Night at the Symphony The first reason why I chose to go to the Seattle Symphony production on February 17th, 1998 was that the resources of the featured artists and the conductor Maximiano Valdes were quite plentiful. It was quite easy to find information on the conductor using the library and even the Internet. In fact, Valdes current place of employment, that being the music director of Buffalo Philharmonic has a detailed web page and history of Valdes, including his place of birth and significant accomplishments up to present. With all this information available, the writing of this paper would be significantly easier. Upon arriving at the production, there was an announcement that Maximiano Valdes would in fact not be conducting the Seattle Symphony that night, but a replacement by the name of Jorge Mester would. The announcement was surprising, but the biggest shock was after the concert when the information sought on Mr. Mester was very limited. The information that could be found on Mr. Mester was that the man was quite accomplished, and winner of various awards. Some of the major accomplishments were that of being the current Artistic Director of the National Orchestral Association's New Music Project and winner of the prestigious Naumberg Prize. The Seattle Symphony production that I attended February 17th lasted approximately just over a two hours. It started promptly at 7:30 and had a brief 20-minute intermission at 8:30. Not including the intermission, the concert could primarily be divided into three parts. Each of the three parts was different in composer, texture, volume, and instruments used. Although all the parts of the performance where very well done, the second was just exceptional, as ... ... middle of paper ... ...duction that I attended on the night of February 17th was not my first experience with classical music, it was however the first symphony production greatly enriched by the knowledge that I have picked up as a result of the class Music 100. Although my family has a deep appreciation for classical music, and mine is just beginning, the Seattle Symphony production certainly brought many of the musical ideas and terms such as texture and clarity to life. The three works featured February 17th, Johannes Brahms' Tragic Overture, Edward Elgar's cello in E-minor, and Sergey Prokofiev's Symphony Number 6 in E-flat minor were new music that I have not been exposed to. Also the treat of hearing the work of world renounced guest cellist, Antonio Meneses was without doubt a treat. I much enjoyed this Seattle Symphony production and would like to attend another in the future.
February 24, Monday, 2014 at 7.30 P.M. the USA symphony band and Ensemble performed four pieces of music concert in the recital hall of the Laidlaw performing. The symphony band performed works such as Holt’s famous “suite in E-flat” and jack stamps exciting fanfare “Cenotaph”. While the Ensemble band conducted by William Petersen and Greg gunner. They featured works such as frank Kevin put “millennium Canons and Frank Tichelis “Angels in the Architecture”
I have been to many different concerts throughout my life but this year I experienced two exceptionally unique ___ that I had never seen before. The first one was a spectacular chamber recital that took place at the Chicago Symphony Orchestra performed by pianist Yefim Bronfman and violist-violinist Pinchas Zukerman. The program included Schubert's Violin Sonatina No. 2 in A Minor, Beethoven's Violin Sonata No. 7 in C Minor, and Brahms’ Viola Sonata No. 1 in F Minor. The second was a performance by the notable quartet “Anonymous 4” presented by the Universality of Chicago at the Rockefeller Memorial Chapel. The program included a series of medieval French motets from the 13th Century French polyphony, taken from the Montpellier Codex. The two performances were extremely different in nature and but at the same time very similar in what they were trying to achieve. For instance, while the first concert consisted entirely of an instrumental performance, the other was exclusively vocal. However, both were able to bring to life great examples of iconic artists from our past. I left both c...
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
Since the early symphonies of Sammartini and Stamitz the orchestral symphony has underwent constant development. In the early nineteenth century Beethoven started a new form of the symphony when he composed a symphony based on programmatic music. The programmatic symphony is a composition that is written with non-musical influences. "Program music is instrumental music which tells a story illustrates literary ideas, or evokes pictorial scenes. Though the term originated with Listz, illustrative music has existed for as long as music itself."(Kennedy p. 579)
The second piece, Paratum Cor Meum, was a much shorter piece with very few lyrics. It was interesting to hear a piece by Haydn, since we had discussed this composer in class. I was impressed by the choir members’ ability to remember words in another language, and I enjoyed the sounds of the piano accompaniment.
I attended a concert on October 14th at the Granada, put on by Santa Barbara Symphony, the Symphony Chorus, and State Street Ballet. The performance was titled “Mozart in Dance”. They first performed Mozart’s symphony no. 41, Jupiter. Next, including vocals and dance, was Mozart’s final musical piece, Requiem K. 626. Both are from the classical era. Overall, this was a great concert that used originality to add to the already present grandeur of Mozart’s Requiem.
