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How technology impacts the music industry
Impact of technology in the music industry
Impact of technology in the music industry
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I have been asked to identify and evaluate two important current developments in the music industry. I will be discussing the rise of electronic dance music and also the growing number of musicians gaining success via YouTube.
Electronic music is created using electronic musical instruments and electronic music technology, where production is concerned. “Electronic Dance Music (EDM) is surging to the forefront of mainstream tastes. If you have turned on the radio, watched TV, or attended a music festival in the last several years you have likely noticed DJs and producers flooding the market.” (Ramsay, 2012)
This music was not always so popular, but from the late 1960s when music technology was more affordable, music produced using electronic means became quite common in the popular culture.
A man named Thaddeus Cahill is said to have developed the first electronic instrument named the Telharmonium. This instrument was not made for the purpose of electronic music, it was used to broadcast music in restaurants and other public areas. “Cahill has never realized his plan, but his ideas were not so bad because today we make massive use of streaming media.” (The History Of Electronic Music, 2013)
Electronic Dance Music began as an underground movement in the 1980’s. Similarly to how Hip Hop took the mainstream by storm in the late 1990s and 2000s, Electronic Dance Music is now following in their footsteps. In an article on Electronic music, Bogart (2012) boldly suggests, “EDM could be thumb nailed as being to Hip Hop what Rock was to Jazz” A whole generation of music fans are shifting from the Hip Hop driven popular music that dominated the 2000s and setting their sights on the sounds of House, Dance, Trance, Dubstep, Trap, and the ma...
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...enue-youtube-pop-stars (Accessed: 21 May 2014).
Polaske, D. (2014) Why SoundCloud Will Beat Other Streaming Music Services. HypeBot.com, 02 February 2014, Available at: http://www.hypebot.com/hypebot/2014/02/why-soundcloud-will-beat-other-streaming-music-services.html (Accessed: 19 May 2014).
Ramsay, D. (2012). The Rise of EDM | Music Business Journal | Berklee College of Music. [online] Thembj.org. Available at: http://www.thembj.org/2012/10/the-rise-of-edm/ (Accessed: 20 May 2014).
Reddit.com, (n.d.). reddit: the front page of the internet. [online] Available at: http://www.reddit.com/ (Accessed: 21 May 2014).
Robley, C. (2013) 8 Ways to Promote Your Digital Music. Available at: http://diymusician.cdbaby.com/2013/04/how-to-promote-your-digital-music/ (Accessed: 11 May 2014).
Saenz, A. (2010) Justin Bieber and the Rising Importance of Accelerating Media. Available
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
Ferguson focuses on the importance of creativity and how much we can build off of each others ideas. Remixing is using tools already invented to build new products, it opens a door to an on going process of new inventions and ideas. Ferguson shows the importance and the huge effect remixing has on our music industry and even technology on today’s market. Remixing gives
For example, music is becoming more widely available to the general public with the introduction of mp3 players and the growth of the online music industry. The essay is concluded with my personal feelings towards the use of electronic technology within the live music industry, as well as the recording studio environment. This conclusion reveals that while the use of electronic technology has become crucial in the modern music market, it should not detract from the quality of live music produced. In this way, I feel that the use of electronic technology – namely drum machines and computerised backing tracks – have had a negative effect on the live music industry, because the majority of artists within the ‘pop’ genre now use computer-generated backing for live performances.
The artist I've chosen to discuss in this paper is the band Daft Punk. Daft Punk consists of Thomas Bangalter and Guy-Manuel de Homem-Christo who became friends 1987 in secondary school, and are from Paris, France. The band formed in 1992 under the name “Darlin'” with a third member, Laurent Brancowitz, who later left the group and formed the band Phoenix. Daft Punk was a large part in the growing popularity of the “house” genre of music in France in the late 1990's.
It’s probably not feasible to avoid streaming music services nowadays. Every smart phone on the market is able to operate numerous music streaming applications, ranging from radio-style streaming, on-demand streaming, and even cloud-streaming. Smart TVs come equipped with Spotify, Pandora, or Rdio. AT&T partners with Beats music to offer a unique on-demand music streaming service with playlists complied by DJs. It seams that with the advent of Wifi hotspots and high-speed mobile Internet services, music streaming is becoming more and more a part of mainstream life. Spotify has been in the spotlight within this particular segment of the streaming industry ever since its introduction to the United States in 2011. (Roose, n.d.)
Griggs, B., & Leopold, T. (2013, April 26). How iTunes changed music, and the world. Retrieved March 31, 2015, from http://www.cnn.com/2013/04/26/tech/web/itunes-10th-anniversary/
The Swedish conceived, electronic dance, house music producing artist Tim Berg, better known as Avicii, has rapidly risen with the youth of popular novelty and fallen from that exact reason. It is Friday night and his contrived electronic booms have already begun to fuel the rave faction fraternity parties that are the calling to every Villanova student. All are in attendance, including the Radnor police. The dreaded: “Your neighbors reported a noise complaint, please turn it down” will deter anyone’s buzzkill away from the empty keg. Fortunately, no citations are handed out, but the party’s playlist has now relocated to the lull of Dave Matthews. Although the field of electronic music is gradually becoming more accepted, there are still people who, while admitting it interesting, state the extreme: “is this actually music?” Just recently has electronic music become incorporated in pop culture, and once it had its foot in the door, it spread like wildfire. Like it or not, Avicii is now the third biggest and influential icon of the scene. Good and bad music will always arise from a genre, but the 21st Century has proven more complex in identifying whether an artist is truly a virtuoso, or has taken a shortcut to stardom. With the ability to use computers and sampling to create an original work, it is an interesting study to say the least. As part of a generation that grew up with electronic music, I feel an obligation to reveal the formulation and gluttony that Avicii is hiding behind his smirk.
