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Puritan society women
Puritan Literature in America
Puritan Literature in America
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The title of this poem, “Huswifery”, directly seems to imply that the poem would be about housework, and home life. Since this is written during the Puritan era, housework would most likely mean the business of a housewife, and what she does at home. But, this is more or less a literal interpretation of the title when being related to the poem. The main significance of the title is symbolic. It’s about how the items a housewife uses, and on how those items are used to create a relationship between the speaker and God. The poem seems to start off and end with a beginning, middle, and end. The beginning starts off with the speaker giving himself up to God to be purified from the sins he carries. The middle is the process of having the speaker being purified and having him follow God. The end depicts the final …show more content…
Taylor seems to compare himself to the spinning wheel that is responsible for creating the cloth, and has God control the wheel. This shows Taylor submitting his will to God. This shows the speaker trying to become purified and follow God’s will. When he says, "Thine ordinances make my fulling mills" he means that he wants to become purified like God, so that he can be glorified under Him. "Fulling mills,” literally means to take a dirty cloth, and clean it so that there is no more dirt on it. Similarly, this is how the speaker wants to be about his religious views. When starting off creating something with a spinning wheel, it is small. But, as time passes, in the end, the product is complete. The speaker might be trying to do the same thing with religion. His faith in God may have started off small, but as time passes, his faith in God is and increased, and is now huge. The speaker wants to follow in God’s footsteps and give himself up to Him. Another trope in this poem is symbolism. Symbolism is used when all throughout his poem since Taylor represents the cloth and the spinning wheel to his life, and
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
In the poem there are sheep and goats which in comparison are followers of god and non followers. The sheep represented people who were loyal to god, who always led the right road and if they so much sinned, they would ask god for forgiveness. Goats were people who did not have faith
Both 1984 and The Handmaid’s Tale are dystopian novels, however, these books are a lot more complex than mere portrayals of dystopia, it can be argued that they are explorations of dystopia rather than mere portrayals. In order to explore dystopia, many themes must be considered, such as; feminism, love and repression. Nonetheless, it is apparent that human characteristics are the driving point of the two novels, predominantly, the depiction of human resilience. In an imperfect world, it is important to have certain qualities which, if plentiful, it can mean success, whereas if it lacks, it can mean failure, this characteristic is resilience. The protagonists in each novel, Winston in 1984 and Offred in The Handmaid’s Tale face situations which leave them both in disarray, and both even consider suicide. The authors tentatively highlight human resilience, its limits and most importantly its strengths into the two novels.
“‘They score! Henderson has scored for Canada!’” Foster Hewitt wordlessly described” (Pelletier) when Paul Henderson scored the series-winning goal. This allowed Canada to win the 1972 Summit Series, a moment that no one would ever forget since it all happened during the climax of the Cold War. Prior to this, the Soviets had won the previous three Olympic gold metals since Canada could not use its NHL players. Thus, this provided Canada with the chance to play hockey against the USSR using its best players. This raised the question: if Canada were able to send its best players, would it still be enough to beat the Soviets? Everyone in Canada was certain that the Soviets would not win a single game, but little did they know they underestimated the extent of the Soviets abilities. Tied in the last few minutes of game eight, Canada had to score or they would lose the series. However, when Paul Henderson scored the game-winning goal, never before had a single sporting event meant so much to Canadians. Therefore, Paul Henderson’s goal is a defining moment for Canada in the twentieth century becauseit provided Canada with the opportunity to evolve hockey, proved that Canada and our democratic society were superior to the USSR and their communist society, and brought citizens together to unify Canada as a nation.
last, which is four lines. In the first three stanzas, the poem is told in
With thanks to Sherry Morris, author of Junee: A Thematic History, a report compiled for the Junee Shire Wide Community Based Heritage Study Committee, Unpublished
The Hunger Games was a critically acclaimed movie when it came out; however, some critics would argue that the movie can be sometimes too violent for its intended audience. In this essay I would dissert Brian Bethune’s essay “Dystopia Now” in order to find its weaknesses and compare the movie Battle Royale with his essay.
Stanza three, lines one through four state "Lord, make my Soule thy Plate: thine Image bright/ Within the Circle of the same enfoile./ And on its brims in golden Letters write/ Thy Superscription in an Holy style." It seems that, more than anything, Taylor wants to be as godly as possible, and reflect His image. He goes back to being 100% faithful to God when he says he wants his soul to be God's plate, or coin. Then in Stanza three, lines five and six it says "Then I shall be thy Money, thou my Hord:/ Let me thy Angell bee, bee thou my Lord." It reciprocates the idea that Taylor wants to be God's money, or chosen worker, but then it takes a turn not mentioned in the rest of the poem. It states that he wants God to be his "Hord". Although the meaning is not totally clear, Taylor seems to imply that, not only is he God's laborer, but God is storing up treasures in heaven for him through his work. This is what we as Christians should strive to do in this life.
