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Americas role in Vietnam
American imperialism in Indochina
American imperialism in Indochina
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Recommended: Americas role in Vietnam
By definition, imperialism is extending a country’s power and influence through diplomacy or military force. That ideology is best exemplified by the Vietnam War because the United States invaded North Vietnam to prevent the dissemination of Communism into South Vietnam, which is ultimately an attempt at exuding power and influence by using military force. The Clash recognized the homogeneity between the American imperialism of the Vietnam war and the forced Westernization of the non-Western world, particularly third world nations; thusly, the band chose the Vietnam War as a backdrop for “Charlie Don’t Surf” because of it’s relevance to American culture at the time. The Clash released the album Sandinista! in 1980; this album is home to the highly overlooked song “Charlie Don’t Surf.” The intent of this paper is to analyze the song “Charlie Don’t Surf” and examine it’s use of historical and cultural components to protest imperialism forced upon third world countries by the United States. This paper will specifically analyze The Clash’s emergence from a tumultuous political climate as well as the decision to title the album Sandinista!. Musical composition and lyrical structure aids in demonstrating the protest of imperialism upon multiple levels and distinguishes the link between the “Charlie Don’t Surf” and a similar scene in the film Apocalypse Now.
Emerging from England’s punk rock scene in 1977, The Clash morphed from traditional punk beginnings into the new wave movement. Described as “a more genuine, radical, proletarian,” sector of the punk genre, it was evident the band was destined to transcend musical boundaries.1 The Clash’s trademark idiosyncrasy is their layering of cultural remarks with historical relevancy througho...
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...rus of “Charlie Don’t Surf” in the car, or helicopter, does not provide the background knowledge of the songs origins. In a way, without paying attention to the song, it mocks the ability to lose people into the music.
Works Cited
1 Moore, Allan F. "Punk Rock." In Grove Music Online: Oxford Music Online.2 Browning, Boo. "The Clash: Another Flash of Lightning." The Washington Post, 1981.3 "The Clash Official Site." http://www.theclash.com/#/about/.4 Cowley, Jason. "The 1980s: 'England Was Convulsed by a Social and Political Revoltion'." Guardian, 2009.5 Ibrahim, Youssef M. "Britain's Economy Is Worsening Despite Mrs. Thatcher's Policies." The New York Times, 1980, 1.6 "Augusto Ceasar Sandino." Columbia Electronic Encyclopedia, 6th Edition: 1.7 The Clash. "Charlie Don't Surf." Sandinista! 1980. CD.8 Coppola, Francis Ford. "Apocalypse Now." 153 min, 1979.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
The Vietnam War is one of the most controversial issues in American history. It is no secret that the American public was not in favor of this war, which is why the government’s decision to keep the US involved for over ten years created such a disconnect between America’s people and their government. In the third verse the Temptations sing, “People all over the world are shouting 'End the war.'” The Temptations bravely attack the government, addressing their continuation of a war no one wants. Although The Temptations avoid explicitly naming the war, or the government as the guilty party, it is evident that this is a criticism, or at least an acknowledgement of a predicament America found itself in.
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
In the 1950s rock-n-roll established its own marks in history. It spread throughout the decade in a thrilling, substantial, and even livid to those Americans trying to get rid of all sorts of conflicts and challenges that occurred during this time period. As exciting as this music was, the novel “All Shook Up” portrays how rock-n-roll brought many changes to the American culture and later to the sixties. It expresses many concerns such as race relations, moral decays, and communism, but in ways that are partially true.
Throughout history, music has been the artistic stage of philosphoical output of both ideas, emotions and stories, enducing emotional and cogitational responses from the audience, through it’s representation of ideas and through ‘words in music’. Victor Hugo says- “Music expresses…. that which cannot remain silent” (26 February 1802 – 22 May 1885), and is a predominant feature in the early 1990s ‘Riot Grrrl’ movement, in which female-empowerment bands would address modern issues of sexual abuse, racism, and the patriarchy through their underground, punk rock music.
