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Andrew Carnegie Industry
Andrew Carnegie Industry
Andrew Carnegie Industry
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Emily A. Mathews
04/30/2015
Intro to Music History: Research Paper
Carnegie Hall is a prestigious music hall located in New York City, New York. More than 46,000 events have taken place here since it opened in 1891. The hall has been used for musical performances as well as lectures, readings, receptions, and it has provided rooms for secret organizations. A few big name flutists such as Jean Pierre Rampal, James Galway, and Emmanuel Pahud have performed and given masterclasses at the hall. Even some non-musicians have given speeches in the hall. Carnegie Hall was also a platform for people to let their voices be heard.
A man named Leopold Damrosch came to New York in 1871 to conduct a small musical society. He soon started his own oratorio
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On opening night horse drawn carriages were lined up for a quarter mile and the hall was jammed with New York’s high society figures such as: the Whitneys, Sloans, Rockerfellers, and Fricks. The hall was as pleasing to the eye as it was to the ear, and everyone knew that a special place had been built and would stand for a long time.
Pyotr Ilyich Tchaikovsky, a well-known Russian composer, was selected to serve as the guest conductor for the series of concerts that would inaugurate the hall. The precedent set on opening night with the appearance of Tchaikovsky who conducted his Marche Solennelle and his Piano Concerto No. 1 attracted the world’s finest performers to its stage. The hall has drawn talent, glamour, and prestige to this very day, not only by musicians but also
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Some newspapers referred to the hall as “Carnegie’s Music Hall”, “Carnegie Music Hall”, and even “Carnegie Hall”. In 1893 the board of the hall persuaded Andrew Carnegie to allow the use of his name and change the name from “Music hall” to Carnegie Hall”.
On August 11, 1919 Andrew Carnegie passed away, and the majority of the Hall was passed to his widow, Louise. In 1925 she sold Carnegie Hall to a real estate developer by the name of Robert E. Simon. At the time of Simon’s untimely death in 1935, the hall was then passed to his son, Robert Simon Jr.
Carnegie Hall came close to being demolished when the construction of the Lincoln Center for the Performing Arts was built. The New York Philharmonic was making plans to leave Carnegie Hall and move to the newly built Lincoln Center. The hall was due to be demolished on March 31, 1960 so that a 44 story office tower could be built. Life Magazine ran the story and a picture of the fire engine red monstrosity that developers were planning on
The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians, each with positive and negative aspects. In society today, music is greatly appreciated and accepted. It is considered an honor and a privilege to expose our ears to the music.
Howard, John Tasker, and George Kent Bellows. A Short History of Music in America. New York: Thomas Y. Crowell Company, 1957. 342-3. Print.
The sole concert performer was Anton Nel. The date of the performance was October 8th, 2017 at 4:00 PM. The concert lasted about an hour thirty minutes. The concert was located at Rainey Hall in Jessen Auditorium. The performer Anton Nel was a middle aged man. The audience was generally middle-aged to elderly. Nel is a very well known pianist who has taken his talents to several areas across the globe including Europe and Africa. He has received several awards including the 1987 Naumburg International Piano Competition at Carnegie Hall. As a UT student, my ticket was free.
On Sunday, December 07, 2003, I attended the Mozart and The Height of Classicism concert that was held in the Lincoln Theater of the New World Symphony orchestral academy. Conducted by Nicholas McGegan featuring pianist Robert Levin. There were two pieces of music during this concert, one of the movements was performed by the pianist alone as a solo, Mr. Robert Levin. The program’s title was Wolfgang Amadeus Mozart, Chaconne from Idomeneo. The first piece was Concerto No. 24 in C minor for Piano and Orchestra, K. 491, Allegro, Larghetto, and Allegretto. The second piece was Symphony No. 36 in C major, K.425, “Linz”, Adagio-Allegro spiritoso, Andante, Menuetto-Trio, and Presto. This concert was unique in that the focus seemed to be as much on the instruments as in the music itself. As the pianist and conductor expressed the form of improvisation as Mozart did, which I will explain further on my critique.
