Nativism In Lynyrd Skynyrd's Sweet Home Alabama

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Since its inception, there has always been a subsection of the American people that think that sharing a country with people different than them is unacceptable. Whether it was the 5 tribes of Native Americans relocated in the Trail of Tears, or the prejudice against irish immigrants during the turn of the century, white anglo-saxon protestants have always tried to ‘stick together’ and keep others unlike them out. With the end of the civil war and an end to slavery, this nativism present within the American people manifested itself once more. While the journey taken by African-American citizens was long and unnecessarily arduous, the backlash against them has waxed and waned as time passes. During the 1920s, the Ku Klux Klan was at it’s peak, …show more content…

At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be

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