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European perception of Africa
Stereotypes of africa
European perception of Africa
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Dennis O’Rourke’s documentary “Cannibal Tours”, filmed in 1988, is based on the experiences of European tourists as they traveled through Sepik River valley in New Papua, Guiana. In the documentary, at first it appears to be that the westerners want to learn more about the culture of the natives of the land to better understand their ways of life. Yet, as these tourist begin their journey they are surprised that the native’s culture is different from their own. The tourists begin to believe that the natives were ‘poor’ and ‘uncivilized’ in comparison to them, all by European standards. On the other hand, the natives were used to a much simpler way of life from the westerners, a life not rich in materialistic things but in culture, agriculture …show more content…
and custom. Through this discussion, the experiences of the Europeans and the natives can be further analyzed in accordance to the themes of ethnocentrism and cultural relativism, which can be both seen on throughout the documentary. Ethnocentrism is the judgment of another's culture through the lens valuing of one's own culture (Chap 2 “Culture”, pg.7-8).In various scenes through the film, the viewer can see how the Europeans behave in a matter which can be labeled as ethnocentric. The notion that the natives are ‘uncivilized’ being one. Also the emphasis that the Europeans played on the native’s language, behavior, custom and religion, all which was different from their own. Instead of embracing and trying to understand the natives, the westerners automatically begin to view them as if they are beneath them.The Europeans believed that they are more civilized in comparison to the people of the Sepik, they begin to feel the need to ‘civilize’ the natives. Cultural Relativism is the belief that no culture is to be seen better than another, and that there shall be equality for all.On the other hand,the Europeans disrespected and made judgments on the behaviors of native through out the film.In a scene an elderly westerner states, “in a way…they don’t really live” and as well “yes, there way of life…it’s primitive”.
I personally feel that this is a great example to show evidence on the existence of cultural relativism in Cannibal Tours.It is very sad to see the westerners disrespecting the natives culture, as for cultural relativism expresses to do the opposite of …show more content…
ethnocentrism. The Europeans spend their time exploring the natives land as if it is a favor to the poor villagers. In various scenes in the documentary the viewer can see the Europeans making fun of the language, behaviors, customs, and religion of the native people. In one of the scenes a tourist introduces cologne to a native. Not knowing what this was the native begins to apply the product all over his face. As a response to the native’s actions, the tourist begins to laugh instead of showing him the appropriate way of using the product. Another scene that I found to be not only offensive but also damaging, is in the episode where the female tourist asks one of her companions to take a photo of her with the native children who were nude.Taking advantage of the natives not knowing that in accordance to the tourist standards, walking around nude is viewed as not only uncivilized but also as being a savage. Furthermore, in the documentary there is an elder male native who informs us of the colonial time where the Germans entreated to make the primitives civilized, and changed their entire lifestyles in common to the western culture. “When the tourists come to our village, we are friendly towards them,” "They like to see all the things in the village. We accept them here"(Cannibal Tours, O'Rourke). As watching this scene I felt as if the natives had no control over the tourist invading their land.Although, the natives charged 50 cents a photo, they didn’t clearly understand why the Europeans took photos of them, and why they found their lifestyles so amusing. In another scene a female native say, “Tourist! I’m tired of them” (Cannibal Tours, O’Rourke). She felt that all of these tourists take photos of her shell necklaces but don’t purchase anything. She constantly states in movie that these tourist have money, but we are poor people that are making a living from these artifacts. The villagers were just fed up of the bargaining of the westerners.One of the main key point constantly stressed in this film is the struggle westerner face in getting a sense of the once upon a time primitive society, that now prevails in an alternation. I can personally relate to this film because I have traveled to my country and felt like a tourist as well.I traveled to Afghanistan during summer break on my 18th birthday.Returning after so long,I realized how different the people and the lifestyle was there.I was born in Afghanistan and came to the united states at the age of 3 years old.
When I went back at the age of 18, I had a moment of irony as I got to differentiate my life in the United states in comparison to back home. I took tons of pictures to portray the culture of villagers and special housings. I realized that the people didn’t really like being photographed as similarly shown in Cannibal tours.Some women even try to hide their faces, but others didn’t react much as if it was normal everyday life for them.As watching Cannibal Tours I thought of my experience traveling to Afghanistan, therefore i related it.
