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Recommended: The history of radio
Back in the day, music is not readily available online at the tip of your fingertips. Fifty years ago, you would listen to the radio and that’s how you knew what records to buy. Radio stations in large music cities such as Los Angeles, New York or Nashville normally set the standard for the most popular music. New music emerges in their city, than gets released on their local radio stations, and the music becomes a smash hit. This is not the case for the small town radio station of CKLW in Windsor, Ontario. As television was drastically changing the radio industry, CKLW had to change to keep up. This change is what resulted into CKLW- The Big 8, a radio station that created new standards of radio hosting as well as rock and roll music. CKLW influenced not only music throughout North America but the entire music industry such as Bill Drake's "Boss Radio” technique, and how this station influenced its home city of Windsor, Ontario. CKLW evolved from a small city radio station to become “The Big 8” a huge nationwide music icon that was responsible for not only changing the music industry but changing the face of radio forever. Windsor’s station, CKOK first came onto the air in 1932 and it was a station that played more “friendly and folksy” music. In 1933 the call letters were changed to CKLW and in 1941, it moved to its current position of AM800 . Throughout the years, television was drastically changing and was creating fierce competition with the radio industry. To be able to keep up with the times, CKLW had to change to stay in the game. One modification was the change of ownership. In 1963, RKO took over the station and CKLW became CKLW- The Big 8 and they focused on playing contemporary hits and rock and roll music, as we... ... middle of paper ... ...t would be released on a weekly basis. These Top 30 chart surveys listed the top thirty songs of the week and could be found in any record store or department store such as Sentry or K-Mart. Trombley and her staff researched record sales from local stores, and the request lines to see what the kids wanted to listen too. For the music industry, the Big 8’s Top 30 charts were their Bible. These free charts were “eagerly snapped up by groovy teens.” Decorated in bright colors, these charts allowed local children to follow their favorite song on the Top 30 list. In March 1970, “Let it Be” by the Beatles was number one on the charts, fell to number 2 four weeks later, and by May 11th, was completely off the charts. Today, these charts are “pop music memorabilia” and crazy stories have been heard that these Top 30 charts were used as wallpaper in teen’s bedrooms.
Understandably the focus of the episode titled 1959 The Year that Changed Jazz would focus on the events of 1959. The main point was outlining the four albums by four different bands that showed the different ways jazz was evolving. The first album to take focus was Kind of Blue recorded by Miles Davis and his sextet. Davis had started his jazz carer at the age of nineteen under his idol Charlie Parker in the late 1940's. Taking what he learned from Parker of the Bebop style, Davis went on to become an amazing artiest in his own right. Columbia Records was was easily able to turn him into a national celebrity, one that the women found highly attractive. From the sextet, Jimmy Cobb and Herbie Hancock were interviewed.
Today, CKLW is a news and information station for the Windsor-Essex community. Now in Windsor, Detroit radio dominates once again. Now, 68% of Windsorites listen to Detroit radio stations. The Big 8 still had a tremendous influence in shaping the face of radio, in creating megahits in music industry, and held a huge community presence in its hometown of Windsor, Ontario. CKLW was a small town radio station that became one of the biggest radio sensations of the 1960’s and1970’s. The Big 8 developed into an icon for not only music and radio; but, also brought out the music fanatic in everyone.
...influenced by many genres of music and wanted to cultivate a sound that was their own and like nothing else out there. Artist flocked to them to receive something that was completely different and to bring out put out the best recordings that were possible. The studio was influenced an array of artists who possessed individuality, a sound that differentiated them from other artists, and a will to try to experiment. The studio created a sound like no other studio and much different from the prominent studios from the north, west, and south. It was a studio that will leave a legacy of risk takers, who had a desire to produce a sound that would stand the test of time and influence many generations to come. Their production style mixed genres and may music boundary less. It influenced the sound of today’s music to not be boxed in or classified as just one type of genre.
In overtime, behind and with little time on the clock Oklahoma City’s Russell Westbrook sinks an off balanced three and pushes the Thunder past the Golden State Warriors 113-112. This happened on November 29th, 2013 but 9 years prior this was all a dream of the people in Oklahoma City. It all started on August 29, 2005 when hurricane Katrina released hell on New Orleans. Most of New Orleans was destroyed by flood waters. This caused the New Orleans Hornets to temporarily relocate to Oklahoma City. They played in Oklahoma City for two seasons before New Orleans was able to host them again. These two seasons created national attention toward Oklahoma City for the great fan base and prospective city for a new team. A group of Oklahoma City investors led by Clay Bennett buy the Sonics franchise. After the 2007-2008 season the Seattle Super Sonics file relocation papers to relocate to Oklahoma City. When they get to
...ath to dominate their field and branch off into other dominating sub-genres. Those genres, especially in the 1920’s, created the foundation of what we see today in the 21st century. The genres and the creativity produced in these decades were accompanied by entertaining dance and shows that provided the people with a comfortable diversion from their outward life. In addition, music remained a way of spiritual and fun release of the mind and energy. With the radio acting as a distribution center for music, it became a national pastime in which it still ranks number one today for it’s easy access and reaching fields. In conclusion, although the 1920’s saw the birthplace of what is generally known today as the foundation of modern music, the 1970’s matched innovation and creation in the industry which is why music is still a staple in the lives of many people today.