The Symphony Orchestra concert was preformed by The OU School of Music with Jonathan Shames as a conductor and they presented Sutton Concert Series. In addition, the Orchestra concert performed at Paul F. Sharp Concert Hall in October 12, 2015.There were like forty-one performers on the stage including the conductor using different types of instruments and and all of them were wearing a nice black clothes. The stage was a quite large with wooden floor and there were two floors for the audience with a comfortable seating. However, all the performers were on round shape and against the conductor.
On Sunday, December 07, 2003, I attended the Mozart and The Height of Classicism concert that was held in the Lincoln Theater of the New World Symphony orchestral academy. Conducted by Nicholas McGegan featuring pianist Robert Levin. There were two pieces of music during this concert, one of the movements was performed by the pianist alone as a solo, Mr. Robert Levin. The program’s title was Wolfgang Amadeus Mozart, Chaconne from Idomeneo. The first piece was Concerto No. 24 in C minor for Piano and Orchestra, K. 491, Allegro, Larghetto, and Allegretto. The second piece was Symphony No. 36 in C major, K.425, “Linz”, Adagio-Allegro spiritoso, Andante, Menuetto-Trio, and Presto. This concert was unique in that the focus seemed to be as much on the instruments as in the music itself. As the pianist and conductor expressed the form of improvisation as Mozart did, which I will explain further on my critique.
Being “something of an experiment” (Brown, 2007, 465), Gade explores the versatility of the piano as both an accompanying and a solo instrument, as in a symphony versus a concerto. This is echoed in Berlioz’s sentiments that “the piano can be seen in two ways: as an orchestral instrument, or as a complete little orchestra in itself” (Shepherd, 2008, 9).
The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy f...
I think that the symphony sounded great to our ears because the performers were all professionals. Although some of the pieces were long the music was great. They had a clear a crisp sound and they were in tune. The highlight of the performance was the last song where the drums were taken place. My favorite piece was the Piano concerto Andante. That piece was slow at the beginning and I loved the slow and dreamlike melody that the symphony projected. But, the piece changed the mood and it went from a dreamlike slow piece into a nightmare fast piece. At the end of the work, the piece had a resolving sound which I feel like it tells me a story. The piece that I liked the least of the third piece. I liked it the least because it was difficult to listen to. There were many sounds from different instruments playing all at once. It did sound like one piece, but it was a little harder to listen to than it was to the other pieces. My interest was held the entire time because each piece was
Robert Schumann (June 8, 1810 - July 29, 1856) was a famous German composer and music critic of the Romantic Era. He was known for many of his piano, vocal, choral and orchestral works, but had only composed mainly for piano up until 1840 when he married his wife Clara Wieck. Out of Robert Schumann’s short, well-lived life, he only wrote four symphonies in his lifetime. These Symphonies were: (1841) Symphony No. 1 in B-flat major, Op. 38 ( “Spring Symphony”), (1847) Symphony No. 2 in C major, Op. 61, (1850), Symphony No. 3 in E-flat major, Op. 97 (“Rhenish”), and ( 1841) Symphony No. 4 in D minor, Op. 120. 1841 was named Schumann’s symphony year, because it was the year that most of his symphonies were composed and performed, causing him to be one of the highlights of the Romantic Era. In this paper, drawing upon scores and recordings from Robert Schumann's Symphony in D minor Op. 120 and Symphony in B flat Major, op. 38 "Spring", peer reviewed articles and dissertations, and books published, I will argue that, Robert Schumann's Symphony year was in fact the year 1841, the year where his Symphony's became successful and prominent.
Next was the Wind Symphony, they played the music Annabelle Lee and A Christmas Festival. I really enjoyed the piece Annabelle Lee. It started off very high pitched because of the flutes. The beauty of this piece was that it just really told a story, and it just blew me away. The trombones, tubas, and trumpets sounded the most beautiful to me. I really loved how they came together. I think I smiled through the whole piece, it was just so
Beethoven’s 9th Symphony orchestra was performed in concert by both the magnificent Chandler Symphony and the lovely choir of Chandler-Gilbert Community College. In D minor, the 9th Symphony was played. All four movements were played beautifully by the numerous instruments that were involved in the concert. Of course, the string family played tremendously, along with the brass family and the percussion family. The performance took place in a beautiful concert hall.
This semester various music elements were analyzed and understood. Through the usage of various musical elements each piece was able to express the composer’s emotions and ideas. The first concert that was attended was composed of classical compositions. It was called: solo and chamber concert. The second concert or performance I attended was Pinocchio. In these concerts various instruments were used to play and express the piece. In addition, singers had their voices accompanied by the piano.