The debate whether commercialism has stripped country music of its authenticity is one that requires further examination into who ultimately holds the power. The sometimes-drastic changes made in music leaves people questioning the tastes of consumers when in fact they are the bystanders of an overpowering industry. Fans are people who buy the albums, go to concerts, and request songs on the radio, not the execs that market the music, and yet their opinions/tastes aren’t taken into consideration. Fans carry a lot of clout in regards to what they define as commercialism gone wrong and acceptable country music. Despite what may seem fair, those who are financially invested in its success drive the commercialization of music. According to The Nashville Sound, markers that include “rural origins, stylized sets, seemingly spontaneous performance, accessible performers, and heartfelt songs can characterize country music’s authenticity” (13). The foundations of what country music has originated from are incorporated within these markers and are used to separate the real from the fake. Early country music was a means of coping with a life of work and worries; it also brought communities of the impoverished together in fellowship. The establishment of these markers glimpses into the culture and realities of many country music artists before their fame. Take for instance a family sitting huddled together on a porch on a cool summer evening listening to a family member play the banjo while another sings along. Everyone is enjoying and living in that moment and all worries are far from mind. Country music made people feel at ease and comfortable, it brought people back to their memories of the good old days. This is the way country music sh... ... middle of paper ... ...ue. Consumers shouldn’t have to settle with music instead they should be enjoying it. In order to get the authenticity back within commercialized music it will only happen if people begin to realize the power that they hold. Once people start to realize that then the music that is produced, and sung will have a more significant affect on its listeners; music then can continue to be inspiring. Quality music is and will always be cherished more than mass-produced commercialized cacophony. Works Cited Jensen, Joli. The Nashville Sound: Authenticity, Commercialization, and Country Music. Tennessee: Vanderbilt University Press/ Country Music Foundation Press, 1998. Print Malone, Bill C. Country Music, U.S.A. Texas: University of Texas Press, 1985. Print Marcus, Greil. Mystery Train: Images of America in Rock 'n' Roll. New York: Penguin Group, 1985. Print
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
For almost 90 years, The Grand Ole Opry has withstood the test of time to become one of the tried and true traditions in country music. From the show's humble beginnings as an obscure radio program, to it's renowned place today as one of the premiere stages for music, The Grand Ole Opry has had an extremely colorful and interesting existence. Over the 88 years that have passed since the show's inception, The Grand Ole Opry has featured many talented performers. Those performers, along with social changes and economics, have all contributed to the growth and success of The Grand Ole Opry.
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
Country music, as we know it today, was first called “Hillbilly music”. The name “Country” was not widely used until around the 1950s. The creation of this Hillbilly music, very much like American culture, was influenced from many different cultures and styles of music.
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
Lewis, George H. “Lap Dancer or Hillbilly Deluxe? The Cultural Constructions of Modern Country Music”. Journal of Popular Culture, Winter 97, Vol. 31 Issue 3, p163-173, 11p
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
Originating in the south, country music is a mix of folk songs and sounds brought over from England by Anglo-Celtic immigrants in the 1700's. (1) It was established in the Appalachians and back-woods around the time of the revolution. To cure loneliness and isolation, mountain dwellers would sing songs that reminded them of home, keeping up with traditions. According to B.A. Botkin, " the folk…group is one that has been cut off from progress and has retained beliefs, customs and expressions with limited acceptance and acquired new ones in kind." (1)
Although folk music played a big role in most of these artists’ performances, folk links back to the blues, and is similar...
Country Music is everywhere. It may come blaring from a neighbor’s house, blasting the radio from a car or truck, or even playing quietly in a restaurant; but why exactly is Country Music so popular for people to listen to? When it comes to Country Music, the lyrics comes straight from the artist`s hearts where people can relate to them; the rhythm and beat are unique to the specific song, and the artist knows exactly how to tell a perfect story in the song.
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.
Country music can be defined as a unique music genre. ”The songs often have repeated sections or refrains, and the words, are clear and prominent” (Yudkin 274). This helps not only get a song stuck in someone’s head, but makes it become more popular. There are so many voices, origins, and instrumentation that can be used to make pop country original and meaningful. “As one listens, the basic core formula, which consists of a straightforward chord progression, a resonating chorus or bridge, and a memorable story, will most often be the foundation of country music songs” (Turcotte). There are so many themes love, drinking, values, working, and loneliness. The artist also has to make it authentic with intimacy, and heart-felt songs. You hear a lot of different instruments during a country pop song. Mainly acoustic guitar, steel guitar, bass, and fiddle. Artists do not have a good ole country song with out powerful lyrics. Then it is up to the listener to interpret the song. Even with all the other genres out there these day country pop still finds a way to keep it characteristics
Music has always been a basic form of expression. From Antonin Dvorak, to Eminem, to even ancient, tribal music, it has been a medium through which individuals convey their thoughts and expressions. Today this medium is under attack. Everywhere we turn, everything we do and say is being scrutinized. We are being told what to say. We are being spoon-fed our emotions. No longer are we allowed to think freely, openly. All the censors out there are on the prowl for another piece to rip to shreds because it doesn't fit their description of what is decent and moral. What they fail to realize is that we don't make the music for them... We do it for release.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
What has the power to make you get up and move, to both inspire you and enrage you? Rock, rap, “pop”, country, and blues are all forms of this phenomenon we call music. Music has been a part of each and everyone of our lives. How often have you heard a song and it brought you back to a place in your past, or reminded you of someone? Chances are you were listening to music that fell into one of the two most popular categories, rock or pop. Both rock and pop can be considered movements in society, however the motivation for these movements were on the opposite ends of the spectrum. Also another thing that they have in common is that once the artists are famous the may both have a tendency to fall off the deep end. This may entail spending thousands of dollars on drugs and alcohol. Eventually many of both pop and rock stars end up in rehab. Even though the lines between rock and pop can be blurred at times there are many distinct differences.