Motown is the sound that changed America. No other record company in history had more than 180 number 1 hit songs worldwide and counting. Motown just recently celebrated their 50th anniversary of the company’s founding. Marvin Gaye, Temptations, Jackson 5, and many much brought together racially divided country and segregated society around the world. In this essay I first will tell you more information about Motown and where it got its name from, I then will tell you about Marvin Gaye and his history dealings with Motown, next I will talk about Stevie Wonder and explain his life and how he became a part of Motown, and lastly I will talk about Jackson 5 and talk about how they became a group and their dealings with Motown.
-The American people were hungry for new music, so they accepted the independent stations of the majors.
Jazz is an American genre that developed from ragtime and blues in the early twentieth century in urban areas of the U.S. This genre is characterized by strong, prominent meter, improvisation, distinctive tone colors, and performance techniques. The development of Jazz made a postive, lasting impact after World War One ended. It became a way of bringing young people together. Jazz became the basis for most social dance music and provided one of the first opportunities for public integration. Subcultures like the gangs of New York and Chicago encouraged the subjugation of the black artists to the white man’s economic and social power, often resulting in gang leaders having complete control over
...nal Public Radio: News and Analysis, World, US, Music and Arts. 31 March 2010. Web. 31 January 2011.
“The only real outlet for listeners to hear all the new records was Radio Luxembourg and many British listeners tuned into Radio Luxembourg (The Great 208), but that was only available in the evenings and the signal would often fade or become distorted as the nigh...
Similarly, David Engles talks about how the music and Blaxploitation movements was the outlet African Americans need to create a better condition for themselves. Engles states that “If supporters of the movements were correct, African Americans would be given a new empowered voice that could establish a self-created identity and possibly serve to counteract cultural oppression. Regardless of the outcome, these two movements extended beyond the boundaries of entertainment and became a battleground for African Americans to attempt and define a new black identity” (Engles). The music of gangsta rappers of the black community needed a platform to display their music and that’s where radio stations came in. Stations such as WDIA were developed after the war to get advertisements. The Newman article says “Radio was the most prevalent form of nationally sponsored mass culture in African American homes…” (Newman, 101). Davind Engles proclaims that “…gangsta rappers understood that in order to successfully connect with African American audiences and establish a level of authenticity needed to successfully appeal to them, they needed to portray a familiarity with and understanding of the unique characteristics and pressures associated with ‘hood life’” (Engles). And rappers needed to be able to tell a story that will provide a sense of association to the black listeners. And
I chose to do my report on WROU 92.1 FM, a Dayton urban contemporary radio station that plays rhythm and blues (R&B), and rap. I've listened to WROU for years and I consider them my favorite radio station. Although I have listened to the station, I've never paid attention to how the programming is done, so I figured this would be my chance to do so.
Music discs were being sold like never before. The music’s “heavy rhythm, simple melodies, and lyrics- featuring love, cars, and the problems of being young- captivated teenagers across the country” (Danzer 656). Musicians such as Chuck Berry, Buddy Holly, Little Richard, and most notably, Elvis Presley, gained popularity by aiming their lyrics at teenage audiences (Epstein 36).
Oftentimes, when listening to the radio with my dad, he will exclaim, “What happened to all the talent? Where is the real music?” Now I can’t say I blame him for thinking this way, the electric pop music of today’s culture is much different from the hard rock music of his youth in the 1980’s. However, growing up, this caused countless petty fights about what is and what isn’t good music.
In 1907 DeForest began a regular radio broadcast featuring music. In 1909 the first talk-radio format, covering women¡¦s suffrage, was broadcast. And in 1912, the United States Congress passed a law to regulate radio stations. In 1917 the first radio station, KDKA, was built; and in 1920 the first scheduled programs on KDKA were broadcast. The going rate for ten minutes of commercial airtime was $100. By 1924, the first sponsored radio program, The Eveready Hour, began. In that same year there were two and a half million radio sets in the United States.