The Temptations’ 1970 hit “Ball of Confusion (That’s What the World is Today)” bravely sheds light on the political and social issues plaguing the world during the 1960’s. Written by Norman Whitfield and Barrett Strong, this song deviates from Motown’s usual clean and charismatic approach and serves as a prelude for songs like Marvin Gaye’s “What’s Going On.” Through the use of shrewd lyrics, psychedelic instrumentals, and intimidating vocals “Ball of Confusion (That’s What the World is Today)” serves its purpose in making a statement against the tumultuous world America created.
The Vietnam War is one of the most controversial issues in American history. It is no secret that the American public was not in favor of this war, which is why the government’s decision to keep the US involved for over ten years created such a disconnect between America’s people and their government. In the third verse the Temptations sing, “People all over the world are shouting 'End the war.'” The Temptations bravely attack the government, addressing their continuation of a war no one wants. Although The Temptations avoid explicitly naming the war, or the government as the guilty party, it is evident that this is a criticism, or at least an acknowledgement of a predicament America found itself in.
The Temptations go even further in their attack on the government singing lyrics such as, “Politicians say more taxes will solve everything.” This time they are uncensored in their criticism. This is an undisputed recognition of the people in power at fault for making poor decision. In the first verse Eddie Kendricks sings, “Vote for me and I'll set you free.” Kendricks sings this line in his usual falsetto, but with a sarcastic tone that suggests the poli...
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...ir voices, just like there is no escaping these turbulent times.
However, perhaps what is most impressive about “Ball of Confusion (That’s What the World is Today)” is its ability to withstand time. Three times within the song the phrase, “And the band played on” is repeated. Well, the band has continued to play, as these problems, forty-three years later, have yet to be resolved. People still complain about taxes, the US still gets involved in wars that the public does not favor, and gun control is still in question. “Ball of Confusion (That’s What the World is Today)” reveals a sad reality: the world is a confusing place that humans have yet to make sense of. However, the brilliance of Norman Whitfield and Barrett Strong’s song cannot be ignored. This song serves a perennial wake-up call reserved for every time the world begins to turn a blind eye on its problems.
Chris Appy’s s American Reckoning is a book-length essay on the Vietnam War and how it changed the way Americans think of ourselves and our foreign policy. This is required reading for anyone interested in foreign policy and America’s place in the world, showing how events influence attitudes, which turn to influence events.
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
“Film has established itself as a major medium by which our culture reflects and shapes its reality” (Taylor 186). Nowhere is Bruce Taylor’s statement made more clear than in movies about the Vietnam War. While some films, like Stanley Kubrick’s Full Metal Jacket, illustrate how horrible the army can be, other Vietnam War films glorify the armed services and American superiority in an attempt to alleviate the public’s fears that the war was a negative undertaking. China Gate (1957), The Green Berets (1968), and Rambo: First Blood, Part Two (1985) all glorify Americans at war. As Leo Cawley claims in his essay, “The War about the War: Vietnam Films and American Myth,” they sought to show that “the Americans are the good guys, the Viet Cong are the bad guys, and the peasants are the frightened townsfolk who need protection and rule of law” (74). The characters in these films have no ambiguity to them, but rather just the opposite: they are either paradigms of goodness or pillars of evil. By analyzing these one-dimensional characterizations, we are clearly able to see the propaganda in these films.
The Vietnam War was the longest and most expensive war in American History. The toll we paid wasn't just financial, it cost the people involved greatly, physically and mentally. This war caused great distress and sadness, as well as national confusion. Everyone had that one burning question being why? Why were we even there? The other question being why did America withdrawal from Vietnam. The purpose of this paper is to answer these two burning questions, and perhaps add some clarity to the confusion American was experiencing.
So many things influenced our involvement in the Vietnam War, and Lawrence examines the decisions we made in a greater context than just our own. He argues that international pressures controlled the attitudes and ideas of the United States, for the most part.
