Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Concert review examples wind ensemble
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Concert review examples wind ensemble
Elana Sanguigni
April 18, 2016
Honors Music Term Paper
The Wind Ensemble and Concert Band reflect a rich history. The formation of the Concert and Wind Ensemble bands date back to the Middle Ages and Medieval Times. The Concert Band and Wind Ensemble have evolved over the years, due in part to significant historical events, music combinations, individuals, and progress. The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians,
Though the formation of our modern-day Concert Band does not date back quite as far as our modern-day Wind Ensemble, the extent of events, groups, composers, and advancements is quite similar. The evolution of the Concert Band dates back to the French Revolution. Large bands, full of unique instruments and amateur musicians, were required to play at festivals and ceremonies. Similar to the evolution of the Wind Ensemble, the Concert Band is derived from military purposes. Instruments, such as the trumpets, horns, and drums, were often used for signaling. In contrast to Wind Ensemble musicians, these Concert Band musicians never played their instruments for military enjoyment. The Concert Band musicians primarily played instruments to signal to the guards and villages. There were a few unique instruments, however, that were desired to play a military tune. These instruments include instruments such as a flute or bagpipe. Throughout the Middle Ages, this difference in military preference led to different job opportunities. For example, a cavalry company required trumpets, horns, and trumpets. On the other hand, foot soldiers would hire flute and bagpipe
The Rise and Development of Military Music. Freeport, New York: Books for Libraries Press, 1912. Print.
Goldman, Richard Franko. The Concert Band. New York: Rinehart and Company, Inc., 1946. Print.
Rhodes, Stephen. 20th-Century Repertoire. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. Instrumentation. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The 19th-Century American Wind Band. Lipscomb University, 2007. Web. 10 Apr. 2016.
Rhodes, Stephen. The Baroque Wind Band. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The Medieval Wind Band. Lipscomb University, 2007. Web. 8 Apr. 2016.
Rhodes, Stephen. The Renaissance Wind Band. Lipscomb University, 2007. Web. 10 Apr. 2016.
Schmidt, Catherine Jones. A Short History of Wind Bands. OpenStax CNX. Web. 13 Apr. 2016.
White, William Carter. A History of Military Music in America. New York: The Exposition Press, 1944.
Ft. Lauderdale, FL: Meredith Music Publications. Goldman, E. F. (1961) The Wind Band. Boston, MA: Allyn and Bacon, Inc. Miles, R. (1997) Teaching Music through Performance in Band.
The book America’s Musical Landscape starts by looking back to early North American Music from the American Indians, to the religious and non religious music of the European and African settlers. According to the book “Native American music was and is song, sometimes supported by instruments.”1 The Native American used different types of instruments to accompany their songs or chants such as the drums, flute and rattles. Like music for us today the Native Americans used music in all different aspects of their lives. The early European settlers br...
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
Yarberry, G.A. (1979). An overview of the past, present and future of the band movementin America. Bulletin of the Council for Research in Music Education, 14(2), 1-9.
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
People in America started using drums on the battlefield during the Revolutionary war. The drums that were used in the Revolutionary war are called field drums because they were used on battlefields. Field drums are really just the olden day version of a snare drum with a few minor differences. During the Civil war, field drums were accompanied by fifes on the battlefield. The drum and fife would be used to keep the soldiers marching in time, give orders in camps, and “the steady rhythm and spirited tunes of the fifers and drummers kept the soldiers mind off the tedious march”. The drums were also helpful for when the soldiers were lined up in the firing line to keep their mind occupied. Soldiers said that the music would remind them of home and their friends. Field drums were a necessity in war because the battlefield was very loud and it could be hard to hear officers ...
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Indeed, by considering the social and historical background of early music, modern performers can derive further clues to past performance practice beyond available scores, period instruments, and knowledge of historical techniques and styles. Using such knowledge, modern musicians can rise above challenges such as vague notation and lack of actual recordings to create informed, intent-driven performances of early music that reflect the contemporary context.
High school gives you the opportunity to explore and engage with different sports or/and extracurricular activities. Many of which are arguably classified as a sport. Show Choir is one that many single out and classify it as an extracurricular activity. Show Choir is a group of people who combine choral singing with dancing, sometimes within the context of a specific idea or storyline. Traveling across the United States gaining trophies and competing for the best spots to calm a champion reputation within their show choir group. So, what intentionally makes up a sport? If you sweat, work out, compete, or maybe condition can be possibly the considerations on what makes up a sport. Show choir has different forms of memorizing moves, motions put
The New Horizons Band captures the essence of numerous generations ranging from young adulthood to senior citizens, who delight in the creation of music. In 1991, Dr. Ernst, a professor at the Eastman School of Music, began the first New Horizons Band (Cole). This musical community consist of senior citizens who currently play instruments or desire to learn the art of a new instrument. Various divisions of this musical community exist throughout the United States, and participation extends over ten-thousand members (“Concept and Philosophy”).
The Winter Orchestra Concert on March 10 was amazing. The first band was Concert Orchestra. The first piece they played was Allegro by J.H. Fiocco, arranged by E.D. Borgo. This song had an equal tone quality. The violins were great with keeping up with the tempo. It sounded like one instrument the blending was amazing. The violins had awesome sixteenth note runs. It was also a constant dynamic it was forte. The intonation of the performers was good. The balance between the instruments was also equal. The audience seemed to enjoy this song by this band. The next piece this band played was A Tribute to Elvis arranged by T. Ricketts. This song was a rock style. They had a student conductor who was very good a conducting. The instruments blended
Of all the instruments laid out on display, only one caught my attention. I was thirteen at the time, and naturally, my eye was drawn to the shiniest of the group. I had never heard the sound of a flute before, aside from the cheap imitation of one on my family’s electronic keyboard. Nevertheless, I picked the pretty, gleaming, easy-to-carry flute on that first day of band class. Three years later, I can’t imagine playing anything else. What started off as blind luck and an attraction to shiny objects is now a part of my life. Playing an instrument is always a worthwhile investment; you develop a skill that many people only wish they had, you have opportunities to meet other musicians, and you may even get to travel in a band setting. But in order to reap the benefits, you first have to learn how to play.
With the help of the Music Director, Vocalise was recently able to form an 11-musician-strong String Ensemble for a performance at the Esplanade Concourse. These musicians are young and exclusive to the company. Hence, Vocalise would be able to offer various String Ensemble set-ups that are not offered by any other entertainment agencies. Through the first Open Call, Vocalise was also able to secure an exclusive electric-violin duo, a concept that is unique to the company. Vocalise’s ability to engage and work with upcoming musicians and new concepts allows it to have an edge over its