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Anti - war movement in Vietnam
Anti - war movement in Vietnam
Anti - war movement in Vietnam
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The 1960s was the era of rebellion. It was a time when views of many people started to change dramatically as unexpected things were happening from the Cold War to the assassinations of nation’s leaders. So within this disturbed era, many citizens started to rebel and question the authorities saying that they were ruining the country. The younger generation, especially, stood firmly in front to lead the action to change the ideas of the older generation. One of the main methods they used to speak their opinions was through music and we can see the power it had on the people through one of the main protest anthems called “Fortunate Son” by Creedence Clearwater Revival in 1969. The song speaks out to the elite controlled America and becomes one of many instances of the younger generation questioning and rebelling against the authority in the late 1960s. They send people a message that the citizens of United States do not live in a fair world and the authorities are not doing their jobs. By creating images through the comparative and descriptive lyrics such as who “waves the flag” , and “some folks are born with silver spoons in hand”, its repetition of the chorus “it ain’t me” and the instrumentation of the song which sounds like the cry of the working class to signify that the Vietnam War is a rich man’s war and a poor man’s fight, this song by the Creedence Clearwater Revival shouts to the world that the elite-controlled America is unfair as it can get; and becomes a big part of the counterculture movement. However, contrary to the message of the song, challenges to authority and privilege did not come exclusively from the working class. Rather, members of the upper class were also involved in opposition movements, for instance vi...
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...vs. elite class as the band assumed. There was much more to it as few of the fortunate ones such as the senator’s, millionaire’s or military sons were supporting the opposition against the authorities. We must not forget the few fortunate ones with the right mindsets such as the student rioters in Columbia, Harvard and in many other elite universities who fought against their own parents to stop the nonsense that was going on in America and showed us that one’s class might have some effect on the person but it does not fully determine what kind of person one becomes.
Works Cited
Anonymous. “Harvard: The Rulers and the Ruled.” Dimensions of Culture 3: Imagination. 215-216.
Columbia Strike Coordinating Committee. “Columbia Liberated.” Dimensions of Culture 3: Imagination. 211-213.
Fogerty, John. Fortunate Son. Creedence Clearwater Revival. Fantasy Records, 1969.
...War and the Civil Rights Movements in order to illustrate how the 1960s was a time of “tumult and change.” To Anderson, it is these events, which sparked the demand for recognition of social and economic fairness. He makes prominent the idea that the 1960s served as the origin of activism and the birth of the civil rights movement, forever changing ideals that embody America. The book overall is comprehensive and a definite attention grabber. It shows how the decade had the effect of drastically transforming life in America and challenging the unequal status quo that has characterized most of the nation's history. Despite the violence and conflict that was provoked by these changes, the activism and the liberation movements that took place have left a permanent imprint upon the country.
The 1960s formed one of the most culturally complex periods in America’s history, and the analysis of this era is just as problematic. During this time, American society experienced an outpouring of filmic, literary and musical texts that challenged traditional institutions such as the Christian church, the government and the family unit. It would be naïve to argue that this period witnessed the first or the last instance of subversive propaganda targeted at young people, for the many dissenting voices herein did not emerge by random chance. The formulation of a more politically aware youth culture in America and, to a lesser but still important extent, Great Britain, was a gradual process that had been taking hold for considerable time, not one that exploded into being when Bob Dylan or John Lennon began writing protest songs.
One of the most significant societal movements during the 1960s was the Civil Rights movement, a coalition lead by many that voiced strong opposition to the war in Vietnam. Martin Luther King Jr was a huge voice for civil liberties, and according critic Mark Barringer, “Martin Luther King Jr openly expressed support for the antiwar movement on moral grounds…asserting that the war was draining much-needed resources from domestic programs”(Barringer 3). Martin Luther King Jr had a profound effect on the 1960s civil rights movement. He was eventually assassinated for his invo...
In the duration of one year, 1968, the American national mood shifted from general confidence and optimism to chaotic confusion. Certainly the most turbulent twelve months of the post-WWII period and arguably one of the most disturbing episodes the country has endured since the Civil War, 1968 offers the world a glimpse into the tumultuous workings of a revolution. Although the entire epoch of the 1960's remains significant in US history, 1968 stands alone as the pivotal year of the decade; it was the moment when all of the nation's urges toward violence, sublimity, diversity, and disorder peaked to produce a transformation great enough to blanket an entire society. While some may superficially disagree, the evidence found in the Tet Offensive, race relations, and the counterculture's music of the period undeniably affirm 1968 as a turning point in American history.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
...usic gave young and old people hope. With the success of musicians in the civil rights era proved as a turning point and a little bit of the road to freedom
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The 1960’s and early 1970’s were a time that eternally changed the culture and humanity of America. It was a time widely known for peace and love when in reality; many minorities were struggling to gain a modicum of equality and freedom. It was a time, in which a younger generation rebelled against the conventional norms, questioning power and government, and insisting on more freedoms for minorities. In addition, an enormous movement began rising in opposition to the Vietnam War. It was a time of brutal altercations, with the civil rights movement and the youth culture demanding equality and the war in Vietnam put public loyalty to the test. Countless African-Americans, Native-Americans, Hispanic-Americans, women, and college students became frustrated, angry, and disillusioned by the turmoil around them.
If analyzed carefully, the melancholy verses of the song are in sharp contrast to the overpowering chorus. Ignore the addictive chorus "Born in the U.S.A.” and what you really hear is a protest song that tells the depressing story and struggle of Vietnam Veterans returning home to a disillusioned life. To his most devoted ...
Music has been around for thousands of years. Music has progressed since that time and has slowly become what it is today. Though music has been around for such a long time, protest music just started to develop in the Vietnam Era, the year 1954. The war started the era of protest which, in turn, created a new form of music which incorporated a specific type of lyric that was a way of expressing protest through the song. Since music in this era was already a big thing, artists thought it would be a good idea to get their political viewpoints out there. They did it through something that affected everybody in that time and space. The artists view spread quickly through the country because of the catchy tune and the viewpoints that are listed. In the United States of America, it is a very common thing to conform to others in a group (Conformity…). Since conformity is such a common occurrence in a large group, all the artist has to do is find a couple of people in the group, group being an audience, who agree with the artist and the rest will unfold on its own. The artist will keep on performing while the word of him and his music will spread from person to person. Conformity will ultimately bring people together on the same viewpoint until eventually, there are thousands of people there with the artist to protest. These artists have grown over time along with the style of music that they bring along with them. Protest music still exists today and is one of the most effective forms of protest that we have.
In the 1960s, the anti-war movement grew rapidly in America. The party reached the summit in 1968 by collecting members of various age ranges throughout the country 6. The song "Revolution," produced by John Lennon and Paul McCartney, expresses the irony of the political group. Although the party is against...
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...op the chorus’s prominent role of edifying the audience of the truth behind the sumptuous life of the upper class, but also seeks to engrave compassion for the less fortunates.
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