Popular music is popular afresh, and it’s everywhere. Whether it’s the idols, the stars, the competitors or the academy, the burst music industry has not ever flaunted itself to such a large extent. But how can we mark burst music? Where is its place? Many would contend that it pertains sorely littered over the levels of teenager’s bedrooms worldwide. Others would state it is most at home recorded on the bank balance of a foremost multinational organisation. An allotment of persons would assert that burst music has no home, and is just a fad commended by the culturally inept, those who are only adept of enjoying a pre-formatted, formulaic merchandise of the ‘culture industry’. Or is it infects a varied and creative occurrence, permitting a communally and culturally wealthy expression? Maybe burst music will not ever be ‘pigeon holed’ as such, but I wish to recognise the contentions surrounding popular music and work out its location inside popular culture and inside up to date society (Shanahan 2001).
With each passing year, technology has become highly involved in our lives, and continues to at a rapidly increasing rate. Technology, in many ways, was designed to help people in various fields of work. However, it has also achieved the reciprocal. Where does music lie? Has technology hurt or helped the field of music, specifically hip-hop? What do these advancements mean for the genre?
The music performed by DJs at EDM festivals consist of remixed songs and some that are original. The beats, bass, and rhythms are what people seem to really enjoy about this type of music, myself included. Because EDM is so different from conventional music, it is in some ways, breaking normal conventions that surround “typical” music. For example, some songs focus so much on the bass and sound, that there are no lyrics or singing at all. Although this aspect can be said about other genres of music, EDM is still quite different. Over the past few years, EDM has slowly started to enter mainstream music as well. Perhaps, this has helped with the surge of EDM festival popularity. Although the festivals are now quite large, one of the most popular festivals, EDC (Electric Daisy Carnival), took quite a few years to gain the popularity it has today. The popularity of these festivals has also lead to EDC festivals being held in Europe, Mexico, and other countries.
In this essay, I will layout and explain the infrastructure of the music industry, giving details about its major assets and real life examples of job roles within the sectors. I will also expand on the major record companies and their role in the industry, and I will focus on showing the well-oiled machine that the industry is.
These inventions were merely the first few stepping stones in electronic music’s path to worldwide prominence. In 1930, the tape recorder was invented, allowing musicians to record and alter the sounds they heard in real life (Hass). Furthermore, musicians are able to string together multiple different sounds in order to create rhythms and tunes by means of tape splicing: cutting out pieces from one recording and then attaching them to another length or recorded tape. Of course, the instruments that created what we may consider to be ‘true’ electronic music were oscillators. These devices come in many different forms, such as sine or analog.... ...
This occurred due to the emergence of computers and synthetic processing. These two countries are more technologically advanced than most countries which explains why they were the first to develop this genre of music. Their access to computers and applications were much easier than most countries and it gave them the advantage when it came to electronic music. Although electronic music was being introduced and produced in the 1920s and 1930s, the popularity of the genre grew subtly between the 1970s to early 1980s. This occurred when drum synthesizers like the Roland TR-808 came out. Once this machine came out, it developed a huge fan base because of its unique “booming bass” sound. This new machine, as long as others that were designed like it, made the genre of music start to boom more and more. These machines and electronic music applications gave artists the ability to gain access to many different types of sounds from various instruments rather than having to learn to play each instrument and tweak it in ways to make different sounds. This also then helped music to be produced quicker and cost less money due to less studio time. This resulted in a larger fan base since there was constantly new, improved music being produced and
Electronic dance music is a broad term covering many different genres and subgenres of percussive electronic music. It has redefined what music means by utilizing electronic components such as synthesizers, computer software, sampling and music not created by voice or instruments. Techniques used in electronic dance music can be traced back all the way to the late 1800’s and early 1900’s. Electronic music before the 1960’s was primary experimental, but early examples of electronic dance music include Jamaican dub, disco music of Giorgio Moroder and the electronic music of Kraftwerk in the
I used to hate electronic music. I used to complain whenever it came on a stereo near me and I made a point of remembering jokes that mocked the musical genre. I used to think electronic music was just random beeps and bops put together by an untrained teenager, until I did a little more investigating. My junior year of high school, my friends began to obsess over the latest greatest songs coming from electronic music producers and I began to feel increasingly alienated by my negative attitude towards this musical style. I decided make a change. I knew that there was clearly some talent and skill that went into the parts of the music that were somewhat tolerable to me, and I also knew that there must be some explanation for the elements of