In conclusion, i believe that the film “Cannibal Tours”, creates a discussion for us to interrogate the Europeans and how they portray tourism to the people of Sepik. Ethnocentrism and Cultural Relativism are themes which can still be witnessed today. The main purpose of this film was to portray how ignorant and disrespectful the westerners were towards the natives culture and beliefs.Therefore, I believe that the film educates us to better understand and respect others and their cultural
beliefs.
In the book “Sacred Rice” author and anthropologist Joanna Davidson delves into the life of Jola farmers in west Africa and explores how rice plays an important role in their lives. She uses storytelling, often personal in nature to demonstrate how rice plays a vital part not only in the gastronomical aspect in the lives of people in north-western Guinea-Bissau but also in their social, cultural, economic, religious and political aspects.
Thomas More’s “Utopia”, Bartolomé de Las Casas’s “Destruction of the Indies”, and Michel de Montaigne’s “Of Cannibals” have the commonality of discussing mysterious territories which have certain conditions in several aspects of life which their present audience is unaware. The three authors describe foreign places with vastly different values and social standards, but they all describe the treatments or relations of the indigenous people by Europeans and outsiders, as well as the natives’ reaction to these treatments. More, Las Casas, and Montaigne reveal their personal views through descriptions of the different groups of indigenous people, and all suggest that their “advanced” societies are not necessarily better than those with different
With her time with the Wari’ in South America, Conklin expected to learn more of how illnesses affected varying cultures. In the end she found herself studying a whole differing topic with one of the few remaining societies that could remember back when they practiced both endo- and exo- cannibalism. While with the Wari’, Conklin managed to connect the practice of cannibalism to the burials of the rest of the world. Overall she does meet her intended purpose of studying the culture while learning more about their varying cultural norms.
Wade Davis’ article, Among the Waorani, provides much of the content brought to light in Nomads of the Rainforest. His article delves deeper into their culture and motivations allowing one to more fully understand their beliefs, relationships, and savagery. Both the documentary and article attempt to create a picture of their close-knit relationships and their desire f...
In the book titled Around the World in 30 Years, Barbara Gallatin Anderson’s makes a precise and convincing argument regarding the acts of being a cultural anthropologist. Her humor, attention to detail, and familiar analogies really allow for a wholesome and educating experience for the reader. Her credible sources and uniform writing structure benefits the information. Simply, the book represents an insider’s look into the life of a cultural anthropologist who is getting the insider’s look to the lives of everybody
Environmental advocate and cofounder of Eatingliberally.org, Kerry Trueman, in her response to Stephen Budiansky’s Math Lessons for Locavores, titled, The Myth of the Rabid Locavore, originally published in the Huffington Post, addresses the topic of different ways of purchasing food and its impact on the world. In her response, she argues that Budiansky portrayal of the Local Food Movement is very inaccurate and that individuals should be more environmentally conscious. Trueman supports her claim first by using strong diction towards different aspects of Budinsky essay, second by emphasizes the extent to which his reasoning falls flat, and lastly by explaining her own point with the use of proper timing. More specifically, she criticizes many
Cruel acts that the other characters committed in McCarthy’s book may not be cruel in this new world that these characters suffer through. Cannibalism is an unacceptable act in our culture and is by far one of the most cruel acts that can be committed, but in this book it is a means of survival, so is that so cruel. Cruelty is different in this book because the only way to survive is to be cruel to someone else. There are many cruel topics in this book like theft, rape, killings, and cannibalism. These can be taken as cruel affairs, but in this book it is survival of the fittest and the people willing to do what it takes to survive are the fit.
