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Radio in the past
Radio culture in the 1920s
Radio culture in the 1920s
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A young girl steps out of a yellow cab with a sparkle in her eye. As she looks up, she sees the biggest and brightest marquee hovering over Sixth Avenue, on the corner of Fiftieth Street. Wearing her finest red dress and paten strapped shoes, she grabs her mother’s hand and smiles with excitement. Walking into the largest indoor theatre in the world, this young girl is about to experience a spectacular like she has never seen before. New York City has forever marked the heart of this seven-year-old girl. For this one experience eternally transformed her view of the theater. After entering Radio City Music Hall and seeing the glistening chandelier hanging from above, the magical charm of this New York City landmark will forever be engraved. A “palace created for the people”, Radio City Music Hall is a place for entertainment, amusement, elevation, and inspiration (“History”). If the history wasn’t enough to keep Radio City alive, the future continues to look bright. Radio City is not only an artifact of the past, but the origin for the future. With advanced innovations and consistent pressure to compete with the rest of New York City, Radio City Music Hall thrives as the showplace of the nation. The history of this landmark begins in 1929, during the stock market crash, when John D. Rockefeller decided to turn a piece of property in the heart of New York City, formerly known as “the speakeasy belt,” into an entire complex of architectural and cultural phenomenon (“History”). Even though the city flooded with vacant rental spaces, constructing such superior buildings symbolized hope and optimism, drawing the attention of many commercial tenants. In search for a partner in this large feat, Radio Corporation of America stepped up to t... ... middle of paper ... ...s on the stage at Radio City creates a lasting impression, making Radio City what it is today. Essentially, Radio City is a “music hall that it needs no performers” because of the everlasting beauty that in essence is New York City (“History”). As the curtain came down, the audience roared. The same little girl is now twenty years old. She gets out her cell phone and quickly sneaks a picture of the beautiful golden curtain. Captioning the photo as “the best spectacular on earth”, she posts it to Instagram and hits over one hundred “likes” within minutes. She walks outside and looks up at the marquee. With a smile on her face, she walks to the subway dreaming of the day she will be on that stage. This celebrated theatre has found a place in her heart, creating an eternal love for New York and an eternal love for the beautiful landmark that is Radio City Music Hall.
Back in the day, music is not readily available online at the tip of your fingertips. Fifty years ago, you would listen to the radio and that’s how you knew what records to buy. Radio stations in large music cities such as Los Angeles, New York or Nashville normally set the standard for the most popular music. New music emerges in their city, than gets released on their local radio stations, and the music becomes a smash hit. This is not the case for the small town radio station of CKLW in Windsor, Ontario. As television was drastically changing the radio industry, CKLW had to change to keep up. This change is what resulted into CKLW- The Big 8, a radio station that created new standards of radio hosting as well as rock and roll music. CKLW influenced not only music throughout North America but the entire music industry such as Bill Drake's "Boss Radio” technique, and how this station influenced its home city of Windsor, Ontario. CKLW evolved from a small city radio station to become “The Big 8” a huge nationwide music icon that was responsible for not only changing the music industry but changing the face of radio forever.
For almost 90 years, The Grand Ole Opry has withstood the test of time to become one of the tried and true traditions in country music. From the show's humble beginnings as an obscure radio program, to it's renowned place today as one of the premiere stages for music, The Grand Ole Opry has had an extremely colorful and interesting existence. Over the 88 years that have passed since the show's inception, The Grand Ole Opry has featured many talented performers. Those performers, along with social changes and economics, have all contributed to the growth and success of The Grand Ole Opry.
If there is truly tradition to be found among the great theatres both on and off Broadway, then certainly the Sullivan Street Playhouse and its long running production of The Fantasticks rates as one of the most celebrated of New York theatrical traditions. Maintaining its place as the longest running production Off Broadway, The Fantasticks remains an enchanting and insightful tale of both young love and bitter disillusionment. It also reminds one, in this age of spectacle and the mega-musical, how powerful and truly inspiring theatre itself can be. Clearly, one of the great strengths of this production and a large part of its appeal for audiences over the last four decades lies in the fact that both the story and the style of presentation compliment each other so completely. Here we find the non-essentials are stripped away, and we are left to rely simply on the imagination of both the audience and the performers to create a magical evening.
“Lecture, concert will tell State Theater History.” Bay City Times 7 Oct. 2010: C1: Print. LaLonde, Pati. “Out with the old.”
