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Essay ideas about movies
Techniques used in film analysis
Essay ideas about movies
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Distinctively visual refers to the actions of a composer to employ specific visuals that effectively represent that composer’s particular message through imagery. Time is a constant force that continually challenges individuals and in turn is a significant factor in resulting future actions. This notion has been displayed in through the cinematic styling of Tom Tykwer in his post-Cold War film "run Lola run”. Comparatively in the still shot poster of the iconic film "back to the future", time is also a significant theme depicted in this text. However unlike run Lola run, the choice of format in addition to its title alludes to the human desire to revert the past and individuals actions in order to change the future. Although being created in different decades and through distinctly different visual techniques, both directors identify the theme of time and portray the different ideas that this theme suggests. “This picture is pure camera: motion and emotion, no other medium can convey those things …show more content…
in quite this way” through this quote reveals his motives for choosing a film form, as it hold specific values that cannot be achieved through other mediums. Run Lola Run is a distinctively visual German film directed in 1998 by Tom Tykwer. The film takes place in post-cold war berlin as the protagonist Lola repetitively attempts to save her lover. The Back to the future poster was released in 1985 the same time as the movie, by American artist Drew Strazan. Distinctively visual techniques make this poster unique. These two texts both use distinctively visual techniques that can be identified and compared throughout them as the director and artist convey their themes and ideas. Main Body The composers utilizes the structure to incorporate certain techniques to deliver their thoughts. Some features of certain structures enable the use of in-depth speacial visual techniques within certain texts. For example, ‘run Lola run’ implements the technical use of flashbacks and a three part storyline to display the themes referring to time and outcomes. In the Back to the Future poster, the structure of the poster uses vector lines. This draws the viewer’s eyes to Marty Mc Fly, where the facial expression is displayed, in which he is shown looking at his watch with distress. This is symbolic of the theme depicting the race against time. The use of this feature widens opportunities for techniques to be used, and allows the viewer to identify the idea for themselves. This is how the producers reveal their views on the importance of time and the consequences certain actions have. Symbolism is evident throughout the texts in their objectives that represents the different concepts of the composer which is has a significant relationship with contexts. Symbolism involves the use of symbols and objects of specific value, in which an example can be identified in the Back to the Future poster in a number of ways. This includes the use of colours and their association to human emotions and the representation of themes, which can be identified by the flames as the vector line, representing danger to a person or object, making sense in relation to the wristwatch. ‘Run Lola run’ also incorporates the colour red and the use of clocks, with the fiery red hair shown through pure cinema distinguishes her from the older generation and resembling her unusual situation, along with the clock and time references directed to the situation. This accentuates the high intensity atmosphere, engaging the viewers and creating the distinctively visual effect. Included within the texts is the use of salience points, which is the first identified image by a viewer.
In the Back to the Future poster, the tittle uses its size and aesthetics to draw the audience’s attention and inform the reader about the genre and general themes of the film. Font and colours intrigue the reader and the layout makes the veiwer follow a reading path towards the broken sentences which give context and refers to the visual image. Run Lola run applies salience points in the introduction through camera panning in to the creature’s mouth, accompanied by upbeat techno music. The transition is made into a bright background with many moving people. The significant points are presented through editing techniques which blur out the insignificant bystanders and contrasts the certain individuals that are included throughout the film. The creators uses this to catch the viewer’s eye while binding techniques into the story, and over all highlight important
aspects. Conclusion In conclusion both authors ingeniously implement a large quantity of techniques in specific order to create their distinctively outlying imagery. They asses their themes and ideas referring to time and the effects present actions have on the future, this makes the viewer realize and revaluate their actions. The relationship between the viewer and text is strong, though the structure and way they are “put in someone else’s boots” thus the result of distinctively visual effect.
In society we are surrounded by images, immersed in a visual world with symbols and meaning created through traditional literary devices, but augmented with the influence of graphics, words, positioning and colour. The images of Peter Goldsworthy’s novel, Maestro (1989) move within these diameters and in many ways the visions of Ivan Sen’s film Beneath Clouds (2002) linger in the same way. Both these texts explore themes of appearance versus reality and influence of setting, by evoking emotion in the responder through their distinctively visual elements.
As a whole, science fiction utilises mise-en-scene to establish many SF codes and conventions (as mentioned above). As seen in Blade Runner, the most significant elements of mise-en-scene that help construct SF codes and conventions include the use of cinematography, lighting, editing, music, props and costumes. Blade Runner is incredibly unique for it is the first SF film to contain film noir and be categorised as cyberpunk; a subgenre of SF that showcases advanced technology in an urban, dystopian future (Callaghan 2017). As such, Blade Runner has established numerous codes and conventions for later cyberpunk films (E.g. 1984’s The Terminator). In one scene in Blade Runner, inside of a meeting room in a Tyrell Corporate building, the protagonist,
According to the semiotic theory, everything in a cinematic image is also a sign which meaning can be generated by different reading of it. Due to the components of the signifier and the signified as a sign, they all work together sufficiently to function in encoding the information in order to let the spectators to decode the carried meaning. The semiotic approach can help us to better understand Speed Racer in the American popular...