In the first line, Edward Taylor asks that God be the master spinner behind his spinning wheel self which indicates his desire for the Lord to take control of his life and to use that life to create what He will. He then expounds upon this idea by incorporating many of the parts of a spinning wheel into the analogy. Taylor asks that all that he believes come from the Holy Word (his distaff) and that all that he longs for be kept in line with the Lord's wishes by His "swift flyers". He wants his conversation to spring forth from that which the Lord is creating in him, just as the thread, once spun, does not change in nature as it is wound around the reel. Essentially, in this stanza, he is saying: Lord, take me and mold my heart for I am Yours.
He mentions his tears in the next lines showing that he is remorseful of his previous thoughts. He wants for his wrong actions to disappear and for God to forget about them, hence his desire to drown his sins from memory. The speaker begs God for forgiveness of his terrible acts of sin that he has committed. In the final lines of the poem, the speaker asks for God to forget his sins. He wishes that his Lord would have mercy on him and not count his sins as debt. Like Adam and Eve, the speaker has rebelled against the Lord by sinning. However, he wants to to conform to the Holy ways of his religion and his God which is why he apologizes and begs for forgiveness. He might have once thought that it was okay to rebel against the Lord but now feels that he must conform to the rules and regulations that his God has set forth because he wants to go to Heaven. He wants his afterlife to be with his creator and be happy as opposed to being in a miserable afterlife in Hell. When the Speaker says, “some claim as debt; I think it mercy,” (Donne 425) he is rebelling against the normal thoughts and beliefs of people that surround him and Christians that are supposed to have the same views as him. He is stating the popular opinion, and then stating his right after, showing the contrast in the two beliefs, which reveals the element of
foundation of the ideal Christian. For example, when asking God to “Make me thy loom then, knit therein this twine: And make thy holy spirit, lord, wind quills” (Taylor 101), Taylor offers to surrender himself to God, so God can use him as the foundation of his masterpiece. Even as Taylor asks God for his spiritual help, his life is in the process of transformation through God's holy word. Then, by choosing to begin the poem with “Make me, O Lord, thy spinning wheel complete”(Taylor 101), Taylor emphasizes his desire for God to use him as that foundation to then transform him into a tool for righteous conversion. While claiming, “My conversation make to
The different rhyme schemes in each stanza (first four lines: abab; next four lines: cdcd; last five lines: eeffgg) helps create a sense of joy and amusement in the poem. A metaphor is used to imply that humans “mirror” God. There is alliteration in lines 4-5 and in “fickle fruit”, adding to the joy of reading the poem. Another literary device found in this poem is an allusion towards a character from Greek mythology by the name of “Sisyphus”, in connection to God’s affliction and to the poems implication that it is a hard world. God is viewed as a symbol of equity, and is depended on as a savior. There are numerous shifts in how complex or simple each line is, adding on to the climax of his notions. The poem ends with irony, with the line “Yet do I marvel at this curious thing, To make a poet black and bid him sing!” which accentuates the contradistinction of the disability of Sysyphus and the ability of a black poet. The speaker also utilizes a metonymy when he refers to humans with “flesh” reflecting
The poem begins with a woman luxuriating in "complacencies of the peignoir, and late coffee and oranges in a sunny chair," while "the green freedom of a cockatoo" mingles with the coffee and oranges "to dissipate the holy hush of ancient sacrifice" (1247). The failure-or refusal-of the woman to attend church on a Sunday morning, but to instead stay home and enjoy the ordinary, yet somehow transcendent pleasures of an ordinary, yet somehow transcendent morning signals the break with the God of Palestine; the dreaming return "to silent Palestine" manifests the internal struggle over such a break. The second section portrays the argument with a second, probably masculine voice that asks, "Why should she give her bounty to the dead? Wh...
The poem opens abruptly as the speaker demands the "three personed God" (1), or the Christian Trinity, to "Batter [his] heart" (1) in order to "make [him] new" (4). The speaker's imploring plea for God to "o'erthrow" (3) and "break" (4) him, materializes the speaker, presenting a metaphor that compares him to an inanimate, factory product of God, the inventor. Like an inventor's creation, the speaker can be dismembered and rebuilt by his creator to produce an improved model. The speaker's longing wish to "rise, and stand" (2) exposes the hopelessness of his current state, and creates the image of a crumpled man, overwhelmed with the weight of his past.
Several themes exist in the poem, including death, old age, family bonds,and the shortness of line. The shifts in the poem happens at the beginning and the end of the poem. The first of the two shifts is between the first and the second stanza where the speaker moves between making the statement that that all men should rage against death to discussing the ways that various men approach death. I mentioned the second above, where in the sixth stanza the author’s tone moves into a pleading rather than authoritative tone. The emotional appeal for the father to fight just a bit longer is for more touching than the other five stanza appeals.