The 1960s was the era of rebellion. It was a time when views of many people started to change dramatically as unexpected things were happening from the Cold War to the assassinations of nation’s leaders. So within this disturbed era, many citizens started to rebel and question the authorities saying that they were ruining the country. The younger generation, especially, stood firmly in front to lead the action to change the ideas of the older generation. One of the main methods they used to speak their opinions was through music and we can see the power it had on the people through one of the main protest anthems called “Fortunate Son” by Creedence Clearwater Revival in 1969. The song speaks out to the elite controlled America and becomes one of many instances of the younger generation questioning and rebelling against the authority in the late 1960s. They send people a message that the citizens of United States do not live in a fair world and the authorities are not doing their jobs. By creating images through the comparative and descriptive lyrics such as who “waves the flag” , and “some folks are born with silver spoons in hand”, its repetition of the chorus “it ain’t me” and the instrumentation of the song which sounds like the cry of the working class to signify that the Vietnam War is a rich man’s war and a poor man’s fight, this song by the Creedence Clearwater Revival shouts to the world that the elite-controlled America is unfair as it can get; and becomes a big part of the counterculture movement. However, contrary to the message of the song, challenges to authority and privilege did not come exclusively from the working class. Rather, members of the upper class were also involved in opposition movements, for instance vi...
Enlightened rap seemed poised to enjoy mainstream popularity. But something about its message did not capture the popular imagination, and it has remained a sub-genre. Conversely, the highly materialistic rap that was popular when B-D-P appeared in 1987, glorifying jewelry, cars and brand names, is in vogue again. However, B-D-P--vintage B-D-P--enjoys a paradoxically respected position. This is strange because in some respects B-D-P's version of political rap was stricter than the other groups that comprised the so-called New School, the consciousness-raised groups that followed in his path. Something about B-D-P's asceticism had an edge that made it strangely attractive. I wish to explore this ambiguity.
The world was in 1950 at a point of multiple crossroads. After two World Wars an exemplary series of bad events followed, like the Cold War and the atomic menace. But it was also the beginning of some prosperity. People started again to gather material values. Nevertheless, the slow awakening from the fog of war was a process too complex to be generally accepted. In an apparently healing world there were still too many fears and too many left behind. On this ground of alienation, isolation and despair Allen Ginsberg’s “Howl” emerged together with the Beat movement. John Tytell observed that the “Beat begins with a sense of natural displacement and disaffiliation, a distrust of efficient truth, and an awareness that things are often not what
In the short story “Field Trip” by Tim O’Brien, the poem “Camouflaging the Chimera” by Yusef Komunyakaa, and the song “Fortunate Son” by Creedence Clearwater Revival, the authors feel the emotional reasoning for staying in the Vietnam War outweighed the diplomatic reasons that they were originally there for. For these soldiers, they were simply used by the government to enact on their orders, and in all events criticized and demoralized for doing so.
John Lennon’s Imagine walks us through life with lyrics of peaceful protest, helping us imagine a world unity much less division.
Political issues such as the war on terrorism is evoked as an issue throughout the song. American was divided “All across the alien nation” when troops were sent to Iraq to search for weapons of mass destruction. Metaphorical language was used to explore the issue. Audience positioning from techniques indorse concerns with a country divided and positions them to feel the need to cooperate and sort things out other than civil unrest and debate.
This period was one of the saddest and most terrifying time, that people were are not aware of. People seem to ignore most of the problem that was going on. This song has influenced the world that we live in today, because of Racism, Drug use, and Equal Rights that were major issues in back in the 60’s. Without this song influencing America's culture, we would oblivious to the issues that the song discusses. Therefore "Ball of Confusion" contributed to the people's awareness of social and political issues that made a impact people’s lives
Ann Powers’ review of “Pumped Up Kicks” mainly focuses on what the words in “Pumped Up Kicks” are saying rather than looking at the song as a whole. Powers’ review also expresses an overall negative connotation toward “Pumped Up Kicks”. Powers works for National Public Radio (NPR) and she is one of the nation’s most notable music critics. Just as NPR has a reputation for being very professional and serious, Powers’ review reflects her working environment. Because of Powers review being published through NPR, her target audience would have been the people who wanted a professional opinion on “Pumped Up Kicks”. They would have wanted an in-depth review of the song, not just a surface level review of how popular “Pumped Up Kicks” was.
The 1960’s was a time of war and fear for the United States and many people were turning their accusations towards the government. “Masters of War” was written by Bob Dylan in late 1962 and early 1963. The focus of this song is a protest against the Cold War and the Cuban Missile Crisis that was happening during the early 1960’s. The song is protesting on the American government having its citizens live in fear of a constant attack and hiding behind their shroud, unaffected by anything that would happen to the people. It shook the nation with its fierce and angry tone against the “military industrial complex.” Dylan’s lyrics stated that it was not contained by declaring a pointless war and not taking responsibility for the problems it was causing. “Masters of War” is a powerful song against the government and the military. The protest song “Masters of War” by Bob Dylan highlights how the looming aspect of the Cold War affected the people of the United States and demonstrates Dylan’s view on the governments involved.