Immediately upon viewing either film, the viewer is struck with the unique visual style each presents. This impression is likely the defining image one is left with after viewing the entire film. Each took a different approach in using visuals to stage the environment and context of the plot. Blade Runner styles Dick’s vision of Los Angeles circa 2019 as a futuristic film noir, with an anachronistic mix of technology combined with dark angles and shadows. Virtually all of the visual styles of this environment happened pre-production; that is, they do not rely heavily on computer editing after filming to achieve the desired effect. The opening scene involving the interrogation of Leon in a dark, smoky, high-ceilinged room could be lifted right out of a 1950s mystery film. The detective then pulls out ...
The film La Jetée by Chris Marker was created almost entirely with still photographs and one brief shot of motion pictures. The film was a story about post World War III and experiments in time travel. The technique of using still images to construct the film gave a sense of time being frozen and the still images portrayed as pieces of memories. There was a moment that was different from the rest of the film, the still images turned to a shot of motion scene. The scene I selected to analysis is where the woman was in bed and has just woke up by the sounds of birds chirping which showed the transition of the still images to motion pictures and emphasized the relationship between time and space.
Therefore, the distinctive visual techniques employed by the composer provide a vehicle for the respondent to understand the ideas and themes prompted by people and their experiences. Tykwer’s film, Run Lola Run demonstrates the effect of the distinctive visual in Lola’s exploration of the themes of chance and time, whilst Mackellar’s poem ‘My Country’ provides the audience with an evocative experience of the Australian environment.
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
In order for the composer to represent existentialism, the audience must examine how determination shows us that we can control our destiny through cinematographic visual aspects. Throughout Tykwer’s film, he showcased Lola’s determination from the amalgamation of animation and live action using a pastiche of animated Lola running down stairs to a close up shot of her face. With the close up shot of animated Lola’s face, the facial expression of determination encapsulates how we are fascinated by Lola for her determination to change destiny for herself. Tykwer uses cinematographic elements to represent existentialism in how we can control our destiny through determination.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The manipulation of time affects our understanding by allowing us to go with Lola on all three runs, by allowing us to see all of the different options and outcomes. It gives us a deeper understanding of the characters both major and minor after each run. For example. You learn different things about her father and his mistress in each of the runs. You learn different things about Lola in each of the runs. And in between each of the runs you get a scene between Lola and Manny talking about their relationship, and the way that they feel about each other.
The first sets of the visual analysis are on drunk driving and drug use. All of these pictures relate to drunk driving and drug use and why it is bad for us to drive under the influence of alcohol or drugs. In the first visual set, there are drunk driving and drug use advertisement pictures that are more effective than the others.
their dependence, whether it is on technology or a cultural manipulation, and proceed towards discovering self-determination and having control of their own fate.
Saul Bass and Steven Chorney are just two of the designers that tremendously influenced one of the most exciting forms of advertising and design. Both of these designers are well known for contributing unique designs to the film industry. They supplied their artistic talent by creating movie posters and title sequences, which are important because they set expectations and make an audience excited for motion pictures. Often people say the phrase “never judge a book by its cover”, but in the film industry the posters and trailers can sometimes affect the outcome of success or failure a movie has.
Stanley Kubrick is a name that has remained relevant throughout the years. Movies like 2001: A Space Odyssey, The Shining, Full Metal Jacket, and many others have made an impact on how films are made, but more importantly, the thematic elements of Kubrick’s films is what translated so well to the screen. Kubrick developed stylistic innovations in his films such as one-point perspective, realistic lighting, and distinctive dialogue. All of these stylistic strategies served to amplify the common themes found in his films that dealt with enduring issues like war, which Kubrick argued is part of human nature. Not only was Kubrick a film director who made an impact on filmmaking history, but his innovative ideas have also made an impact on society
Children of men is a dystopian film set in the year 2027. Many themes about destruction in the future are seen throughout the movie. Just like any book or film, these themes can be depicted through the setting, plot, and actions of the characters. In cinemas, however, there is opportunity to use technology. Different camera angles, sounds, and the concept of diegetic and nondiegetic aspects serve the same purpose as the literary techniques readers use to realize themes. In Children of Men, the use of tracking shots, and the different types of sound help the viewer gain an understanding of the theme of life versus death and Theo’s true purpose