the civil rights and anti-war movements of the 60’s and 70’s. Having strong ideas and values about freedom and personal fulfillment, that they perused relentlessly, they created big changes and even inspired generations after them who feel dissatisfied with the pressures to conform to instead push against the norms of society.
For the New Romantics, life didn’t imitate art—life was art, and they made it their goal to stay on top. Punk rock had been about breaking down walls, deconstructing the world and coming together in alienation. It was a community, an “us” to stand against “them.” Their visual language was a gritty dialect of the working class, filtered through the accent of a disillusioned youth. With one look, you could hear their message: “we will not follow the path you’ve made for us.”
The industry basically works by selling and buying; however, if the sales decrease there is a huge impact in the economic growth of the firms. There are many factors, which can affect the growth of the firm. The factors that affect the firm do not have a great impact in their growth; nevertheless, a factor that has recently surged is the music piracy, and it has become a negative externality. A negative externality “occurs when a product or decision costs the society more than its private cost” . Music piracy makes the music market loose billions of dollars in the US and even though it doesn’t impact the economy on a big much it has a small impact such as the increase of unemployment per year.