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Critical analysis of the poem yet do i marvel by countee cullen
Tableau countee cullen poem structure
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The poem “Yet Do I Marvel” by Countee Cullen is a monologue in iambic pentameter which introduces the theme of a good God that lets the world suffer, but highlights how God can turn anything into something more than it appears to be. It starts off with the speaker reassuring himself that God is nothing but virtuous despite how the world is filled with hardships. He goes on to accept that everything must die, and that sometimes that means torture and struggle. Regardless of the unimaginable, God finds a way for justice, and surprises the speaker with a sense of superiority as he allows for him the respect he never received. There is no setting in this poem, since everything is coming from the speaker’s thoughts about God, the world and himself. A theme that …show more content…
the poem contains is religion, because the speaker expresses that God is good and that he has a mysterious way of having things happen, despite all the wrong in the world. Another theme that this poem contains is race. In the last line of the poem, it is mentioned that the poet is black. Regardless of stereotypes, the line “to make a poet black, and bid him sing!” implies the surprise of a poet being black in a world where black poets are scorned, increasing belief and faith for the speaker.
The different rhyme schemes in each stanza (first four lines: abab; next four lines: cdcd; last five lines: eeffgg) helps create a sense of joy and amusement in the poem. A metaphor is used to imply that humans “mirror” God. There is alliteration in lines 4-5 and in “fickle fruit”, adding to the joy of reading the poem. Another literary device found in this poem is an allusion towards a character from Greek mythology by the name of “Sisyphus”, in connection to God’s affliction and to the poems implication that it is a hard world. God is viewed as a symbol of equity, and is depended on as a savior. There are numerous shifts in how complex or simple each line is, adding on to the climax of his notions. The poem ends with irony, with the line “Yet do I marvel at this curious thing, To make a poet black and bid him sing!” which accentuates the contradistinction of the disability of Sysyphus and the ability of a black poet. The speaker also utilizes a metonymy when he refers to humans with “flesh” reflecting
God. All in all, the speaker has immense faith in God because he has been good to the speaker, gifting him equality and fairness in the world.
Examining the literary terms used in this poem, one should mention alliteration first. It is used in the following line: “There are those who suffer in plain sight, / there are those who suffer in private” (line 1-2). Another literary device,
The use of anaphora is prominent in the poem as each stanza is initiated with the same or similar phrase. The second through eighth stanza begin with the words, “I see them,” this is to show the speaker’s sympathy for the slaves and the horrible lives they were given. He feels as if he is his great-grandfather and is responsible for the abhorrent crimes he committed. Berry then changes the phrasing to, “I know” signifying that he empathizes with the slaves, finally saying, “I am” showing that he feels similar to a slave. This anaphora shows the struggle of being a descendant of an evil person, the speaker’s inner demons make his life full of shame and guilt for the actions of his ancestors.
The first stanza incorporates a lot of imagery and syntax. “A toad the power mower caught,”(line1). The use of syntax in the very first sentence is to catch the reader’s attention and to paint an image for them. The stanza goes on to talk about how the toad hobbles with it’s wounded leg to the edge of the garden, “Under the cineraria leaves”(line4). The speaker uses the word cineraria, which is similar to a cinerarium, a place where the ashes of the deceased are kept. By using this, the speaker further illustrates the death of the toad. “Low and final glade.”(Line6) this line is like a metaphor for the dying toad, the final rest for the toad could be the final glade. In the first stanza it seems as if the speaker is making fun of the dying toad saying the garden sanctuaries him as if he were a person. The opening line even seems a bit humorous to the reader. The following stanzas also have a tone of sarcasm.
The purpose of Saenz using metaphors in this poem is to allow the reader to understand the spiritual thoughts of the speaker. Meaning it is used to show that the speaker has a yearning for god. For example it says, “You are thirst and thirst is all I know” (Saenz, 691). It is easy to think that the speaker is referring to his biological thirst for water. However, what is actually being expressed is the speaker’s “thirst” for a connection with god. Saenz’s word choice in his metaphors is a satisfying technique used by many poets in today’s literary world. It seems as if Saenz chooses words that can be portrayed and have two different meanings thus it requires readers to dig deeper into the underlying message. In the poem it says, “I was born for you, above, below, by you, by you surrounded” (lines 9-10, 691). The word choice of that metaphor is showing that the speaker is speaking to god and is showing a physical side and his desire for god in his life. Without Saenz using metaphors, it would not be easy for readers to relate and understand as to what his true meaning of the poem
Every poem constructs a perception for every reader and most readers will have a different outcome from one another. In How To Be Drawn by Terrance Hayes, the author adds many hidden messages and symbols in the poems for the readers to uncover, and in many times it tends to be difficult. It takes a lot of examination to reveal what the speaker or author is trying to assert. Hayes’ uses many social and historical references such as racism into his poems to depict the anger within the speaker. One of the many themes that prevail in many of his poems is a sense of being trapped such as the poem, “Like Mercy”. The message that Haye’s is trying to portray in the poem is, of a priest serving God, but not agreeing with God at times causing him to
The characters of the poem are also some very meaningful keys in showing the hidden meaning. The first stanza describes the crowd that has gathered to watch the enactment of our human lives. Lines three and four states "an angel throng, bewinged, and bedight in veils, and drowned in tears." Poe is stating that a group of angels is going to watch the spectacle put on for them, although they are already drowning in the tears from plays before. The orchestra that plays for them is another set of characters that have meaning. They represent the background in everyone's life by "playing the music of the spheres." A third set of characters that show hidden meaning is the "Mimes, in the form of God on high." They denote the people that inhabit the earth. Poe describes them as "Mere puppets they, who come and go at bidding of vast formless things." The vast formless things are the ideas that we have. Ideas like the things that we think we have to do for ourselves to survive and succeed. They also make up drama of the play. A final, prominent figure in this dramatic performance is the conqueror worm. Poe illustrates it as "a blood-red thing.
