Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The rise of digital music and its effect on the music industry
What has digital technology done for the music industry
The impact of technology on the music industry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In this essay, I will layout and explain the infrastructure of the music industry, giving details about its major assets and real life examples of job roles within the sectors. I will also expand on the major record companies and their role in the industry, and I will focus on showing the well-oiled machine that the industry is. The music industry is a fundamental part of our modern society, and it has served to be essential over its lifetime. It’s provided hundreds of thousands of jobs in recent years, as well as a very substantial income. In 2015 alone, it brought in £4.1 billion into our economy, whilst also creating 119,020 jobs and generating £2.2 billion Total Export revenue. But enough of the facts and figures, we all know it’s important and brings in a lot of opportunities and supplement for our economy. But just how does the industry work? Well, let’s get into it. …show more content…
Record companies provide an essential role to the music industry, as they provide the most income to the system, (which is provided by a percentage of all artist’s revenue) which is then used to fund other up-and-coming artists around the world, creating an ever-lasting system of funding for artists globally. The final sector of the music industry is Artist Management (AM). This sector mainly focuses on managing the artist(s), making their life easier and helping them to make the most of the opportunities that they are given. In 2015, the Measuring Music report revealed that the AM sector created 2,320 jobs, of which these could be anything from managerial roles to the artist’s personal team (anything from agents to make up artists) Managers represent artists and composers (record producers too) in their dealings with recording and publishing companies and all other necessary industry bodies. Managers understand the ways and language of the industry in ways that artists often do
The two biggest components are major and independent record labels. Major record labels are the driving force of the industry, “Big Four labels/major record labels represented the majority of the music sold, making up as much as 75% of the music market or more depending on the year.” (About.com) Additionally, “The five major record labels; Sony, Universal, BMG, EMI and Time Warner dominate 85% of the market when it comes to sales of Compact Discs. Leaving only 15% for the hundreds of independent record labels and thousands of artists out there." (Raprehab and Bomhiphop.com) In his essay A Brief Outline of How the International Popular Music Industry Manipulates and Exploits the Audience, Shams Quader discusses this issue."Big Four is responsible for 70% of the worldwide music and 85% of US music sales. ... Seeing that these companies have such a monopolistic hold on the world market..." (Quader) it would be safe to presume that the music monopoly was/ is created as a result of how the three major record labels today are holding more than three forths of the net profit of the industry moreover the question of the monopoly was brought to the table especially when Universal Music Group proposed a merger with EMI and many of its top billboard chart artists, Universal Music Group was also the
As the 1930’s began, the effects of the great depression still ravaged the United States, which in turned caused a dramatic change in the music industry. Membership in the musicians’
III. This is the recording industry which even though their sales have been steadily declining due to internet piracy it is still an industry which has great importance in our lives. As college students alone spend about 450 million dollars on music, according to Harris Interactive a worldwide market research and consulting firm. Ever since the birth of recorded music, it has defined our eras and defined each and every one of us. Music has been and always will be the soundtrack of our lives.
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
The three major record labels are Sony Music Entertainment, Universal Music Group, and Warner Music Group; these majors have sub-labels such Atlantic Records (Warner) and Columbia Records (Sony). There are thousands of indie labels (300 Entertainment, Mad Decent, etc.) yet they only represented about a third of the total US album market share in 2015. Majors have substantial amounts of capital at their disposal and key divisions in-house (distribution, publishing), often putting them at an advantage over their smaller competitors. The below graph shows just how large a share of the US recorded music market the major labels controlled in 2015 compared to their many independent
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
Field, Shelly. Career Opportunities in the Music Industry. 3rd Ed. New York: Facts on File, 1995.
All these responsibilities require ability in music, some experience , combined with a thorough knowledge of music and music theory. It also requires music and sound production in a recording studio along with a key sense of listening. Some music producers work for record labels producing for recording artists under a contract which has very exact wantings for that artist. And while many are full-time employees, others are self-employed. Which means they must also have experience in running a business.
“Music Producer: Job Duties, Career Outlook, and Education Prerequisites.” Degree Directory. DegreeDirectory.org. Web. 5 December 2013.
The most significant down side to technology is the loss in revenue from album sales. Illegal downloading of music has become prevalent in today’s society, and many artists—major or independent—receive little to no profit from album sales. Many companies, such as Apple, have tried combating the issue with protected file formats, but a loophole has always been found to bypass the protection. Unsigned and independently signed artists hurt the most, as they pay almost everything out-of-pocket to produce their music. The only feasible response to the loss in revenue, artists have found, is to increase tour dates. In today’s age, it is not rare to find artists who tour more than eight months out of each year. Touring has become one of, if not the only, reliable source of income for many
Ultimately, music producers attempt to accomplish the overall work of the whole recording session. They are the coach and also the musician/artist in their own way. Every music producer is different, but most can produce and compose tracks entirely by themselves. They are commonly found working and practicing inside their record studio. As a music producer you do not only have to work for a band, musician, or artist, you can also work for television, movies, and advertisements. There is no education requirement but, it would be recommended for the average person who attempts to jump into the music profession. The job growth rate of music producers is unquestionably slow, but the need for them will undeniably be for sure. Without the involvement of music producers and the impact they have made in the music world, music would not be produced the same.
Music Business Music Business Exam Number One Question 1 - What is The music publishing industry at a glance would seem to be those who print sheet music, method books, lead sheets, and all of the texts or notated music that musicians (and those aspiring to be musicians) use. Years ago, this was what most music publishers did, but as the industry has evolved, the process has become much more complex. Music is not just ink and paper, intellectual material and property to the individual who writes it. Therefore, the song does not become "a song" when it is written down. This is not an easy concept to grasp because the song itself has no physical makeup.
Introduction to Music Upon examining what the music industry is, you see five main job types. These include the songwriter, the music manager, the marketing manager, the music publisher, and the music producer. Each job type has many different tasks and salaries which make each job unique. The major thing to take from this is that each job and person builds on each other.
The lack of capital is a serious problem for Atlantic Canada’s Cultural Entrepreneurs. The culture sector depends heavily on public funding, which is not only uncertain but often distributed on a one-time basis in amounts that can vary from one fiscal year to the next. This can play havoc with exportation, which requires a medium and long term strategy. The music sector’s greatest contribution may not have been accounted for thus far, that is, it’s positive effects on quality of life, a contribution that would more than justify its sustained financial support.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...