When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.
It all began the previous summer. Lana, being a huge Broadway enthusiast, saved up enough money to buy tickets for BroadwayCon, which was a Broadway convention. There were no words that could describe how ecstatic she felt as she entered the building. Show tunes filled the air. To her right, Patti Lupone was signing autographs. To her left, they were selling Broadway merchandise. Up ahead, Lin-Manuel Miranda was performing “My Shot” from Hamilton. There were people sharing their different musical obsessions everywhere. Lana was truly in heaven.
Ladies and gentlemen, boys and girls, there was a time in history, when a brand new style of entertainment swept the nation. It changed the very way that Americans would perform in theaters, while illustrating the creativity of people with an eagerness to entertain.
The history of opera companies in New York City may bring to mind the largesse of the Metropolitan Opera Company, but for years before that opera was alive and well, and even thriving, in New York City. High society in New York had long been envious of the elegance associated with European opera outings, but it wasn't until 1825 that the first production of an opera was performed on a New York stage – an Italian opera troupe performing the premiere of Rossini’s The Barber of Seville. A review from the New York Evening Post reported, “the first-night house was full”, and noted with a “touch of relief” that “an assemblage of ladies so fashionable, so numerous… so elevated, so ‘European’” attended the performance. Accompanying the ladies of high
You, Have you ever sat at home and thought about where would be an interesting place to go? Somewhere you can have a fun time for under 20$.And aren't you tired of low-quality entertainment where everything is overpriced. Well I have a place for you, The Apollo Theater. The Apollo Theatre is in Harlem, New York it is the most famous performance venues associated with African American entertainers. The New York Theater that became the Apollo was built in 1913 by Jules Hurtig and Harry Seamon, two burlesque theatre operators and at opening was named Hurtig and Seamon’s New Burlesque Theater. It has many things, Comics, singers, musicians and more. It was the birthplace of many types of music. Travelers say it is in
Auditions are the pride of music television and the bane of every auditionee. Every time you open up your browser, the latest and greatest news on our favorite contestants riddles the headlines. Whether it be The Voice, all the way down to the recently-ended American Idol series, we all enjoy a good story of success. Musicals, plays, and operas follow a similar grueling tryout process but typically miss the headlines due to a more local influence, rather than national. The harsh reality that auditionees face, however, is something to be noted. Carol Wolfe (The Soprano, 93), and Diana Griffith (The Contestant, 105) are just two examples of how similar, and different, the branches of the music industry are. While Wolfe resides in New York, Griffith goes to Philly; two major auditioning and performing art cities. New York features a variety of artistic license from Broadway to the CBGB's mentioned in The Frontman (163). Philly, however, welcomes the influence of The Voice, the late American Idol, and The Big Bad Musical, and interactive comedic play in where the audience participates in deciding the events.
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
When it first opened it stood empty and was nicknamed the “Empty State Building” by New Yorkers mostly because of the Great Depression. However, since the building opened people have come to the Empire State Building to see the spectacular view from the Observatory on the 86th floor and 102nd floors. This building has also attracted many first-rate tenants in several diverse types of industries and it is the home of New York City’s broadcasting operations which supports all major television and FM radio stations in New
“The theatre was created to tell people the truth about life and the social situation,” says Stella Adler. Theater is unique and intriguing because it blends literary and visual arts to tell a story. Before Theater 10, I viewed theater on the surface level: cheesy plot lines with dramatic scenarios for entertainment purposes. Throughout the course, I have learned what it means to appreciate theater, such as understanding Brechtian and Chinese theatre; however, I believe understanding theater’s ability to convey crucial historical and social messages, such as in the production of RENT, is more relevant and important for theater appreciation.
In the seventies, we could do anything. It was the rainbow coalition, anti-Vietnam, all of those elements. And then we morphed over to where it became extremely straight-laced and non-risk taking. I think we are beginning to take risks again but within those societal norms.” Theatre only goes so far as society will allow it, as showcased by the Conservatory and it being influenced by the culture surrounding it. The mirror that is theatre reflects a culture and what it may want or not want to know, depending on how far it is allowed to
Although the Globe Theater has since burned down and is gone, her legacy remains. The beauty and grandeur vanished. The intricate work valiant effort put into it to build it unseeable. The feeling one would undergo upon walking through the doors, ready to experience a show now unattainable. However, the name “The Globe Theater” holds the same glory it held back in it’s greatest days.