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Essay Interpreting "One Art" by Elizabeth Bishop
In "One Art" by Elizabeth Bishop, the speaker's attitude in the last stanza relates to the other stanzas in verse form and language. The speaker uses these devices to convey her attitude about losing objects.
The verse form in "One Art" is villanelle. The poem has tercet stanzas until the last, which is four lines. In the first three stanzas, the poem is told in second person. "Lose something every day." seems to command one to practice the art of losing things. In the three stanzas, first person is used, and the speaker relates how she "lost her mother's watch" and other life incidents.
However, the speaker addresses her beloved "you," and then in the last line, herself. Language in "One Art" is simple, yet many literary devices are used. The last line repeated, to the effect of "The art of losing isn't hard to master" suggests that the speaker is trying to convince herself that losing things is not hard and she should not worry. Also, the speaker uses hyperboles when describing in the fifth tercet that she lost "two cities...some realms I owned."
Since she could not own, much less lose a realm, the speaker seems to be comparing the realm to a large loss in her life. Finally, the statement in the final quatrain "Even losing you" begins the irony in that stanza. The speaker remarks that losing this person is not "too hard" to master. The shift in attitude by adding the word "too" shows that the speaker has an ironic tone for herself in her loss or perhaps her husband or someone else close to her.
Language and verse form show in "One Art" how the losses increase in importance as the poem progresses, with the losses in lines 1-15 being mostly trivial or
The idea that art can be a service to people- most importantly a service to poor and disenfranchised people is one that may be disputed by some. However, Elizabeth Catlett and other artists at the taller de Graffica Popular have proved that art could be made to service the poor. Catlett in particular is someone who has always used her art to advocate for the poor and fight injustices. While her activism and political views were very impactful, they were also very controversial. Catlett`s art and activism influenced African American and Latin American art by changing the narratives of Black and Brown working class women. In their books titled Gumbo Ya Ya, The Art of Elizabeth Catlett, African American Art: The Long Struggle, and Elizabeth Catlett: Works on Paper authors Leslie King-Hammond, Samella S. Lewis, Crystal Britton, Elizabeth Catlett, and Jeanne Zeidler speak of the work of Catlett. In a paper titled -----, ---- also speaks of the work of Elizabeth Catlett and her legacy as an activist.
... her true feelings with her sister, or talking to her husband or reaching out to other sources of help to address her marital repressed life, she would not have to dread living with her husband. “It was only yesterday she had thought with a shudder that life might be long” (Chopin 262). Her meaning for life would not have to mean death to her husband. In conclusion, her lack of self assertion, courage and strong will to address her repressed life made her look at life and death in a different perspective. When in fact there is no need to die to experience liberation while she could have lived a full life to experience it with her husband by her side.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
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In relation to structure and style, the poem contains six stanzas of varying lengths. The first, second, and fourth stanzas
"Although the poem was cast, in all of Dickinson 's fair copies, into six stanzas, its rhyme shapes it into three parts, rhyming (except for lines one and two) aabccb".
One Art by Elizabeth Bishop is a poem that explores loss in comparison to an art; however, this art is not one to be envied or sought after to succeed at. Everyone has experienced loss as the art of losing is presented as inevitably simple to master. The speaker’s attitude toward loss becomes gradually more serious as the poem progresses.
She also lost a loved one, whom in this poem is theoretically referring to her Brazilian lover Lota de Macedo Soares who attempted suicide, the day Bishop left Brazil to move back to New York, and died a week later. In the poem “One Art” the thesis statement declared in the first stanza, on the first line as “The art of losing isn’t hard to master” also repeating it again in line 6 and 12. The statement is better interpreted as “The skill of losing is not hard to attain”. Bishop speaks in the poem as if she has successfully mastered the skill of losing. She also goes around in circles admitting that the art of losing is not hard to master as if that is what she is making herself believe is true. She is also helping the reader create a habit as the reader reads and repeats the refrain of “The art of losing isn’t hard to master” not to mention the line 4 where she tells the reader to make it a habit to, “Lose something every day”. The poem becomes personal on line 10 when she uses first person and says “I lost my mother’s watch”. She is letting the reader know what she has lost in reality. Then she gets sidetracked to mention other things she has lost she then mentions other things she has lost of much more importance such as houses, continents, realms, and cities but then again mentions it was not so
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