Nature, that washed her hands in milk” can be divided structurally into two halves; the first three stanzas constitute the first half, and the last three stanzas make up the second half. Each stanza in the first half corresponds to a stanza in the second half. The first stanza describes the temperament of Nature, who is, above all, creative. This first stanza of the first half corresponds to stanza four, the first stanza in the second half of the poem. Stanza four divulges the nature of Time, who, unlike Nature, is ultimately a destroyer. Time is introduced as the enemy of Nature, and Ralegh points out that not only does Nature “despise” Time, she has good reason for it (l. 19). Time humiliates her: he “rudely gives her love the lie,/Makes Hope a fool, and Sorrow wise” (20-21). The parallel between the temperaments of Nature and Time is continued in stanzas two and five. Stanza two describes the mistress that Nature makes for Love. This mistress, who is made of “snow and silk” instead of earth, has features that are easily broken (3). Each external feature is individually fragile: her eyes are made of light, which cannot even be touched, her breath is as delicate as a violet, and she has “lips of jelly” (7-8). Her demeanor is unreliable, as well; it is made “Only of wantonness and wit” (12). It is no surprise that all of the delicate beauty Nature creates in stanza two is destroyed by Time in stanza five. Time “dims, discolors, and destroys” the creation of Nature, feature by feature (25-26). Stanzas three and six complete the parallel. In the third stanza, the mistress is made, but in her is “a heart of stone” (15). Ralegh points out that her charm o...
I believe that the structure of this poem allows for the speaker to tell a narrative which further allows him to convey his point. The use of enjambment emphasizes this idea as well as provides a sense of flow throughout the entirety of a poem, giving it the look and feel of reading a story. Overall, I believe this piece is very simplistic when it comes to poetic devices, due to the fact that it is written as a prose poem, this piece lacks many of the common poetic devices such as rhyme, repetition, alliteration, and metaphors. However, the tone, symbolism, allusion and imagery presented in the poem, give way to an extremely deep and complicated
He is almost sleeping while doing this. This creates a very powerful visual image. It epitomizes how the people left to grieve act. Many people stricken by death want to be left alone and bottle themselves up. The first few lines of the poem illustrate how deeply in sorrow the man is. This image should affect everyone. It should make the reader sympathize or even empathize with the man. Another main way he uses imagery is through the black bird or the raven. The presence of the bird is a bad omen. It is supposed to be followed by maleficent things. The bird is used to symbolize death figuratively and literally. The bird only says one word the entire poem. It repeats “nevermore.” This word can be interpreted multiple ways each time it is said. It is also possible that the bird is not talking. It is possible that the bird is an image created by
The title of the poem is an indication that the reader should prepare himself or herself for some sort of spiritual experience. Whittier uses the word "worship" to title his poem because by the end of the poem the reader will learn that there is much more to the natural world than water, land, and sky. The poem starts with the birth or creation of nature. Whittier explains to his readers that the natural world has existed since God created it. He compares the creation of nature to music. This stanza is very appealing to the senses because nature is musical. The insects, winds, and birds are all a part of this "song" that "has never died away". The poet reminds readers of this very important idea because we as humans have a tendency to forget the value and importance of nature. The second stanza takes readers beyond the initial creation and introduces readers to the many purposes that nature serves. Whittier explains that "prayer is made and praise is given." Personification is an important tool used in this poem. Obviously nature cannot really pray or give praise, but the various functions of nature in this world give the illusion that it does pay homage to a higher being. For instance the lines in the second stanza, "The ocean looketh up to heaven, /And mirrors every star" says that the ocean is a mirror for heaven. If we look into the deep sea, we are in essence looking into a reflected image of heaven. Other instances when Whittier uses personification in this way are the first and second lines in the third stanza, "Its waves are kneeling on the strand/As kneels the human knee". Whittier tells his readers that just as man bends his knee to show respect to God so the ocean waves bend when they reach the shore as a sign of respect.
in the first line of this stanza when she says “ I’m a black ocean, leaping and wide” i believe whats she is trying to explain is that she feels powerful just like the ocean and she can surfaces the earth feeling capable of defeating all her difficulties. Her use of metaphor was expressed very effectively because it allows us to understand her pain and it also allows us to acknowledge why she is writing this poem. She does not want someones words to break us and wants us to understand that we are in charge of our own happiness.
The rhyming scheme throughout, while present, and impactful on its own, is irregular and patchy; the structure is a "corruption" of a sonnet, a form often used in poems romanticising the war. This creates a very strong sense of chaos, and the idea of him "rebelling" against these poems that had come before. Aside from the rhyming scheme, the poem is also actually one line short; this is likely to add effect to the "O Jesus, make it stop!" of the line before, implying that it was "cut short" here. Whether this refers to a soldier narrating the poem falling, or Sassoon, possibly convalescing in hospital, shaking himself out of his trance, is up to interpretation. This last line especially is very memorable, creating a strong, lasting impression on the reader.
Consider the opening line, “Thou blind man’s mark, thou fool’s self-chosen snare…” Such nonsensical descriptions reflect the speaker’s nonsensical impression of desire. Sidney has opened the poem with such lines to emphasize the complicated and rather backward nature of that feeling called desire.
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
...za there is personification in the line, “the vapors weep their burthen to the ground”. There is also a sense of irony with, “man comes and tills the field and lies beneath” because its humans working the land for crops that help them survive, only to be buried beneath it when they pass away. In the second stanza, the God granting his wish is described by the smilie, “Then didst thou grant mine asking with a smile, like wealthy men who care not how they give”.