After the Second World War mass tourism has increased worldwide and has affected almost all countries. Mexico has become a ‘major tourist destination’ and also ethic tourism has taken off, because tourists became more interested in the indigenous cultures and search for authenticity. Nowadays ethnic tourism makes up ‘10% of Mexico’s tourism sector’ (Van Den Berghe 568). This essay will especially examine the commoditisation of the Maya identity; Maya was ‘a highly developed Mesoamerican culture centred in the Yucatán peninsula of Mexico’ (McKay et al 307). Over the last two decades Western tourists have become interested in Indian cultures, traditions and artefacts and they would like to see ‘living Maya culture’, therefore tour guides, tourees, middlemen and artisans have started to work in the ethnic tourism sector. According to Medina ‘The commoditization of culture for tourism may involve the utilization of new channels to access cultural traditions of great antiquity’ (354). To illustrate this: only 20.5% of the inhabitants of San Jose Succotz identifies with the Maya culture (Medina 360). Maya culture is less available through lived experience, because Maya languages and rituals disappear, therefore villagers working in the ethnic tourism sector have to gain knowledge by utilizing other, new channels. Ethic tourism often develops around archaeological sites; tour guides will take tourists to Maya ruins and transfer knowledge that they had gained from the ethnographers, archaeologists, and epigraphers (Medina 362). Some people argue that this ‘staged culture’ is not similar to the ‘authentic culture’. It might be possible that the culture transferred to the tourists at the moment is different from the way Mayans used to do. H...
appeals to pathos by eliciting the feelings of bitterness and inhumane treatment of animals. The film shows all the meat factories where all the animals are mistreated and most are left to die if they aren’t “good enough.” Workers are shown throwing and abusing the chickens as they are being sent to the slaughter house. This gives the audience a sense of fear and outrage as it implies how the food industry is corrupted. Juxtaposes, Americans are able to oppose the sinister side of the food industry not only for themselves but also for the animals.
The “stranger” as defined by Montaigne’s essay is the Europeans who ignorantly consider their society to be the center and apex. To the cannibalistic natives who operate a society that is much more primitive than the Europeans and who are concerned with the mere rudimentary aspects of life, the European society is peculiar. The Europeans “consent to obey a boy” (p.240) and have extreme social injustice where “...
At a surface level the native people of Nacirema are foreign, barbarous, and outlandish. Scenes of cosmetic torture and life-threatening practices instill a sense of recitation and awe in readers of Western values. This is exactly what author, Horace Miner, intended in his essay, Body Ritual Among the Nacirema. His critique of Western culture, specifically the United States, is apparent in several aspects beyond the one-layer deep reverse-spelling of “American”, Nacirema. Miner opens the door for discourse on Eurocentrism by his critiques via extended metaphors of physical vanity, medical obsession, and fixated materialism.¬¬¬
...nicity and the primitive’s cosmos: Chronoscopes of desire in travel writing about Korowai of West Papua. Journal of Linguistic Anthropology, 21(1), 1-21.
The aim of this essay is to carefully examine the existing resources of tourism within the destination their potential and weakness, SWOT and PEST analysis, statistics of tourist visiting and comparing those numbers and their demographic factors so on. Moreover the objectives of this essay is to discuss and me...
Film induced tourism has grown in every aspect around the globe whether its because of the curiosity of the people to indulge in this kind of tourism or just being a part of the artificial world. Then it comes to define film tourism many authors have different views, according to Hudson and Ritch (2006a), it is describe as people visiting places which are directly influenced by films to see the landscapes, building, places as it was shown on TV, advertisement or in cinema screen. In addition to the meaning above for film induced tourism, Riley & Van Doren, (1992) further added that people visiting these places may be overwhelm with the romantic gaze of the place, and feel emotionally attached to it and also with the focal points of the film such as actors and their attributes, where they used to live, themes, social patterns and so on. However this essay will also discuss the originality of film tourism and its implications towards the destination and how it effects the local culture and community.
Firstly, when tourists go to different destinations, they must try to find the local typical food or wine, people always want to try the unique things. And some countries are famous for some typical food, for the reputation, people must want to try. For instance, Fish and Chips from the UK, Sushi from Japan and so on. When the tourists try local food, it is also a communication of different culture, they can find the difference between different cultures. Such as some Asian countries use chopsticks to eat, and some countries use knives and forks to eat. It is a type of cultural exchange and shock. From other side, food and wine can also improve the imagination of the destination, so that may attract more tourists come to visit. Namely, as we mentioned in the report before, the French wine, Germany Beer Festival, fish and chips from the UK and Sushi from Japan, those are all some of the motivations of the tourists. It is worth mentioning that there are some people who are employ themselves in jobs related to the food and wine industry, they are a main group of people who may go to the destination because of the famous food or wine. But what we can not denied is there are some negative cultural impact in the meantime. Sometimes when people go traveling, there is unavoidable chance for them to meet some unprofessional restaurants or bars. Those unsatisfied experience may make them feel upset on