Although considered the day Rock ‘n’ Roll was born, many other events in American history have given foundation to this much loved idea. Rock ‘n’ Roll is much more than just music, rather it is the movement which underlines cultural imperialism. Rock had been promoting a culture of comfort and freedom from social constraints as well. Although the style of ‘Rock music’ is easily adaptable into many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways. Many considered Rock ‘n’ Roll culture as a bad influence to all people, but as the genre aged and the now not-so-young crowds had matured, Rock was respected and
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
The 1960’s was one of the most controversial decades in American history because of not only the Vietnam War, but there was an outbreak of protests involving civil and social conditions all across college campuses. These protests have been taken to the extent where people either have died or have been seriously injured. However, during the 1960’s, America saw a popular form of art known as protest music, which responded to the social turmoil of that era, from the civil rights movement to the war in Vietnam. A veritable pantheon of musicians, such as Woody Guthrie, Pete Seeger, Phil Ochs, Joan Baez, and Bob Dylan sang their songs to encourage union organizers to protest the inequities of their time, creating a diverse variety of popular protest music, which has reached out to the youthful generations everywhere demanding for a revolutionary change. The protest music took the children of the 1960’s to a completely new different level. Musicians of this generation were not going to sit and do nothing while the government lied to the people about what was going on in Vietnam. Instead, they took their guitar-strumming troubadours from the coffee houses, plugged them in, and sent the music and the message into the college dorm rooms and the homes of the youth of America. However, as decades went by, protest music does not have much of an impact as it use to because of the way things have changed over the years. Through the analysis of the music during the 1960’s, there shall be an understanding on how the different genres of protest music has affected social protesters based on how musicians have become the collective conscience of that generation through their lyrics and music and the main factors that contributed to the lack of popula...
Following World War II, the concrete nature of imperialism, or the subjection of people or groups based on a social, economical, or racial hierarchy, was seemingly in decline. For instance, India and Pakistan had both gained their independence from Britain in 1947 (p.761), and the French, though unwillingly, gave up their colonies in Vietnam (p.754), but with the development of the Cold War there became a need to ideologically separate the free “First World”, which was made up of western Europe and the United States, from the communist “Second World”, which was primarily made up by the Soviet Union. This separation unintentionally formed yet another hierarchy, and further perpetuated imperialistic notions. While the Soviets attempted to continue political imperialism in surrounding states to form a political and economic buffer from democratic nations, which due to globalization, or the mass integration of cultural and economic practices, would have been necessary to accomplish, many nations, such as the U.S., who subscribed to these democratic beliefs still counterintuitively practiced imperialism in their attempts to forcefully liberate communist nations based on the notion that their free way of life was superior to other’s communist status quo. Therefore, imperialism continued to surface through the dualist political line drawn by the Cold War, but also later through a need to stay competitive culturally and economically in a growing global community in states both subject to past colonizing nations, as well as the nations who relinquished their control over them.
In the early 1980s, the "new wave" movement, a sub genre of punk rock that began in the '70s, was generating a more sophisticated pop sound. In Britain, artists including bands such as the Clash, Squeeze, and the Police attained both critical and commercial acceptance. The Pretenders, another British band established in the late 70s, was led by an American-born singer and songwriter, Chrissie Hynde. In the United States, the Los Angeles-based band X navigated the transition from punk to new wave, and the New York-based group Talking Heads with a big assist from MTV, succeeded in fusing art rock with funk and African rhythms. Which leads me to my next new 80's genre.
Kurt Cobain soon realized that in the media he was considered as the “spokesman of a generation” and the band was often referred to the “flagship band of...
The 1800's were a renowned era in European history. With the rise of imperialism came the ruthless desire to seek new land through the use of authoritative implications. Whether it be the discovery of the Americas, where Christopher Columbus discovered various islands, which were clustered with indigenous people that were eventually completely wiped out for the pure desire of Spaniard power. This craving to "assimilate" indigenous people and to convert them to Christianity was an element, which rooted 19th century Europe. Although the actual question to whether these actions were good or evil are up for debate. Imperialism has been viewed as an expansion that serves only ones "object" and that it has no purpose beyond the benefit of the "self". This paper will explain Imperialism through a sociological perspective, while blending in notions of capitalism and modern day Imperialism that may now be viewed as Globalism.