The theater and Carnegie Hall was where Paul "really lived". To him, the rest of his life was but "a sleep and a forgetting". The moment Paul stepped into either one of those places, he felt he was in his element. He "breathed like a prisoner set free". Paul's life was so monotonous and dull in comparison to his theater life, which he felt was his "secret temple". This alone provides insight into his character. He truly believed that he belonged to the arts. This makes Paul's case so sad because no one believed in him. This is what caused him to flee to New York to be in a place where he would be accepted for his true selt.
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
Public speech was one of the most common methods that reformers used to reach the general public. Speeches had many advantages that made them a very appealing way for reformers to convey their message. The main advantage that they held was that they were cost efficient. It only takes one person to make a speech, and there is no other capital required. If someone wanted his or her view heard and had no other way to go about it, a speech was often the best option. Speakers did not even require venues to make their speeches. Although churches or other public buildings were often used, a speech could be made from the back of a horse driven cart. This style of riding from town to town was often seen in New England and upstate New York, where towns were close enough to make traveling from town to town practical. Speeches also appealed to reform groups who did not have a large contingency; a small group of speakers could often reach a large portion of the country easily.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias who was the conductor and Martin Chalifour who was the LA Phil commanding Principal Concertmaster and Bach violin player. In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffer introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience.
An author’s way of writing and portraying a character are one of the important things to note when reading a novel. Whether they use third or first person as their view point, have their main character have an underlying dark secret that is not revealed until the end of the novel. However an author wishes to write their novel, there is always a drawback to it. Kazuo Ishiguro’s way of writing his novel Never Let Me Go is in a first person perspective where the narrator, Kathy H., reassess her life of being a clone but the way Kathy remembers and discusses her memories of living in Hailsham is hindered by the fact she inputs her own feelings and thoughts into what happened in the past.
The history of this landmark begins in 1929, during the stock market crash, when John D. Rockefeller decided to turn a piece of property in the heart of New York City, formerly known as “the speakeasy belt,” into an entire complex of architectural and cultural phenomenon (“History”). Even though the city flooded with vacant rental spaces, constructing such superior buildings symbolized hope and optimism, drawing the attention of many commercial tenants. In search for a partner in this large feat, Radio Corporation of America stepped up to t...
In the eighteenth century two conductors were often used for operas.1 One conductor would direct the singers and the other conductor would direct the orchestra. On occasion there were three directors. The principle or lead violinist would often be the lead director, followed by the keyboard player and a conductor. 1 Orchestras without conductors also existed during this period, a tradition still continued today in chamber orchestras. 1 Gradually the lead violinist director became more important than any other type of director transforming himself into lead conductor. 1 The violinist would lead the orchestra by using the violin bow to conduct in the same manner that the baton would be used later.1 By the early period of the nineteenth century, about the time the size of the orchestra had expanded tremendously, a conductor had become a fixture. This paper will inform the reader on a brief history of conductors in general, the importance of a conductor, the history of black conductors, important and revolutionary black conductors, the future and popularity of black conductors, and how black conductors influenced the art of conducting.
They acknowledged his talents--he was equally gifted as a conductor, a pianist, and a composer of music for both the concert hall and
...duction that I attended on the night of February 17th was not my first experience with classical music, it was however the first symphony production greatly enriched by the knowledge that I have picked up as a result of the class Music 100. Although my family has a deep appreciation for classical music, and mine is just beginning, the Seattle Symphony production certainly brought many of the musical ideas and terms such as texture and clarity to life. The three works featured February 17th, Johannes Brahms' Tragic Overture, Edward Elgar's cello in E-minor, and Sergey Prokofiev's Symphony Number 6 in E-flat minor were new music that I have not been exposed to. Also the treat of hearing the work of world renounced guest cellist, Antonio Meneses was without doubt a treat. I much enjoyed this Seattle Symphony production and would like to attend another in the future.