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Critical analysis over starry night
Critical analysis over starry night
Critical analysis over starry night
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For this assignment I am choosing these two paintings: Starry Night by Vincent Van Gogh and the Last Supper by Leonardo Da Vinci. These two painting use two different types of paint. Starry Night uses oil painting and the Last Supper uses fresco, each type of paint has a different use and has a different type of look.
Fresco is a type of wall painting like the Last Supper is, there are two types of frescos. There is buon fresco, this type of fresco is done while the plaster of the wall is still drying this way the plaster absorbs the pigments of the paint. But the artist must paint quickly because of the drying wall. The second type of fresco is fresco secco or dry fresco and this is what type of fresco the Last Supper is. This type of fresco is done after the wall has dried allowing the artist to take as long as they need. But the wall being dry and not allowing the paint pigments to absorb into the wall causes the painting to flake over time. This painting has a great meaning behind it. This is the last supper of Jesus Christ before his crucifixion. This paint displays Jesus and his
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This type of painting uses linseed oil as a binder in the paint. Oil paint is very slow at drying which allows the artist to come back the next day to make corrections to the painting without putting fresh paint on the canvas. Giving the artist more control over these types of paintings than others. Most of the artists that use oil paints use thin layers of what is called glaze to build up the color on the painting. Oil paintings also make it easier to add texture to the art work as well. In the Starry Night, Vincent Van Gogh uses oil paints to create this master piece. He also uses abstract which is where realistic things look unrealistic giving them different forms as well as colors. This painting was completed in 1889. The painting was the view that Van Gogh had outside of the window he worked out of when he was put into an
are depicted with the same degree of variation. To understand such a diverse set of paintings –
Fresco began in the thirteenth century at the time of Renaissance in Italy. This period is the culmination of the European mural art, many famous artists are involved in this exploration to create, the art of mural has been an unprecedented increase. The School of Athens and The Last Supper both are representational works of the Renaissance, have obvious similarities on perspective in composition. This essay will compare these works in the aspects of content, composition techniques and conception.
The compositions that each piece displays is different and prestige in its own right. Flemish panel painters were largely influential and created extraordinary developments in composition. The artwork tends to be very detailed and filled with symbolic meanings from surrounding objects or even coloring. Jan van Eyck was especially credited for paying exceptional attention to detail that creates such a realistic form, the figures seem lifelike. Much of this realistic appearance is due to the medium that was widely used in the North. The use of oil paints and techniques, such as finer detail with smaller brush strokes and layering of oil paints to create a glaze, were used and developed giving the Northern art distinct characteristics and composition. Italian painters created frescos by applying pigments to wet plaster. The result is a dull, flatter color and they were unable to achieve intricate detail. The com...
The paining ‘Starry night’ was made when Van Gogh was in a mental asylum after he had an episode that resulted in him cutting of his own ear. The painting depicts the view from his asylum room, which Bennett could incorporate into his feeling of being trapped in a society that doesn’t accept him.
Leonardo’s version of the Last Supper was painted El fresco depicting the scene passively without emotion. The work has the supper table horizontal across the lower third and Jesus and his twelve disciples dining behind it, before a backdrop of both man made structure and natural landscape. The artwork is un-cluttered and simple. The lighting is subtle and non-dramatic. Colour is conservative and dull this is partly due to the limited paint available and the technique and decay of fresco painting. The wor...
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
himself through his mediums. He used oil on canvas for his medium in this painting. There are
Leonardo’s da Vinci’s “The Last Supper” is a very famous and worshipped oil painting. It was a Renaissance masterpiece full of perspective. Leonardo da Vinci was commissioned to paint “The Last Supper,” his technique and style, however, were entirely up to him. The setting of the painting was the refectory, the dining hall, of the Monastery of Santa Maria delle Grazie in Milan, Italy. The painting portrays Leonardo’s visual interpretation of the night before Christ was betrayed by one of his disciples. Christ called his disciples together to eat and tell them that he knew what was coming.
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
In this essay will be talking about and comparing between the traditional painting Starry night by Vincent Van Gogh and the digital movie poster for Midnight in Paris designed by the company Cardinal Communications USA. Starry Night is an artwork that was painted in 1889 in an asylum at Saint-Remy-de-Provience, France while the Midnight in Paris poster is digitally made somewhere in the USA by someone in that company sometime in 2010. While both these artworks are very different, they have some similarities.
But, when they were made no one gave them any recognition until time had passed for the artist. Pollack painting got famous a year later from his painting review when a life magazine article featured Pollock. His arms crossed and had a cigarette dangling from his lips, standing in front of one of his swirled, caffeinated images. What was written the caption of the photograph asked, “Is he the greatest living painter in the United States?” A powerful art critic named Clement Greenberg insistence that Pollock’s work represented a new, authentic American art. After that Pollock’s success was achieved over a period of years of making gesture, line, texture, and composition the very subject of his canvases. Van Gogh didn’t receive any recognition from his art-work on “The Starry Night,” or any of his piece of art until after his death. After many years later painters where moved by Van Gogh’s paintings in both heart and soul. Now it can’t be said that “The Starry Night” was worth as much as the rest of his paintings, but it has been known that his paintings are worth around 80 million
Like most art commissioned by the Catholic Church, the Sistine Chapel was intended to elevate the standing of the church and to inspire church goers in their faith. However, the creation of the Sistine Chapel frescos is not as simplistic as those who commissioned Michelangelo to paint them intended, particularly The Last Judgment fresco. Through art history researchers have discovered that the frescos Michelangelo painted were layered with hidden messages. By looking at Michelangelo’s life and religious teaching of his day, and his personal belief we can determine what the true meaning behind his work was.
Vincent Van Gogh’s piece titled Starry Night, represents the artist’s insanity and isolation from the outside world. Van Gogh painted the view that was seen from the room, mixed with the emotions he felt inside. Starry Night is an oil painting on canvas and is two dimensional. The painting is found in the Museum of Modern Art located in New York. The variety of elements and principles of art, help to bring the painting to life, and help viewers understand what the art could represent.
The Last Supper is a giant 15feet tall by 29 feet wide painting created during the Renaissance period in the 15th century. Da Vinci was commissioned by Duke of Milan Ludovico Sforza and his duchess Beatrice d’Este. Da Vinci begin creating the portrait in 1495 and completing it in 1498. It is said that the painting of Last Supper is not a true fresco. Da Vinci decided not to apply paint on a wet plaster he experimented by painting directly on a dry plaster using tempura and oil paint. He used this technique to capture the look of an oil painting, but even within his lifetime it began to wear off.