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Dystopian fiction analysis
Film analysis momento
Dystopian fiction analysis
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Children of men is a dystopian film set in the year 2027. Many themes about destruction in the future are seen throughout the movie. Just like any book or film, these themes can be depicted through the setting, plot, and actions of the characters. In cinemas, however, there is opportunity to use technology. Different camera angles, sounds, and the concept of diegetic and nondiegetic aspects serve the same purpose as the literary techniques readers use to realize themes. In Children of Men, the use of tracking shots, and the different types of sound help the viewer gain an understanding of the theme of life versus death and Theo’s true purpose One specific sound that is heard multiple times in the film is ringing. This ringing is suppose to Almost every scene that occurs in Jasper’s house is diegetic. All the music heard comes from a stereo, and every character can hear it. This adds to the realisticness of the film since it represents real parts of the Jasper’s everyday life. One specific soundtrack played more than once that holds significance is this loud screaming sound. Towards the beginning of the movie, Theo and Jasper are sitting on Jasper’s couches when Theo mentions the ringing in his hears again. Jasper tells Theo that some zen music should help, but as a joke, he plays loud, screeching music. What seemed at first to be funny actually foreshadowed a scene further into the film. This type of sound is heard again after Theo brings Kee to temporary safety at Jasper’s. In the early morning when the Fishers break into Jasper’s house the alarm and the same screaming music heard earlier started to sound. This diegetic sound and precise music choice helps develop foreshadowing from the beginning to the end of the movie. Following the breaking in, Luke, one of the Fisher’s leaders, shoots Jasper. In the background a very high pitched noise is heard. This can compensate for Theo’s ringing and add to the theme of life versus death. Another high pitched ringing sound is heard as someone else close to Theo
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
In effect all the techniques mentioned above portray a society of individuals who are weary of the world they live in. They are rejects who lead a pitiful existence in a wasteland called earth because they are not fit enough to go the out-world colonies. Suppressing their own natural instincts for the sake of physically surviving they really the walking dead. Scientific progress conducted not for the best interests of humanity but for the best interests of business has effectively brought about the progressive degradation of society. By exploiting and destroying the natural world human can no more find solace or beauty so as to recuperate their weary minds and rekindle their dying spirits. In summary the techniques that are unique to film such as camera, lighting, costuming, colour and location works in conjunction with common literary techniques such as visual symbolism, irony and characterisation to effectively convey the relationship between humanity and nature.
The sounds and music in this film are very realistic, and to the point. There is not anything abstract or out of place, and everything is very appropriate. The sound effects in the film are diegetic (sounds that the actors can hear), with the score being nondiegetic (sounds that the actors cannot hear). The film falls under the category of realism, with no stylizing or manipulation of images and sounds.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
The vast majority of sound used in the film is non-diegetic, especially the musical ideas, which is
To conclude, the shower scene presents a complex compilation of both diegetic and non-diegetic sounds. This extraordinary combination is one of the main reasons the scene stands out as one of the best throughout film history. It is important to remember that sound plays a major part in the craft of storytelling, allowing the filmmakers to convey emotions to moving images which results in a deeper and more dynamic experience to an
What’s so amazing about people is the little things push people to do dramatic and outrageous things, without actually thinking about the effect of their actions, most people seem to continue to make radical decisions. The most reoccurring thing that ticks people off is the controversial decision to separate or judge someone based on what racial background they come from, this has been a huge issue for what seem like forever and honestly what seems like an never ending issue for people around the world no matter their race, sex, age, or financial background. In the film Children of Men, the entire plot is based on a pregnant immigrate whose baby is the key for a revolutionary revolt against the government. The government is the film based majority of their focus on immigration and sending people back to where they were from and taking out any terrorist that may eventually harm the well-being of people in the UK, the reason this is so relevant is because while everyone focus was immigration there was so much going on that could’ve prevented all of that from happening but because of the ignorance it just left the world even more separated than before. This film
Alfonso Cuarón’s movie “The Children of Men” depicts a catastrophic future for humanity. Although it is portrayed to show events in the future approximately the year 2027 what is interesting is that the society in which the people live in is very similar to the world we live in today. The buildings, stores, cars (although weird-looking) do not look at all fancy as one might think the future to look. Cuarón’s look on the future is not a positive, hopeful one as his movie foreshadows sorrows, miseries and gloom waiting to be welcomed into our world. His movie though does indeed go parallel with the political and societal events of today.
...violence. In the murder scenes, the non-diegetic sound provides a more dramatic effect making up for the violence of the crimes making them scenes that went around the Hays Code.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Gallagher, T. 2002. Senses of Cinema – Max Ophuls: A New Art – But Who Notices?. [online] Available at: http://sensesofcinema.com/2002/feature-articles/ophuls/ [Accessed: 8 Apr 2014].
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.