Opera Essays

  • the opera

    1202 Words  | 3 Pages

    Operas as a form of art became popular in society around the mid 17th century. Originating from Italy, people viewed the opera as a combination of poetry, dance and music. At the time, people were quick to be awed by the ability of the opera to combine all three forms of art into one show of theatre. Obviously, the opera was quick to spread and develop in other countries. The one destination the opera soon gained popularity and fame in was no surprise. As Oscar de la Renta once said, “If you want

  • Opera

    3070 Words  | 7 Pages

    plays, the actors on stage do not speak their lines they sing them! Opera is the combination of drama and music. Like drama, opera embraces the entire spectrum of theatrical elements: dialogue, acting, costumes, scenery and action, but it is the sum of all these elements, combined with music, which defines the art form called opera. Operatic dramas are usually serious, but there are several comic operas and funny scenes in tragic operas. The music is usually complicated and difficult to sing well. Only

  • Evolution of Opera: Greek Drama to Baroque Opera

    872 Words  | 2 Pages

    defines opera in his text, A Short History of Opera, as “a drama in music: a dramatic action, exhibited on stage with scenery by actors in costume, the words conveyed entirely or for the most part by singing, and the whole sustained and amplified by orchestral music” (4). A literal translation of the word opera is simply work, and although the term opera was not coined until 1634, one of the first known operas was performed in 1597 (Grout 1). Grout explains that there are two types of opera. The first

  • The History Of Opera

    2038 Words  | 5 Pages

    Opera, as we know it today, with its blend of poetry, music drama and elaborate sets, has its roots in ancient Greek theatre. Great drama and tragedies of ancient Greece were punctuated by musical and lyrical interludes. This was the early conception of operatic ideas in using music and song to reflect characters’ emotions in narratives. The humanist movement in fifteenth-century Florence, Italy held works of the classical civilisations in high regard. The inspiration which stemmed from ancient Greece

  • Peking Opera

    520 Words  | 2 Pages

    Peking Opera *Works Cited Not Included Peking opera first started to gain national recognition in the 19th century, as is probably the best-known Chinese traditional music-theater in the West. Though known to the West as Peking opera, it is referred to in China as "jing ju," translated as "capital theater." This musical genre contains such diverse characteristics including virtuosic singing in romantic scenes involving young lovers, stylized battle scenes at land our at seas featuring spectacular

  • Opera Essay

    844 Words  | 2 Pages

    An opera is created with a combination of many different art forms, some such as singing, dancing, and acting. It takes in many forms of art and combines it into one, called an opera. Many people have different opinions of things such as an opera, for me I believe that it is a creative way to express feelings in the matter of art, like how a picture is worth a 1000 words. Opera is like an art where the stage is like a canvas, and as the characters take on their every move it is like a stoke on a

  • Elements Of The Italian Opera

    1339 Words  | 3 Pages

    Reuter 12-12-17 Final essay The Opera During the 19th century, many different forms of music such as instrumental gained prestige and elite. However, Opera continued to be a central part of music life especially in Italy, France, and Germany. During this time period Opera served as elite entertainment and also as the as a source of music that was extremely popular with people of all classes and professions. Italian bel conto opera was the most popular but new types of opera were developed in France and

  • Opera in the Nineteenth Century

    719 Words  | 2 Pages

    if you were in the La Scala opera house, listening to a Vincenzo Bellini operas. Would it be warm felt or just would be nice to be there. To know that there is people out there that can sing with the power and flexibility that they can do. Vincenzo Bellini is one of the many opera composers that the nineteenth century had to offer (The National Opera Center America). Bellini like many of the composers in this time was born in Italy. During the nineteenth century, opera stories most of the time was

  • Opera In The 19th Century

    799 Words  | 2 Pages

    However, opera still continued played a main role of musical life in Western Europe. Many opera theatres were founded and managed by an impresario for profit. There was also has financial support by government subsidies or private support. Thus, audiences of opera are basically from upper or middle classes of society. Some of the people attended the opera just to allege their social status but not for the music. Apart from that, opera getting more popular and famous than before the century as opera excerpts

  • Personal Narrative: An Opera

    617 Words  | 2 Pages

    would like to attend the opera because opera is an inspiring art form that provides deep insight into music and also includes certain aspects of storytelling and visual arts. As a musician, I have a passion for both creating and experiencing music. I have always been a fan of film and theater, as it brings together my interests in storytelling and visual arts. I have never seen an opera live before, but based on my various experiences of it on television and on YouTube, the opera seems to bring together

  • The Importance Of Opera

    996 Words  | 2 Pages

    Opera, in its simplest definition, is a form of the stage production that where the story is told primarily with music and singing that originated in Florence, Italy. Alternatively phrased as “Musical drama.” It incorporates acting, instruments and occasionally ballet. A song sung in an opera as a solo is called an “Aria” and a song sung in pairs is called a “Dueto” Every line is sung, including the most ordinary ones. Costumes are glitzy and dramatic to draw attention to the actors. Musicians are

  • Modernist Opera

    2080 Words  | 5 Pages

    Modernist Opera Modernism, a major artistic movement of the first half of the twentieth century, is traditionally a classification of the visual arts, including such schools as Abstraction, Impressionism, and Expressionism. In architecture, too, was Modernism recognized, in the work of people like Frank Lloyd Wright. Even in literature, with the increasing use of symbolism, Modernism was an influence. Modernists in all of these art forms are consciously engaged in the expansion of the boundaries

  • The History and Future of Opera

    955 Words  | 2 Pages

    Atlanta Opera. Tosca is an Italian opera, directed by Tomer Zvulun, accompanied by an orchestra conducted by Arthur Fagen, included a cast of Kara Shay Thomson, Massimiliano Pisapia, and Luis Ledesma (The Atlanta Opera). Opera is an art form in which singers act out drama through a combination of acting and vocal performance. Singers deliver conversation in a musical manner, essentially singing the conversation. Since we recently learned about opera in class, I want to explore the future of opera - where

  • Bel Canto Opera

    2267 Words  | 5 Pages

    Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition

  • Essay About Opera

    2656 Words  | 6 Pages

    find opera unintelligible, overwhelming, and boring, opera continues to be a popular form of storytelling. People love the drama and the musical masterpieces written by well-known French, Italian, and German composers. The addition of beautiful costumes and eye-catching scenery make opera an attractive form of entertainment. However, even with all these positive elements, many avoid opera like the plague. The goal of this paper is to help eliminate these negative opinions by educating the opera challenged

  • German Opera Essay

    1057 Words  | 3 Pages

    German opera was nourished with the rise of nationalism in music. Due to the comparative nature of the German language versus the Italian language, early German language operas were imitative but could not effectively compete with Italian language operas. “Traditional operatic singing was a function, an outgrowth of the Italian language, the nature of its vowels, and consonants, and its ability to sustain melisma. As long as German language opera attempted to compete with Italian opera on its own

  • Metropolitan Opera Essay

    890 Words  | 2 Pages

    The Metropolitan Opera, commonly referred to as "the Met", is a company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. The music director is James Levine. It was founded in 1880 as an alternative to the previously established Academy of Music opera house. The Metropolitan Opera is the largest classical music organization in

  • Analysis Of Opera Scenes

    722 Words  | 2 Pages

    The arts and ideas event that was the most influential to me was Opera Scenes presented by the Joliet West musical department. The cast consisted of Joliet West students and featured the remastering of some great plays in history including: Romeo and Juliet, the Fairy Queen, Don Giovanni, and Hansel and Gretel. Opera scenes was a performance that captivated the audience with beautiful redemptions from well-known plays throughout history that gave the audience greater context to the play, while also

  • Richard Wagner and Opera

    806 Words  | 2 Pages

    Richard Wagner and Opera One of the key figures in the history of opera, Wagner was largely responsible for altering its orientation in the nineteenth century. His program of artistic reform accelerated the trend towards organically conceived, through-composed structures, as well as influencing the development of the orchestra, of a new breed of singer, and of various aspects of theatrical practice. As the most influential composer during the second half of the nineteenth century, Richard Wagner's

  • Analysis Of Phantom Of The Opera

    1038 Words  | 3 Pages

    Phantom of the Opera is the longest running musical to date, as it has been touring non-stop for 28 years. Phantom is known as being a tremendously heart wrenching performance that centers around a love triangle and angst. The love triangle involves Christine Daae, Raoul, and the Phantom, who is also known as Erik. Christine came to the Opera Populaire as a young child where she grew up mastering the arts when her father passed. The Phantom was a man deformed at birth and was shown in a freak show